François Couperin | Jacques Champion de Chambonnières | Jean-Baptiste Lully | Antoine Forqueray | Claudio Monteverdi | Henry Purcell | Dieterich Buxtehude | Johann Sebastian Bach - Skip Sempé | Capriccio Stravagante - Skip Sempé Edition

François Couperin | Jacques Champion de Chambonnières | Jean-Baptiste Lully | Antoine Forqueray | Claudio Monteverdi | Henry Purcell | Dieterich Buxtehude | Johann Sebastian Bach - Skip Sempé | Capriccio Stravagante - Skip Sempé Edition

Media Condition:  Mint (M)
Sleeve Condition: Mint (M)

Format:      10xCD, Album + Box, Comp
Country:    Europe  
Released:  2015
Genre:       Classical
Style:         Baroque, Renaissance

Track List:

. François Couperin / Pièces De Clavecin = Harpsichord Works
1-1. L'Art De Toucher Le Clavecin : Prélude In C Major 1:02
1-2. L'Art De Toucher Le Clavecin : Prélude In D Minor 1:15
1-3. L'Art De Toucher Le Clavecin : Prélude In G Minor 0:58
. Suite In C Minor (Ordre 3)
1-10. L'Art De Toucher Le Clavecin : Prélude In B-Flat Major 2:38
1-11. Le Baricades Mistérieuses 2:36
. Suite In B Minor (Ordre 8)
. Suite In A Major
1-26. L'Art De Toucher Le Clavecin: Prélude In F Major 1:31
1-27. L'Arlequine 1:37
. Jacques Champion De Chambonnières / Pièces De Clavecin = Harpsichord Works
. Suite In C Major
. Suite In G Major
. Suite In A Major
. Suite In D Major
2-31. Tombeau De Mr. De Chambonnières 8:21
. Jean-Baptiste Lully / Divertissements
. Divertissement I
. Divertissement II
. Divertissement II
. Antoine Forqueray / Pièces De Viole - Pièces De Clavecin
4-1. Allemande La Laborde 5:04
4-2. La Cottin 3:23
4-3. La Portugaise 3:20
4-4. La Forqueray 2:44
4-5. La Régente 5:44
4-6. La Marella 2:48
4-7. Sarabande La D'Aubonne 4:18
4-8. La Ferrand 4:24
4-9. La Couperin 3:22
4-10. Chaconne La Buisson 4:36
4-11. La Leclair 1:45
4-12. La Rameau 3:39
4-13. Jupiter 4:34
. François Couperin / La Sultanne
5-1. La Sultanne 9:24
. Première Suite In E Minor (For Viola Da Gamba & Basso Continuo)
5-9. Le Dodo Ou L'Amour Au Berceau 5:20
. Deuxième Suite In A Major (For Viola Da Gamba & Basso Continuo)
5-14. La Superbe 7:28
. Claudio Monteverdi / Lamento D'Arianna - Combatimento Di Tancredi Et Clorinda
. Capriccio Stravagnate 16:47
6-17. Lasciate Mi Morire 2:33
. Lamento D'Arianna 12:36
6-23. Intrada Del Marchese Di Caravazzo 2:19
6-24. L'Amaltea 3:46
. Combatimento Di Tancredi Et Clorinda 21:41
. Monteverdi E Il Suo Tempo = Monteverdi And His Time
7-1. Con Che Sovità 4:23
7-2. Sonata 15 4:56
7-3. Ohimè Ch'io Cado 4:28
7-4. Chiaccona À 2 3:17
7-5. Toccata Undicesima 5:09
7-6. Canzon A Doi Soprani In Echo Proposta 3:19
7-7. Tempro La Cetra 9:54
7-8. Toccata Nona 4:56
7-9. Et È Pur Dinque Vero 7:42
7-10. Passacaglio 7:01
7-11. Sinfonia 1:25
7-12. Ecco Di Dolci Raggi 2:35
7-13. Se Vittorie Si Belle 3:16
7-14. Zefiro Torna E' Bel Tempo Rimena 4:23
7-15. Si Dolce È Il Tormento 2:26
. Henry Purcell / Airs And Instrumental Music
8-1. Prelude & Symphony 4:07
8-2. If Music Be The Food Of Love 3:41
8-3. Hark! The Echoing Air 2:27
8-4. Three Parts Upon A Ground 4:54
8-5. 'Tis Nature's Voice 5:01
8-6. Round-O 1:55
8-7. Overture In G Minor 3:57
8-8. A Divine Hymn: Lord, What Is Man 5:58
8-9. Chacony 4:37
8-10. Music For A While 4:00
8-11. Lovely Albina's Come Ashore 2:20
8-12. Fantazia 5 (11 June 1680) 3:26
8-13. Ground & Two In One Upon A Ground 5:03
8-14. Thrice Happy Lovers 2:26
8-15. Pavan In B-Flat 3:48
8-16. An Evening Hymn 5:54
. Dietrich Buxtehude / Abendmusik
9-1. Passacaglia (BuxWV 161) For 2 Harpsichords 3:41
9-2. Sonata In D Minor, Opus 1/6 (BuxWV 257) For Violin, Viola Da Gamba & B.C. 8:06
9-3. Sonata In D (BuxWV 267) For Viola Da Gamba, Cello & B.C. 7:17
9-4. Sonata G Minor, Opus 2/3 (BuxWV 261) For Violin, Viola Da Gamba & B.C. 11:05
9-5. Ciaccona (BuxWV 160) For 2 Harpsichords 3:51
9-6. Sonata In F, Opus 1/1 (BuxWV 252) For Violin, Viola Da Gamba & B.C. 7:59
9-7. Sonata In C (BuxWV 266) For 2 Violins, Viola Da Gamba & B.C. 7:25
9-8. Fried- Und Freudenreiche Hinfart (BuxWV 76) / Contrapunctus/Evolutio I & II Klag-Lied (Instrumental) 6:44
9-9. Sonata In G, Opus 1/2 (BuxWV 253) For Violin, Viola Da Gamba & B.C. 7:29
. Johann Sebastian Back / Concerti - Ciaccona - Partita
10-1. Ciaccona In D, BWV 1004 11:00
. Harpsichord Concerto In D Major, BWV 1054 "Cembalo Certato, Due Violini E Cont."
. Partita IV In D Major "Clavierübung Opus 1", BWV 828
. Harpsichord Concerto In A Major, BWV 1055 "Cembalo Certato, Due Violini E Cont."

