Fergie - Double Dutchess

Fergie - Double Dutchess

Media Condition:  Mint (M)
Sleeve Condition: Mint (M)

Format:      CD, Album
Country:    Europe  
Released:  22 Sep 2017
Genre:       Electronic, Hip Hop, Pop
Style:         Trap, RnB/Swing

Track List:

1. Hungry 3:24
2. Like It Ain't Nuttin' 3:45
3. You Already Know 6:29
4. Just Like You 3:53
5. A Little Work 4:05
6. Life Goes On 4:26
7. M.I.L.F. $ 2:42
8. Save It Til Morning 4:09
9. Enchanté (Carine) 4:27
10. Tension 3:24
11. L.A. Love (LALA) 3:32
12. Love Is Blind 5:35
13. Love Is Pain 7:11

Notes: 

℗ © Retrofuture Productions, Inc. under exclusive license to BMG Rights Management (US) LLC
Made in the EU.

Track 1
Published by: Headphone Junkie Publishing (ASCAP), BMG Gold Songs (ASCAP) on behalf of Momentum Music Ltd. Beggars Banquet Music Ltd. (PRS), 4 Blunts Lit at Once/Sony/ATV Songs LLC. Contains excerpts from "Dawn of the Iconoclast" written by Lisa Gerrard, Brendan Perry & published by Momentum Music Ltd. C/o BMG Gold Songs (ASCAP), Beggars Banquet Music Ltd. (PRS) used by permission. All rights reserved.
Mixed at Brownsville Studios, NYC
Recorded at: The Village Recorder, Los Angeles, CA
Rick Ross appears courtesy of Epic Records

Track 2
Published by: Headphone Junkie Publishing (ASCAP), i.am.composing LLC. (BMI), BMG Sapphire Songs (BMI), Damien Leroy Music (BMI)/BMG Platinum Songs (BMI), BMG Music Publishing (ASCAP), Swing Beat Songs/Tuff City Music Publishing (BMI)
Produced for will.i.am music, LLC
Recorded at: Record Plant, The Village Recorder, Los Angeles, CA. Contains excerpts from "Top Billin" written by Kirk Robinson, Roy Hammond & published by BMG Music Publishing (ASCAP) & Tuff City Music Publishing (BMI) used by permission. All rights reserved. Featuring samples from audio two recording "Top Billin" used under license from Rhino Entertainment, a Warner Music Group Company.

Track 3
Published by: Headphone Junkie Publishing (ASCAP), i.am.composing LLC. (BMI), BMG Sapphire Songs (BMI), Harajuku Barbie Music/Money Mack Music/Songs of Universal, Inc. (BMI), CAK Music Publishing. Contains excerpts from "Think (About It)" written by James Brown & published by Unichappell Music Inc. (BMI) courtesy of Polydor by arrangement of Universal Music Entertainment. Used by permission. All rights reserved.
Produced for will.i.am music, LLC.
Mixed + Edited at Air Studios London
Recorded at: the Future Hollywood, CA, The Village Recorder LA, CA & at Air Studios London
Nicki Minaj Vocal Production at Milkboy the Studio Philadelphia, PA

Track 4
Published by: Headphone Junkie Publishing (ASCAP), Roccage Publishing (BMI)/Primary Wave Brian (BMI), Black Piston Publishing (ASCAP), Taylor Monet Music/Warner-Tamerlane Publishing Corp (BMI)
Produced for Roccage Entertainment
Recorded at: Roccage Studios, Los Angeles, CA; No Excuses, Santa Monica, CA

Track 5
Published by: Headphone Junkie Publishing (ASCAP), Kasz Money Publishing (ASCAP), TNT Explosive/UMPG (ASCAP), Cirkut Breaker/Prescription Songs (ASCAP)
Produced for Prescription Songs
Recorded at: Mixstar Studios, Virginia Beach, VA; Eightysevenfourteen Studio, Los Angeles, CA

Track 6
Published by: Headphone Junkie Publishing (ASCAP), Gadfly Songs (ASCAP)/Atlas Music Publishing (ASCAP), ET's Wig Shop, Inc./Kobalt Music Publishing America Inc. (ASCAP), Fresh Me Fresh U Music Publishing (ASCAP), Pajon Jr. Music (BMI)
Produced for Kite Music Productions, LLC. & for Harris Productions, Inc
Recorded at: Kite Music Production Studios, Los Angeles, CA & HQ Studios, North Hollywood, CA

Track 7
Published by: Headphone Junkie Publishing (ASCAP), My Diet Starts Tomorrow, Inc./Songs of Universal, Inc.(BMI), U Can't Teach Bein'The Shhh, Inc./I Love Belize/Songs of Universal, Inc(BMI), MPA/The Unorthodox Elite (ASCAP), Savage Life Publishing, LLC./Trill Productions, LLC., Mouse on The Track, LLC./Trill Productions, LLC, Boozie Bad Azz Publishing, LLC./Trill Productions, LLC., Phat Bozz Publishing, LLC./Trill Productions, LLC.
Recorded at: Chalice Studio, The Village Recorder, Los Angeles, CA
Mastered at Engine Room, NYC

Track 8
Published by: Headphone Junkie Publishing (ASCAP), Gadfly Songs (ASCAP)/Atlas Music Publishing
Produced for Kite Music Productions, LLC.
Recorded at: Kite Music Production Studios, Los Angeles, CA

Track 9
Published by: Headphone Junkie Publishing (ASCAP), Artist Publishing Group (BMI), Artist Publishing Group (BMI), Tallaclassy Publishing (BMI)
Engineered at Air Studios London

Track 10
Published by: Headphone Junkie Publishing (ASCAP), Justin's School for Girls/Warner-Tamerlane Publishing Corp (BMI), Warner-Tamerlane Publishing Corp/Legend of Music (BMI), Refune Music Rights AB Administered by Universal Music Rights AB
Engineered at Air Studios London
Track recorded at: Conway Studios, LA

Track 11
Published by: Headphone Junkie Publishing (ASCAP), Mustard On The Beat Publishing/SMP Songs (BMI), Sho Stop Music/Reach Music Publishing(ASCAP), TNT Explosive Publishing/UMPG (ASCAP), Skymen Group (ASCAP)
Recorded at Windmark Recording Studios, LA
Mixed at Chalice Recording Studios, Hollywood, CA
Additional background vocals recorded at Westlake Studios, LA, CA

Track 12
Published by: Headphone Junkie Publishing (ASCAP), publishing designee of Philip Constable/publishing designee of the Alliance Music Productions, Inc./BMG Chrysalis US, Roynet Music (ASCAP)/Westbury Music Ltd./ Hazel Music. Used by permission. All rights reserved
Produced for the Alliance
Recorded at: Interscope Studios, Santa Monica
All music recorded at: Top 40 Recording Studios, Atlanta
Features samples of "Mad Dub" by Mad Dub GG Allstars, Courtesy of Roynet.

Track 13
Published by: Headphone Junkie Publishing (ASCAP), Gadfly Songs (ASCAP)/Atlas Music Publishing (ASCAP)
Produced for Kite Music Productions, LLC.
Recorded at: Kite Music Production Studios, Los Angeles, CA

Mastered at Engine Room, NYC (except where noted)

Comments: 

Mint sealed and perfect!

Goldmine Grading Guide

A universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor/Fair (damaged).

Mint (M)

Absolutely perfect in every way. Certainly never been played, possibly even still sealed.

Near Mint (NM or M-)

A nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.

Very Good Plus (VG+)

The item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.

Very Good (VG)

The item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.

Good (G), Good Plus( G+)

An item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.

Poor (P), Fair (F)

The item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.