{"product_id":"eugene-ormandy-various-eugene-ormandy-conducts-20th-century-classics","title":"Eugene Ormandy – Various - Eugene Ormandy Conducts 20th Century Classics","description":"\u003ch3\u003eEugene Ormandy – Various - Eugene Ormandy Conducts 20th Century Classics\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Mint (M)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Mint (M)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFormat:      \u003c\/strong\u003e12xCD, Comp, Mono, RM + Box\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eUSA \u0026amp; Europe \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e2012\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eClassical\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003eModern\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e.  Claude Debussy - La Mer - Trois Esquisses Symphoniques (Three Symphonic Sketches) \u003cbr\u003e.  Maurice Ravel - Daphnis Et Chloé - Fragments Symphoniques - 2ᵉ Série \u003cbr\u003e.  Modest Mussorgsky - Pictures At An Exhibition \u003cbr\u003e.  Maurice Ravel - Rapsodie Espagnole \u003cbr\u003e2-5.  Maurice Ravel - Boléro 15:44\u003cbr\u003e.  Manuel De Falla - Noches En Los Jardines De España (Nights In The Gardens Of Spain) \u003cbr\u003e.  Joaquín Rodrigo - Concierto De Aranjuez, For Guitar And Orchestra \u003cbr\u003e.  Gustav Holst - The Planets Op. 32 \u003cbr\u003e3-8.  Sir Edward Elgar - Land Of Hope And Glory, From Pomp And Circumstance Op. 39 5:55\u003cbr\u003e.  Benjamin Britten - The Young Person's Guide To The Orchestra: Variations And Fugue On A Theme Of Purcell \u003cbr\u003e.  Sergei Vasilyevich Rachmaninoff - Concerto For Piano And Orchestra No. 3 In D Minor Op. 30 \u003cbr\u003e.  Sergei Vasilyevich Rachmaninoff - Rhapsody On A Theme Of Paganini Op. 43 \u003cbr\u003e4-30.  Aram Khatchaturian - Sabre Dance, From Gayane 2:38\u003cbr\u003e4-31.  Aram Khatchaturian - Dance Of The Young Maidens, From Gayane 2:00\u003cbr\u003e4-32.  Aram Khatchaturian - Galop, From Masquerade 2:38\u003cbr\u003e.  Sergei Prokofiev - Symphony No. 1 In D Major Op. 25 \"Classical\" \u003cbr\u003e.  Sergei Prokofiev - Concerto For Violin And Orchestra No. 2 In G Minor Op. 63 \u003cbr\u003e5-8.  Alexander Scriabine - Poème De L'extase Op. 54 21:28\u003cbr\u003e.  Nikolai Rimsky-Korsakov - Capriccio Espagnol Op. 34 \u003cbr\u003e.  Dmitri Shostakovich - Symphony No. 5 In D Minor Op. 47 \u003cbr\u003e.  Dmitri Shostakovich - Concerto For Cello And Orchestra No. 1 In E-flat Major Op. 107 \u003cbr\u003e6-7.  Dmitry Kabalevsky - Galop, From The Comedians Op. 26 1:41\u003cbr\u003e.  Igor Stravinsky - Le Sacre Du Printemps  \u003cbr\u003e.  Igor Stravinsky - Petrushka - Ballet Suite \u003cbr\u003e7-16.  Richard Strauss - Der Rosenkavalier - Suite 22:52\u003cbr\u003e.  Béla Bartók - Concerto For Orchestra Sz 116 \u003cbr\u003e.  Zoltán Kodály - Hàry Jànos - Suite \u003cbr\u003e8-12.  George Enescu - Roumanian Rhapsody In A Major Op. 11\/1 12:48\u003cbr\u003e.  Alban Berg - Symphonic Pieces From The Opera Lulu (Lulu Suite) \u003cbr\u003e9-6.  Anton Webern - Im Sommerwind - Idyll For Large Orchestra 12:25\u003cbr\u003e.  Paul Hindemith - Symphony \"Mathis Der Maler\" \u003cbr\u003e.  Carl Orff - Carmina Burana \u003cbr\u003e.  Gustav Mahler - Das Lied Von Der Erde \u003cbr\u003e.  Charles Ives - Symphony No. 2 \u003cbr\u003e11-6.  Jean Sibelius - Valse Triste, From Kuolema Op. 44 4:11\u003cbr\u003e11-7.  Jean Sibelius - Finlandia Op. 26, Symphonic Poem 8:24\u003cbr\u003e11-8.  Hugo Alfvén - Swedish Rhapsody No. 1 Op. 19 \"Midsommer Vigil\" 13:07\u003cbr\u003e12-1.  George Gershwin - Rhapsody In Blue 16:13\u003cbr\u003e12-2.  Aaron Copland - Appalachian Spring 24:55\u003cbr\u003e.  Charles Ives - Three Places In New England (Orchestral Suite No. 1) \u003cbr\u003e12-6.  Samuel Barber - Adagio For Strings Op. 11 7:43\u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003eTotal Time 14:50:50\nThis compilation ℗ \u0026amp; © 2012 Sony Music Entertainment.\nDistributed by Sony Music Entertainment.\nMade in the E.U.