{"product_id":"tatsuro-yamashita-opus-all-time-best-1975-2012","title":"Tatsuro Yamashita - Opus All Time Best 1975-2012","description":"\u003ch3\u003eTatsuro Yamashita - Opus All Time Best 1975-2012\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Near Mint (NM or M-)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Near Mint (NM or M-)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFormat:      \u003c\/strong\u003e3xCD, Comp\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eJapan \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e2012-09-26\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eJazz, Rock, Pop\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003eJ-pop\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e.  Sugar Babe～RCA\/Air Years   \u003cbr\u003e1-1.  Down Town \u003cbr\u003e1-2.  雨は手のひらにいっぱい  \u003cbr\u003e1-3.  パレード  \u003cbr\u003e1-4.  Windy Lady \u003cbr\u003e1-5.  Love Space \u003cbr\u003e1-6.  Solid Slider \u003cbr\u003e1-7.  Paper Doll \u003cbr\u003e1-8.  Let's Dance Baby \u003cbr\u003e1-9.  Bomber \u003cbr\u003e1-10.  潮騒（The Whispering Sea）  \u003cbr\u003e1-11.  Funky Flushin' \u003cbr\u003e1-12.  愛を描いて -Let's Kiss The Sun-   \u003cbr\u003e1-13.  Ride On Time \u003cbr\u003e1-14.  Spakrle \u003cbr\u003e1-15.  Loveland, Island   \u003cbr\u003e1-16.  あまく危険な香り   \u003cbr\u003e1-17.  Your Eyes \u003cbr\u003e.  Moon\/Warner Years I \u003cbr\u003e2-1.  悲しみのJody (She Was Crying)  \u003cbr\u003e2-2.  高気圧ガール  \u003cbr\u003e2-3.  クリスマス・イブ   \u003cbr\u003e2-4.  スプリンクラー \u003cbr\u003e2-5.  The Theme From Big Wave \u003cbr\u003e2-6.  I Love You・・・・Part I   \u003cbr\u003e2-7.  風の回廊(コリドー)   \u003cbr\u003e2-8.  土曜日の恋人   \u003cbr\u003e2-9.  ゲット・バック・イン・ラブ   \u003cbr\u003e2-10.  踊ろよ、フィッシュ   \u003cbr\u003e2-11.  蒼氓(そうぼう)  \u003cbr\u003e2-12.  アトムの子  \u003cbr\u003e2-13.  さよなら夏の日  \u003cbr\u003e2-14.  ターナーの汽罐車  \u003cbr\u003e2-15.  エンドレス・ゲーム   \u003cbr\u003e2-16.  ジャングル・スウィング \u003cbr\u003e2-17.  おやすみ、ロージー -Angel Babyへのオマージュ-  \u003cbr\u003e.  Moon\/Warner Years II \u003cbr\u003e3-1.  ヘロン   \u003cbr\u003e3-2.  世界の果てまで   \u003cbr\u003e3-3.  ドリーミング・ガール  \u003cbr\u003e3-4.  ドーナツ・ソング  \u003cbr\u003e3-5.  いつか晴れた日に  \u003cbr\u003e3-6.  君の声に恋してる   \u003cbr\u003e3-7.  2000トンの雨 [2003 New Vocal Mix]  \u003cbr\u003e3-8.  忘れないで   \u003cbr\u003e3-9.  Forever Mine \u003cbr\u003e3-10.  ずっと一緒さ   \u003cbr\u003e3-11.  街物語(まちものがたり)  \u003cbr\u003e3-12.  僕らの夏の夢   \u003cbr\u003e3-13.  愛してるって言えなくたって  \u003cbr\u003e3-14.  愛を教えて   \u003cbr\u003e3-15.  希望という名の光 \u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComments: \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003e\u003cstrong\u003eGoldmine Grading Guide \u003c\/strong\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor\/Fair (damaged).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMint (M)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAbsolutely perfect in every way. Certainly never been played, possibly even still sealed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNear Mint (NM or M-)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good Plus (VG+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good (VG)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGood (G), Good Plus( G+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePoor (P), Fair (F)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/2434028138\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"The Listening Room","offers":[{"title":"Default Title","offer_id":42147905863886,"sku":"","price":345.4,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/7011\/3486\/products\/9071884-01072083648866e82d428648866e82d42a1686660840648866e82d42c.jpg?v=1694612312","url":"https:\/\/wake.store\/zh\/products\/tatsuro-yamashita-opus-all-time-best-1975-2012","provider":"Wake Concept Store ","version":"1.0","type":"link"}