Notes: 

CD1: (P) 1990 Harmonia Mundi, Freiburg. Recorded: June 1990, Studio La Clé d'Ut, Paris. Total Time: 72:16 CD2: (P) 1992 Harmonia Mundi, Freiburg. Recorded: June 1992, Place des Vosges, Paris. Engineering / Edition: Sonart, France. Total Time: 71:50 CD3: (P) 1990 Harmonia Mundi, Freiburg. Recorded: May 1990, Eglise Allemande, Paris. Editing: Harmonia Mundi Acustica. Total Time: 61:18 CD4: (P) 1991 Harmonia Mundi, Freiburg. Recorded: May 1991, Temple St. Marcel, Paris. Engineering: Sonart, Milano; Editing: Harmonia Mundi Acustica. Total Time: 50:26 CD5: (P) 1996 BMG Entertainment. Recorded: July & August 1993, The Metropolitan Museum of Art, Grace Rainey Rogers Auditorium, New York. Engineering: Remote Recording Services, Inc. Total Time: 61:17 CD6: (P) 1992 Harmonia Mundi, Freiburg. This programme was presented at the Théâtre de la Ville, Paris, in November 1991. Recorded: November 1991, Paris. Editing: Harmonia Mundi Acustica; Engineering, Technical Equipment: Sonart, France Total Time: 60:26 CD7: (P) 1991 Harmonia Mundi, Freiburg. Recorded: November 1990, Temple St. Marcel, Paris. Technical Equipment: Sonart, Milano; Editing: Harmonia Mundi Acustica. Total Time: 70:32 CD8: (P) 1992 Harmonia Mundi, Freiburg. Recorded: May 1991, Temple St. Marcel, Paris. Technical Equipment: Sonart, Milano; Editing: Harmonia Mundi Acustica. Total Time: 64:30 CD9: (P) 1993 BMG Music. Recorded: May 1992, Paris. Engineering / Editing: Sonart, France. Total Time: 64:27 CD10: (P) 1993 BMG Music. A co-production with Semaines Musicales Quimper. Total Time: 69:10 (P) & (C) 2015 Sony Music Entertainment Germany GmbH. Made in the EU. Package: Clamshell cardboard box contain the discs in separate, original front cover artwork, cardboard wallets and a 24-page booklet. Note: Detailed tracklist taken from booklet.

Comments: 

Goldmine Grading Guide

A universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor/Fair (damaged).

Mint (M)

Absolutely perfect in every way. Certainly never been played, possibly even still sealed.

Near Mint (NM or M-)

A nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.

Very Good Plus (VG+)

The item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.

Very Good (VG)

The item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.

Good (G), Good Plus( G+)

An item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.

Poor (P), Fair (F)

The item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.