Berliner Philharmoniker - Great Symphonies

Berliner Philharmoniker - Great Symphonies

Media Condition:  Mint (M)
Sleeve Condition: Mint (M)

Format:      Box + 8xCD, Comp, Mono
Country:    Germany  
Released:  2015
Genre:       Classical
Style:         Romantic

Track List:

. CD 1
1-1. Ludwig van Beethoven, Ferenc Fricsay - Symphony No. 5 In C Minor, Op. 67. I. Allegro Con Brio
1-2. Ludwig van Beethoven, Ferenc Fricsay - Ii. Andante Con Moto
1-3. Ludwig van Beethoven, Ferenc Fricsay - Iii. Allegro
1-4. Ludwig van Beethoven, Ferenc Fricsay - Iv. Allegro
1-5. Ludwig van Beethoven, Ferenc Fricsay - Symphony No. 7 In A Major, Op. 92, I. Poco Sostenuto
1-6. Ludwig van Beethoven, Ferenc Fricsay - Ii. Allegretto
1-7. Ludwig van Beethoven, Ferenc Fricsay - Iii. Scherzo
1-8. Ludwig van Beethoven, Ferenc Fricsay - Iv. Allegro Con Brio
. CD 2
2-1. Anton Bruckner, Eugen Jochum - Symphony No. 7 In E Major. I. Allegro Moderato
2-2. Anton Bruckner, Eugen Jochum - Ii. Adagio. Sehr Feierlich Und Sehr Langsam
2-3. Anton Bruckner, Eugen Jochum - Iii. Scherzo. Sehr Schnell
2-4. Anton Bruckner, Eugen Jochum - Iv. Finale. Bewegt, Doch Nicht Schnell
. CD 3
3-1. Antonín Dvořák, Claudio Abbado - Concert Overture "Othello", Op. 93
3-2. Antonín Dvořák, Claudio Abbado - Symphony No. 9 In E Minor "From The New World", Op. 95, I. Adagio - Allegro Molto
3-3. Antonín Dvořák, Claudio Abbado - Ii. Largo
3-4. Antonín Dvořák, Claudio Abbado - Iii. Scherzo. Molto Vivace
3-5. Antonín Dvořák, Claudio Abbado - Iv. Allegro Con Fuoco
. CD 4
4-1. César Franck, Carlo Maria Giulini - Symphony In D Minor, I. Lento - Allegro Ma Non Troppo - Allegro
4-2. César Franck, Carlo Maria Giulini - Ii. Allegreto
4-3. César Franck, Carlo Maria Giulini - Iii. Allegro Non Troppo
4-4. César Franck, Carlo Maria Giulini - Psyché, 4th, Movement. Psyché Et Éros
. CD 5
5-1. Gustav Mahler, Bernard Haitink - Symphony No. 5. Part I. I. Trauermarsch In Gemessenem Schritt. Streng. Wie Ein Kondukt Plötzlich Schneller. Leidenschaftlich. Wild - Tempo I
5-2. Gustav Mahler, Bernard Haitink - Ii. Stürmisch Bewegt. Mit Größter Vehemenz - Bedeutend Langsamer - Tempo I Subito
5-3. Gustav Mahler, Bernard Haitink - Part Ii. Iii. Scherzo. Kräftig, Nicht Zu Schnell
5-4. Gustav Mahler, Bernard Haitink - Part Iii. Iv. Adagietto. Sehr Langsam
5-5. Gustav Mahler, Bernard Haitink - V. Rondo - Finale. Allegro - Allegro Giocoso. Frisch
. CD 6
6-1. Felix Mendelssohn-Bartholdy, Lorin Maazel - Symphony No. 4 In A Major, "Italian", Op. 90. I. Allegro Vivace
6-2. Felix Mendelssohn-Bartholdy, Lorin Maazel - Ii. Andante Con Moto
6-3. Felix Mendelssohn-Bartholdy, Lorin Maazel - Iii. Con Moto Moderato
6-4. Felix Mendelssohn-Bartholdy, Lorin Maazel - Iv. Salterello. Presto
6-5. Felix Mendelssohn-Bartholdy, Lorin Maazel - Symphony No. 5 In D Minor "Reformation", Op. 107, I. Andante - Allegro Con Fuoco
6-6. Felix Mendelssohn-Bartholdy, Lorin Maazel - Ii. Allegro Vivace
6-7. Felix Mendelssohn-Bartholdy, Lorin Maazel - Iii. Andante
6-8. Felix Mendelssohn-Bartholdy, Lorin Maazel - Iv. Andante Con Moto - Allegro Maestoso Choral: Ein Feste Burg Ist Unser Gott
. CD 7
7-1. Camille Saint-Saëns, Herbert von Karajan - Symphony No. 3 In C Minor "Organ", Op. 78, Ia. Adagio - Allegro Moderato
7-2. Camille Saint-Saëns, Herbert von Karajan - Ib. Poco Adagio
7-3. Camille Saint-Saëns, Herbert von Karajan - Iia. Allegro Moderato - Presto - Allegro Moderato
7-4. Camille Saint-Saëns, Herbert von Karajan - Iib. Maestoso - Più Allegro - Molto Allegro
. CD 8
8-1. Pyotr Ilyich Tchaikovsky, Igor Markevitch - Symphony No. 6 In B Minor "Pathétique", Op. 74, I. Adagio - Allegro Non Troppo - Andante - Moderato Mosso - Andante, Moderato Assai - Allegro Vivo - Andante Come Prima - Andante Mosso
8-2. Pyotr Ilyich Tchaikovsky, Igor Markevitch - Ii. Allegro Con Grazia
8-3. Pyotr Ilyich Tchaikovsky, Igor Markevitch - Iii. Allegro Molto Vivace
8-4. Pyotr Ilyich Tchaikovsky, Igor Markevitch - Iv. Finale: Adagio Lamentoso - Andante

Notes: 

Comments: 

Goldmine Grading Guide

A universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor/Fair (damaged).

Mint (M)

Absolutely perfect in every way. Certainly never been played, possibly even still sealed.

Near Mint (NM or M-)

A nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.

Very Good Plus (VG+)

The item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.

Very Good (VG)

The item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.

Good (G), Good Plus( G+)

An item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.

Poor (P), Fair (F)

The item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.