Tedd Joselson - The Complete RCA Album Collection

Tedd Joselson - The Complete RCA Album Collection

Media Condition:  Mint (M)
Sleeve Condition: Mint (M)

Format:      6xCD, RE, RM + Box, Comp, RM
Country:    US  
Released:  2019-05-03
Genre:       Classical
Style:         Romantic, Modern

Track List:

. Concerto For Piano And Orchestra No. 1 In B-flat Minor Op. 23
. Concerto For Piano And Orchestra No. 2 In G Minor Op. 16
. Piano Sonata In B Minor S 178
. Piano Sonata No. 2 In B-flat Minor “Funeral March” Op. 35
. Piano Sonata No. 8 In B-flat Major Op. 84
. Piano Sonata No. 2 In D Minor Op. 14
. Visions Fugitives Op. 22
. Pictures At An Exhibition
. Piano Sonata No. 7 In B-flat Major Op. 83
. Piano Sonata No. 9 In C Major Op. 103
. Piano Sonata No. 6 In A Major Op. 82
. Concerto For Piano And Orchestra No. 3 In C Major Op. 26
. Concerto For Piano And Orchestra in G major M 83

Notes: 

CD 1: Original LP: ARL1-0751 Released November, 1974 Recording: Philadelphia, Scottish Rite Cathedral, October 2, 1974 [1–3; May 14/15, 1974 [4–7 Producers: Jay David Saks [1–3; Max Wilcox [4–7 Recording Engineer: Paul Goodman Matrix Nos.: DRA5-2947 [1; DRA5-2948 [2; DRA5-2949 [3; DRA5-2340 [4; DRA5-2341 [5; DRA5-2342 [6; DRA5-2343 [7 LP Matrix Nos.: ARL1-0751-A [1–3; ARL1-0751-B [4–7 P 1974 Sony Music Entertainment CD 2: Original LP: ARL1-1010 Released May 1975 Recording: New York City, RCA Studio A, December 16/17, 1974 [1–3; February 4/5, 1975 [4–7 Producer: Peter Dellheim Recording Engineer: Bernard Keville Matrix Nos.: DRA4-3515 [1–3; ERA4-0077 [4; ERA4-0078 [5; ERA4-0079 [6; ERA4-0080 [7 LP Matrix Nos.: ARL1-1010-A [1–3; ARL1-1010-B [4–7 P 1975 Sony Music Entertainment CD 3: Original LP: ARL1-1570 Released May 1976 New York City, RCA Studio A, September 8/9 1975 [1–3; November 20/21, 1975 [4–7 Producer: Peter Dellheim Recording Engineer: Bernard Keville Matrix Nos.: ERA4-0253 [1; ERA4-0254 [2; ERA4-0255 [3; ERA4-3013 [4; ERA4-3014 [5; ERA4-3015 [6; ERA4-3016 [7 LP Matrix Nos.: ARL1-1570-A [1–3; ARL1-1570-B [4–7 P 1976 Sony Music Entertainment CD 4: Original LP: ARL1-2158 Released March 1977 Recording: New York City, RCA Studio A, August 5, 1976 [1–20; September 29/30, 1976 [21–36 Producer: Peter Dellheim Recording Engineer: Bernard Keville Matrix Nos.: FRA4-2441 [1–20; FRA4-2458 [21–36 LP Matrix Nos.: ARL1-2158-A [1–20; ARL1-2158-B [21–36 P 1977 Sony Music Entertainment CD 5: Original LP: ARL1-2753 Released May 1978 [1–6 Tracks 8–11 previously unreleased Recording: New York City, RCA Studio A, August 8, 1977 [1–3; June 30, 1977 [4–7; 1979 [8–11 Producer: Peter Dellheim [1–7 Recording Engineer: Edwin Begley [1–7 Matrix Nos.: GRA4-1204 [1; GRA4-1205 [2; GRA4-1206 [3; GRA4-1170 [4; GRA4-1171 [5; GRA4-1172 [6; GRA4-1173 [7; JRA4-5105 [8; JRA4-5106 [9; JRA4-5107 [10; JRA4-5108 [11 LP Matrix Nos.: ARL1-2753-A [1–3; ARL1-2753-B [4–7 P 1978/2019 Sony Music Entertainment CD 6: Original LP: ARL1-2910 Released September 1978 Recording: Dallas, Music Hall at Fair Park, March 31 & April 3, 1978 Producer: Peter Dellheim Recording Engineer: Edwin Begley Matrix Nos.: HRA5-6630 [1; HRA5-6631 [2; HRA5-6632 [3; HRA5-6633 [4; HRA5-6634 [5; HRA5-6635 [6 LP Matrix Nos.: ARL1-2910-A [1–3; ARL1-2910-B [4–6 P 1978 Sony Music Entertainment CD 1: Mastering by Martin Kistner, b-sharp music & media solutions CDs 2–6: Analogue Tape Transfers by Brett Zinn, Iron Mountain Digital Services, Mastering by Martin Kistner, b-sharp music & media solutions, using 24 bit / 192 kHz technology Photos: cover & pp. 2, 4, 10, 24: Dave Hecht C Sony Music Entertainment; pp. 9, 15 C Sony Music Entertainment Consists of previously released material · CD 5 [8–11 previously unreleased 19075903272 · This compilation P & C 2019 Sony Music Entertainment Distributed by Sony Music Entertainment · All trademarks and logos are protected Made in the EU · Sony Classical and [Sony Classical Logo are trademarks of Sony Music Entertainment RCA is a registered trademark of RCA Trademark Management SA www.sonyclassical.com

Comments: 

Goldmine Grading Guide

A universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor/Fair (damaged).

Mint (M)

Absolutely perfect in every way. Certainly never been played, possibly even still sealed.

Near Mint (NM or M-)

A nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.

Very Good Plus (VG+)

The item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.

Very Good (VG)

The item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.

Good (G), Good Plus( G+)

An item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.

Poor (P), Fair (F)

The item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.