Michael Jackson - Blood On The Dance Floor (HIStory In The Mix)

Michael Jackson - Blood On The Dance Floor (HIStory In The Mix)

Media Condition:  Mint (M)
Sleeve Condition: Mint (M)

Format:      CD, Album, RE
Country:    Europe  
Released:  2009
Genre:       Electronic, Hip Hop, Pop
Style:         House, Downtempo, RnB/Swing

Track List:

1. Blood On The Dance Floor 4:13
2. Morphine 6:28
3. Superfly Sister 6:27
4. Ghosts 5:08
5. Is It Scary 5:35
6. Scream Louder (Flyte Tyme Remix) 5:30
7. Money (Fire Island Radio Edit) 4:23
8. 2 Bad (Refugee Camp Mix) 3:32
9. Stranger In Moscow (Tee's In-House Club Mix) 6:54
10. This Time Around (D.M. Radio Mix) 4:05
11. Earth Song (Hani's Club Experience) 7:55
12. You Are Not Alone (Classic Club Mix) 7:37
13. HIStory (Tony Moran's HIStory Lesson) 8:01

Notes: 

Reissue with "2005 Sony logo" and Made in the EU on backside of traycard. The front side of the tray card is generic black. Comes in a clear tray jewel case. Children's Choirs: "Childhood (Theme From "Free Willy 2")" - New York: Tracy Spindler, Natalia Harris, Jonathon Ungar, Brandi Stewart, Reeve Carney, Caryn Jones and Brian Jones. "They Don't Care About Us" - Los Angeles: Kimberly Johnson, Crystal Pounds, Rhonda Hoskins, Crystal Grant, Caleena Campbell, Nikisha Grier, Chauna Bryant, Jania Foxworth, Crystal Jackson, Kandy Johnson, Charity Young, Angela Fisher and Coy Mattison. Additionaly the booklet contains Special Thanks, Thanks To and MJJ Productions, Inc. Staff credits. Track 1 studios: Soundtrack Studios (N.Y.), Mountain Studios (Montreux, Switzerland) and Record Plant (L.A.). © 1997 Mijac Music, all rights administered by Warner-Tamerlane Publishing Corp./Zomba Enterprises, Inc. and Donril Music. (All righs for Donril Music Administered by Zomba Enterprsies Inc.). Track 2 studios: The Hit Factory (N.Y.), The Record Plant, Larrabee Studios (L.A.) and Ocean Way Recording (L.A.). Contains an audio clip from "The Elephant Man" courtesy of Paramount Pictures. © 1997 Mijac Music, all rights administered by Warner-Tamerlane Publishing Corp. Track 3 studios: Record One (Sherman Oaks, CA), Record Plant. © 1997 Mijac Music, all rights administered by Warner-Tamerlane Publishing Corp./Sorcerous Labyrinth. Track 4 studios: Future Records (Virginia Beach, Va), The Hit Factory, Record One, Diederdierk Studio (Cologne, Germany), Wisseidorf Studio (Amsterdam', Air Studios )Lyndhurst' and Larrabee Studios. © 1996 Mijac Music, all rights administered by Warner-Tamerlane Publishing Corp./Zomba Enterprises, Inc. and Donril Music. (All righs for Donril Music Administered by Zomba Enterprsies Inc.). Track 5 produced by Jimmy Jam & Terry Lewis for Flyte Tyme Productions, Inc., and Michael Jackson for MJJ Productions, Inc. Studios: Flyte Tyme Studios (Edina, MN), Larrabee Studios. © 1996 Mijac Music, all rights administered by Warner-Tamerlane Publishing Corp./EMI April Music Inc./Flyte Tyme Tunes Inc. Track 6 produced by Jimmy Jam & Terry Lewis for Flyte Tyme Productions, Inc., and Michael Jackson for MJJ Productions, Inc. Contains elements from 'Thank You (Falletin Me Be Mice Elf Again)' (S. Stewart) published by Mijac music, administered by Warner-Tamerlane Publishing Corp. and performed by Sly & The Family Stone, used courtesy of Sony Music. © 1995 EMI April Music Inc./Flyte Tyme Tunes Inc./Mijac Music/Black Ice Publishing. All rights for Mijac Music administered by Warner-Tamerlane Publishing Corp. Track 7 engineered at Lovebreak Studios, London. © 1995 Mijac Music, all rights administered by Warner-Tamerlane Publishing Corp. Track 8 produced by Michael Jackson for MJJ Productions, Inc. and Jimmy Jam & Terry Lewis for Flyte Tyme Productions, Inc. Mixed at Chung King Studios, N.Y. Remix, additional production and rap for Refugee Camp Entertainment. Includes a sample of "Beat It" by Michael Jackson, published by Mijac Music (admin. by Warner-Tamerlane Publishing Inc.). © 1995 Mijac Music, all rights administered by Warner-Tamerlane Publishing Corp./EMI April Music Inc./DARP Music/EMI Virgin Music Inc./Rene Moore/Bruce Swedien Music Inc. Track 9: Additional production and remix for Big Management, L.T.D. © 1995 Mijac Music, all rights administered by Warner-Tamerlane Publishing Corp. Track 10 produced by Dallas Austin for DARP, Inc., and Michael Jackson for MJJ Productions, Inc. Remix, additional production and keyboards by Satoshi Tomiie for for Def Mix Productions. © 1995 Mijac Music, all rights administered by Warner-Tamerlane Publishing Corp./EMI April Music Inc./DARP Music/EMI Virgin Music Inc. Track 11 produced by Michael Jackson for MJJ Productions, Inc., Bill Botterell, and David Foster for Chartmaker, Inc. © 1995 Mijac Music, all rights administered by Warner-Tamerlane Publishing Corp. Track 12 produced by R. Kelly for Bass Productions, and Michael Jackson for MJJ Productions, Inc. Remix and additional production for Def Mix Productions. © 1995 Zomba Songs Inc., and R. Kelly Publishing, Inc. (All rights administered by Zomba Songs Inc.). Track 13 produced by Michael Jackson for MJJ Productions, Inc. and Jimmy Jam & Terry Lewis for Flyte Tyme Productions, Inc. Additional production for Tony Moran Enterprises, Inc. © 1995 Mijac Music, all rights administered by Warner-Tamerlane Publishing Corp./EMI April Music Inc./Flyte Tyme Tunes Inc. © 1997 MJJ Productions, Inc. / ℗ 1995, 1996, 1997 MJJ Productions, Inc.

Comments: 

Goldmine Grading Guide

A universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor/Fair (damaged).

Mint (M)

Absolutely perfect in every way. Certainly never been played, possibly even still sealed.

Near Mint (NM or M-)

A nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.

Very Good Plus (VG+)

The item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.

Very Good (VG)

The item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.

Good (G), Good Plus( G+)

An item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.

Poor (P), Fair (F)

The item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.