Canned Heat - Uncanned! The Best Of Canned Heat

Canned Heat - Uncanned! The Best Of Canned Heat

Media Condition:  Near Mint (NM or M-)
Sleeve Condition: Very Good (VG)

Format:      2xCD, Comp, Club, RM
Country:    US  
Released:  1994
Genre:       Rock, Blues, Non-Music
Style:         Blues Rock, Electric Blues, Spoken Word

Track List:

1-1. On The Road Again (Alternate Take) 7:05
1-2. Nine Below Zero 4:08
1-3. TV Mama 6:21
1-4. Rollin' And Tumblin' 3:05
1-5. Bullfrog Blues 2:17
1-6. Evil Is Going On 2:20
1-7. Goin' Down Slow 3:43
1-8. Dust My Broom 3:14
1-9. Help Me 3:07
1-10. The Story Of My Life 3:38
1-11. The Hunter 3:37
1-12. Whiskey And Wimmen' 3:59
1-13. Shake, Rattle And Roll 2:42
1-14. Mean Old World 3:26
1-15. Fannie Mae 3:06
1-16. Gotta Boogie (The World Boogie) 9:55
1-17. My Crime 3:57
1-18. On The Road Again 4:59
1-19. Untitled 1:00
1-20. Untitled 0:59
2-1. Evil Woman 2:59
2-2. Amphetamine Annie 3:56
2-3. An Owl Song 2:43
2-4. Terraplane Blues 3:21
2-5. Christmas Blues (Alternate Take) 7:34
2-6. Going Up The Country 2:50
2-7. Time Was 3:36
2-8. Low Down (And High Up) 2:50
2-9. Same All Over 2:49
2-10. Big Fat (The Fat Man) 1:58
2-11. It's All Right 5:35
2-12. Poor Moon 3:24
2-13. Sugar Bee 2:36
2-14. Shake It And Break It 2:31
2-15. Future Blues 2:58
2-16. Let's Work Together (Let's Stick Together) 3:11
2-17. Wooly Bully 2:30
2-18. Human Condition 5:24
2-19. Long Way From L.A. 3:04
2-20. Hill's Stomp 3:01
2-21. Rockin' With The King 3:15
2-22. Harley Davidson Blues 2:33
2-23. Rock & Roll Music 2:27
2-24. Untitled 0:22
2-25. Untitled 0:52

Notes: 

2 CD Ultra Set Digitally remastered at Tower Mastering, Hollywood, California, February 1994. Mastered from the original 4, 8 and 16-track master session tapes, and stereo master mixdown tapes. All tracks are stereo ADD, except Disc Two, tracks 13-15, 17, 19-23, which are stereo AAD. Tracks 1-1 to 1-3, 1-11 to 1-16, 2-4, 2-5, 2-11, 2-18 previously unreleased Tracks 2-8, 2-16 appear in stereo for the first time on this package Chart information courtesy of Billboard and Joel Whitburn Tracks 1-1, 1-5, 1-16 to 1-18, 2-2, 2-3, 2-5, 2-6, 2-8: Metric Music Co., BMI Track 1-2: Arc Music, BMI Tracks 1-3, 1-13: Progressive Music, BMI Tracks 1-4, 1-6, 1-7, 1-9, 1-14: Arc Music Corp., BMI Track 1-8: Flair Publishing, BMI Track 1-10: Venice Music, Inc., BMI Track 1-11: East-Memphis, BMI Track 1-12: Conrad Music, BMI Track 1-15: Frost Music Co.,/Jonware Music Corp./Olivia Publ. Co., BMI Track 2-1: Saturday Music, Inc., BMI Track 2-4: King Of Spades, BMI Tracks 2-7, 2-9, 2-10, 2-12, 2-14, 2-15: Unart Music Corp., BMI Track 2-11: Trousdale Music Publishers, Inc., BMI Track 2-13: Tek Publishing/Kaymar Publishing, BMI Track 2-16: Mozella Music Inc., BMI Track 2-17: Beckie Publishing Co., BMI Track 2-18: Hollywood Shuffle Music, BMI Track 2-19: Bullfrog Music, ASCAP Track 2-20: Whiskey Joe Music, ASCAP Track 2-21: Unart Music Corp. Payten Music, BMI Tracks 2-22, 2-23: BMI Tracks 1-1 to 1-3, 1-11 to 1-16, 2-1 recorded at RCA Studios, Chicago Tracks 1-4 to 1-10, 1-17, 1-18, 2-2 to 2-4, 2-11, 2-12, 2-18 recorded at Liberty Studios, Los Angeles Tracks 2-5 to 2-10 recorded at I.D. Sound Recorders, Hollywood Tracks 2-13, 2-17, 2-19 to 2-21 recorded at The Village Recorder, Los Angeles Tracks 2-14 to 2-16 recorded at International Sound Studios, Los Angeles Tracks 2-22, 2-23 recorded at The Record Plant, Los Angeles This compilation © ℗ 1994 EMI Records USA, a division of ERG. Manufactured by EMI Manufacturing (USA), a subsidiary of Capitol-EMI Music, Inc. Printed in the USA. Tracks 1-19, 1-20, 2-24, 2-25 are not listed on the release at all.

Comments: 

Small crack on front cover

Goldmine Grading Guide

A universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor/Fair (damaged).

Mint (M)

Absolutely perfect in every way. Certainly never been played, possibly even still sealed.

Near Mint (NM or M-)

A nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.

Very Good Plus (VG+)

The item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.

Very Good (VG)

The item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.

Good (G), Good Plus( G+)

An item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.

Poor (P), Fair (F)

The item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.