Günter Wand, Kölner Rundfunk-Sinfonie-Orchester, NDR Sinfonieorchester - The Great Recordings

Günter Wand, Kölner Rundfunk-Sinfonie-Orchester, NDR Sinfonieorchester - The Great Recordings

Media Condition:  Mint (M)
Sleeve Condition: Mint (M)

Format:      28xCD, Comp + DVD-V, NTSC + Box, Dlx, Ltd
Country:    Europe  
Released:  2013-06-17
Genre:       Classical
Style:         Classical, Romantic, Impressionist, Modern

Track List:

. Ludwig van Beethoven
. Symphony No. 1 in C Major, Op. 21
1-1. I. Adagio molto - Allegro con brio
1-2. II. Andante cantabile con moto
1-3. III. Menuetto. Allegro molto e vivace
1-4. IV. Finale. Adagio - Allegro molto e vivace
. Symphony No. 6 in F major, Op. 68, "Pastorale"
1-5. I. Allegro ma non troppo
1-6. II. Andante molto moto
1-7. III, Allegro
1-8. IV. Allegro
1-9. V. Allegretto
. Symphony No. 2 in D major, Op. 36
2-1. I. Adagio molto - Allegro con brio
2-2. II. Larghetto
2-3. III. Scherzo: Allegro
2-4. IV. Allegro molto
. Symphony No. 7 in A Major, Op. 92
2-5. I. Poco sostenuto - Vivace
2-6. II. Allegretto
2-7. III. Presto
2-8. IV. Allegro con brio
. Symphony No. 3 in E flat major, Op. 55, "Eroica"
3-1. I. Allegro con brio
3-2. II. Marcia funebre: Adagio assai
3-3. III. Scherzo: Allegro vivace
3-4. IV. Finale: Allegro molto
. Symphony No. 8 in F major, Op. 93
3-5. I. Allegro vivace e con brio
3-6. II. Allegretto scherzando
3-7. III. Tempo di Menuetto
3-8. IV. Allegro vivace
. Symphony No. 4 in B flat major, Op. 60
4-1. I. Adagio - Allegro vivace
4-2. II. Adagio
4-3. III. Menuetto: Allegro vivace
4-4. IV. Allegro ma non troppo
. Symphony No. 5 in C Minor, Op. 67
4-5. I. Allegro con brio
4-6. II. Andante con moto
4-7. III. Allegro
4-8. IV. Allegro
. Symphony No. 9 in D Minor, Op. 125
5-1. I. Allegro ma non troppo, un poco maestoso
5-2. II. Molto vivace - Presto
5-3. III. Adagio molto e cantabile
5-4. IV. Presto
5-5. V. Presto. "O Freunde, nicht diese Töne!". Allegro assai
. Johannes Brahms
. Symphony No. 1 in C Minor, Op. 68
6-1. I. Un poco sostenuto - Allegro
6-2. II. Andante sostenuto
6-3. III. Un poco allegretto e grazioso
6-4. IV. Adagio non troppo ma con brio
. Symphony No. 3 in F Major, Op. 90
6-5. I. Allegro con brio
6-6. II. Andante
6-7. III. Poco allegretto
6-8. IV. Allegro
. Symphony No. 2 in D Major, Op. 73
7-1. I. Allegro non troppo
7-2. II. Allegro non troppo
7-3. III. Allegretto grazioso (Quasi Andantino) - Presto ma non assai
7-4. IV. Allegro con spirito
. Symphony No. 4 in E Minor, Op. 98
7-5. I. Allegro non troppo
7-6. II. Andante moderato
7-7. III. Allegro giocoso - poco meno presto
7-8. IV. Allegro energico e passionato. Più Allegro
. Anton Bruckner
. Symphony No. 1 in C minor (Vienna Version 1890/91)
8-1. I. Allegro
8-2. II. Adagio
8-3. III. Scherzo: Lebhaft
8-4. IV. Finale: Bewegt, feurig
. Symphony No. 2 in C minor (2. Version 1877, publ. by Robert Haas)
9-1. I. Ziemlich schnell
9-2. II. Adagio: Feierlich, etwas bewegt
9-3. III. Scherzo: Schnell
9-4. IV. Finale: Mehr schnell
. Symphony No. 3 in D minor (3. Version 1889)
10-1. I. Mehr langsam, misterioso