\n\nCD 1 - Total Time 72:33\nRecording: Scottish Rite Cathedral, Philadelphia, USA, (1-3) March 2, 1971; (4-6) January 13, 1971; (7-21) April 25\/26, 1973\n℗ 1973 Sony Music Entertainment\n\nCD 2 - Total Time 73:41\nRecording: Philadelphia, USA, (1-4) Town Hall, February 24, 1963; (5) Scottish Rite Cathedral, May 16\/17, 1973; (6-8) Academy of Music, January 2, 1969; (9-11) Town Hall, December 14, 1965\n℗ 1965\/1966\/1969 Sony Music Entertainment\n\nCD 3 - Total Time 74:10\nRecording: Scottish Rite Cathedral, Philadelphia, USA, (1-7) December 18, 1975; (9-28) March 27\/28, 1974; (8) March 22, 1972\n℗ 1974\/1975\/1978 Sony Music Entertainment\n\nCD 4 - Total Time 78:30\nRecording: Scottish Rite Cathedral, Philadelphia, USA, (1-3) February 12, 1975, (4-29) May 7, 1970; Town Hall, Philadelphia, USA (30) March 23, 1964; (31-32) April 13, 1966\n℗ 1967\/1973\/1976 Sony Music Entertainment\n\nCD 5 - Total Time 77:09\nRecording: Philadelphia, USA, (1-4) Town Hall, March 26, 1961; (9-13) February 17, 1966; (5-7) January 30, 1963; (8) Scottish Rite Cathedral, March 3,1971℗ 1965\/1966\/1969 Sony ℗ 1964\/1966 Sony Music Entertainment\n\nCD 6 - Total Time 77:21\nRecording: Scottish Rite Cathedral, Philadelphia, USA, (1-4) February 5, 1975; (5-6) May 2, 1982; (7) June 15, 1972\n℗ 1972\/1975\/1983 Sony Music Entertainment\n\nCD 7 - Total Time 81:48\nRecording: Philadelphia, USA, (1\/2) Academy of Music, April 24 \u0026amp; May 14, 1955; (3-15) Town Hall, March 23, 1964;  (16)Town Hall, February 12, 1964\n℗ 1955\/1965 Sony Music Entertainment\n\nCD 8 - Total Time 76:32\nRecording: Scottish Rite Cathedral, Philadelphia, USA, (1-5) April 16, 1979; (6-11) October 29, 1975; (12) January 11, 1972\n℗ 1976\/1979 Sony Music Entertainment\n\nCD 9 - Total Time 73:08\nRecording: Town Hall, Philadelphia, USA, (1-5) March 27 \u0026amp; April 4, 1967; (6) February 17, 1963; (7-9) January 17, 1962\nSony ℗ 1964\/1967 Sony Music Entertainment\n\nCD 10 - Total Time 70:57\nRecording: Philadelphia, USA, (1-26) Broadwood Hotel, April 24, 1960; (27\/28) Town Hall, February 9, 1966\nSony ℗ 1960\/1966 Sony Music Entertainment\n\nCD 11 - Total Time 67:12\nRecording: Philadelphia, USA, (1-5) Scottish Rite Cathedral, February 7, 1973; (6) January 15, 1973; (7) Town Hall, February 24, 1968; (8) Town Hall, March 11, 1968\n℗ 1968\/1974 Sony Music Entertainment\n\nCD 12 - Total Time 67:49\nRecording: Philadelphia, USA, (1) Town Hall, January 4, 1967; (2) Academy of Music, January 8, 1969; (3-5) Scottish Rite Cathedral, December 11, 1974; (6) Broadway Hotel, April 14, 1957\n℗ 1957\/1967\/1969\/1976 Sony Music Entertainment\nNote -- The credited recording venue Broadway Hotel in this listing is likely erroneous and should be Broadwood Hotel \n\nAll tracks Stereo except CD7 tracks 1-2, Stravinsky's \"Le Sacre du printemps\", recorded in Mono.\n\n12 CDs, each with a printed cardboard sleeve, same artwork, all inside a hinged-lid cardboard box.  No booklet included; Track listings and credits for individual discs printed on back of each CDs sleeve\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComments: \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003e\u003cstrong\u003eGoldmine Grading Guide \u003c\/strong\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor\/Fair (damaged).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMint (M)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAbsolutely perfect in every way. Certainly never been played, possibly even still sealed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNear Mint (NM or M-)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good Plus (VG+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good (VG)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGood (G), Good Plus( G+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePoor (P), Fair (F)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/2277974356\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"The Listening Room","offers":[{"title":"Default Title","offer_id":42147758506190,"sku":"","price":423.12,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/7011\/3486\/products\/13244614-08016306442a0c42080b6442a0c42080c16820881326442a0c42080f.jpg?v=1694604526","url":"https:\/\/wake.store\/zh\/products\/eugene-ormandy-various-eugene-ormandy-conducts-20th-century-classics","provider":"Wake Concept Store ","version":"1.0","type":"link"}