10-2. II. Adagio: Bewegt, quasi andante
10-3. III. Ziemlich schnell
10-4. IV. Allegro
. Symphony No. 4 in E flat major, "Romantic" (2. Version 1878/80, publ. by Robert Haas)
11-1. I. Bewegt, nicht zu schnell
11-2. II. Andante, quasi allegretto
11-3. III. Scherzo: Bewegt - Trio: Nicht zu schnell, keineswegs schleppend
11-4. IV. Finale: Bewegt, doch nicht zu schnell
. Symphony No. 5 in B flat major (Original Version 1875-1878)
12-1. I. Introduction. Adagio - Allegro
12-2. II. Adagio: Sehr langsam
12-3. III. Scherzo: Molto vivace (schnell)
12-4. IV. Finale: Adagio - Allegro moderato
. Symphony No. 6 in A major (Original Version 1879-1881)
13-1. I. Maestoso
13-2. II. Adagio: Sehr feierlich
13-3. III. Scherzo: Nicht schnell - Trio: Langsam
13-4. IV. Finale: Bewegt, doch nicht zu schnell
. Symphony No. 7 in E major (Original Version 1881-1883)
14-1. I. Allegro moderato
14-2. II. Adagio: Sehr feierlich und sehr langsam
14-3. III. Scherzo: Sehr schnell
14-4. IV. Finale: Bewegt, doch nicht zu schnell
. Symphony No. 9 in D minor (Original Version)
15-1. I. Feierlich, misterioso
15-2. II. Scherzo: Bewegt, lebhaft - Trio: Schnell
15-3. III. Adagio: Langsam, feierlich
. Symphony No. 8 in C minor (2. Version 1890, publ. by Robert Haas)
15-4. I. Allegro moderato
16-1. II. Scherzo: Allegro moderato
16-2. III. Adagio: Feierlich langsam, doch nicht schleppend
16-3. IV. Finale: Feierlich, nicht schnell
. Franz Schubert
. Symphony No. 1 in D Major, D. 82
17-1. I. Adagio - Allegro vivace
17-2. II. Andante
17-3. III. Menuetto. Allegro
17-4. IV. Allegro vivace
. Symphony No. 2 in B-Flat major, D. 125
17-5. I. Largo - Allegro vivace
17-6. II. Andante
17-7. III. Menuetto. Allegro vivace
17-8. IV. Presto vivace
. Symphony No. 3 in D Major, D. 200
18-1. I. Adagio maestoso - Allegro con brio
18-2. II. Allegretto
18-3. III. Menuetto. Vivace
18-4. IV. Presto vivace
. Symphony No. 6 in C Major, D. 589
18-5. I. Adagio - Allegro
18-6. II. Andante
18-7. III. Scherzo. Presto
18-8. IV. Allegro moderato
. Symphony No. 4 in C Minor, D. 417, "Tragic"
19-1. I. Adagio molto - Allegro vivace
19-2. II. Andante
19-3. III. Menuetto. Allegro vivace
19-4. IV. Allegro
. Symphony No. 8 in B Minor, D. 759, "Unfinished"
19-5. I. Allegro moderato
19-6. II. Andante con moto
. Symphony No. 5 in B-Flat Major, D. 485
20-1. I. Allegro
20-2. II. Andante con moto
20-3. III. Menuetto. Allegro molto
20-4. IV. Allegro vivace
. Rosamunde, Op. 26, D. 797
20-5. Entr'acte No. III in B-Flat Major
20-6. Ballet Music No. 1
20-7. Ballet Music No. 2
. Symphony No. 9 in C Major, D. 944, "The Great"
21-1. I. Andante - Allegro ma non troppo
21-2. II. Andante con moto
21-3. III. Scherzo. Allegro vivace
21-4. IV. Finale. Allegro vivace
. Wolfgang Amadeus Mozart
. Symphony No. 39 in E flat major, K. 543
22-1. I. Adagio - Allegro
22-2. II. Andante con moto
22-3. III. Minuetto. Allegretto
22-4. IV. Finale. Allegro
. Symphony No. 40 in G Minor, K.550
22-5. I. Molto allegro
22-6. II. Andante
22-7. III. Menuetto. Allegretto
22-8. IV. Allegro assai
. Symphony No. 41 in C Major, K. 551, "Jupiter"
22-9. I. Allegro vivace
22-10. II. Andante cantabile
22-11. III. Menuetto: Allegretto
22-12. IV. Molto allegro
. German Dances, K. 600
23-1. I. German Dance
23-2. II. German Dance
23-3. III. German Dance
23-4. IV. German Dance
23-5. V. German Dance
23-6. VI. German Dance
. Serenade No. 7 in D Major, K. 250 ,"Haffner"
23-7. I. Allegro maestoso
23-8. II. Andante
23-9. III. Menuetto
23-10. IV. Rondeau
23-11. V. Menuetto galante
23-12. VI. Andante
23-13. VII. Menuetto (Trio 1 & 2)
23-14. VIII. Adagio - Allegro assai
. Robert Schumann
. Symphony No. 3 in E flat major, Op.97 "Rhenish"
24-1. I. Lebhaft
24-2. II. Scherzo. Sehr mäßig
24-3. III. Nicht schnell
24-4. IV. Feierlich
24-5. V. Finale. Lebhaft
. Symphony No. 4 in D minor, Op. 120
24-6. I. Ziemlich langsam - Allegro
24-7. II. Romanze. Ziemlich langsam
24-8. III. Scherzo. Lebhaft
24-9. IV. Langsam - Finale. Lebhaft
. Peter Tschaikowsky
. Symphony No. 5 in E minor, Op. 64
25-1. I. Andante
25-2. II. Andante cantabile
25-3. III. Allegro moderato
25-4. IV. Andante maestoso; Allegro vivace
. Pulcinella Suite
26-1. I. Sinfonia (Ouvertüre)
26-2. II. Serenata
26-3. III. Scherzino, Allegro and Andantino
26-4. IV. Tarantella
26-5. V. Toccata
26-6. VI. Gavotta con due variazioni
26-7. VII. Vivo
26-8. VIII. Minuetto and Finale
. Symphony No. 6 in B minor, Op. 74, "Pathétique"
26-9. I. Adagio; Allegro non troppo
26-10. II. Allegro con grazia
26-11. III. Allegro molto vivace
26-12. IV. Finale: Adagio lamentoso
. Claude Debussy
. Le Martyre de Saint Sébastien
27-1. I. La cour des Lys
27-2. II. Danse extatique et final du 1. acte
27-3. III. La passion
27-4. IV. Le bon pasteur
. Modest Mussorgsky
. Pictures at an Exhibition
27-5. I. Promenade
27-6. II. Gnomus
27-7. III. Promenade
27-8. IV. Il vecchio castello
27-9. V. Promenade
27-10. VI. Les Tuileries
27-11. VII. Bydlo
27-12. VIII. Promenade
27-13. IX. Ballet des poussins dans leur coques
27-14. X. Samuel Goldenberg & Schmuyle
27-15. XI. Limoges. Le marché
27-16. XII. Catacombae: Sepulchrum Romanum
27-17. XIII. Cum mortuis in lingua mortua
27-18. XIV. La cabane sur des pattes de poule
27-19. XV. La grande porte de Kiev
. Igor Strawinsky
28-1. Concerto in E flat, "Dumbarton Oaks"
. Wolfgang Fortner
28-2. Bluthochzeit - Zwischenspiele für Orchester
. Anton Webern
28-3. Five Pieces for Orchestra, Op. 10
. Frank Martin
28-4. Petite Symphonie concertante

Notes: 

Comments: 

Factory Sealed mint \uD83D\uDC4C

Goldmine Grading Guide

A universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor/Fair (damaged).

Mint (M)

Absolutely perfect in every way. Certainly never been played, possibly even still sealed.

Near Mint (NM or M-)

A nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.

Very Good Plus (VG+)

The item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.

Very Good (VG)

The item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.

Good (G), Good Plus( G+)

An item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.

Poor (P), Fair (F)

The item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.