{"title":"Classical","description":"","products":[{"product_id":"gunter-wand-kolner-rundfunk-sinfonie-orchester-ndr-sinfonieorchester-the-great-recordings-28xcd-comp-dvd-v-ntsc-box-dlx-ltd-mint-m","title":"Günter Wand, Kölner Rundfunk-Sinfonie-Orchester, NDR Sinfonieorchester - The Great Recordings","description":"\u003ch3\u003eGünter Wand, Kölner Rundfunk-Sinfonie-Orchester, NDR Sinfonieorchester - The Great Recordings\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Mint (M)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Mint (M)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFormat:      \u003c\/strong\u003e28xCD, Comp + DVD-V, NTSC + Box, Dlx, Ltd\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eEurope \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e17 Jun 2013\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eClassical\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003eClassical, Romantic, Impressionist, Modern\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e.  Ludwig van Beethoven \u003cbr\u003e.  Symphony No. 1 in C Major, Op. 21 \u003cbr\u003e1-1.  I. Adagio molto - Allegro con brio \u003cbr\u003e1-2.  II. Andante cantabile con moto \u003cbr\u003e1-3.  III. Menuetto. Allegro molto e vivace \u003cbr\u003e1-4.  IV. Finale. Adagio - Allegro molto e vivace \u003cbr\u003e.  Symphony No. 6 in F major, Op. 68, \"Pastorale\" \u003cbr\u003e1-5.  I. Allegro ma non troppo \u003cbr\u003e1-6.  II. Andante molto moto \u003cbr\u003e1-7.  III, Allegro \u003cbr\u003e1-8.  IV. Allegro \u003cbr\u003e1-9.  V. Allegretto \u003cbr\u003e.  Symphony No. 2 in D major, Op. 36 \u003cbr\u003e2-1.  I. Adagio molto - Allegro con brio \u003cbr\u003e2-2.  II. Larghetto \u003cbr\u003e2-3.  III. Scherzo: Allegro \u003cbr\u003e2-4.  IV. Allegro molto \u003cbr\u003e.  Symphony No. 7 in A Major, Op. 92 \u003cbr\u003e2-5.  I. Poco sostenuto - Vivace \u003cbr\u003e2-6.  II. Allegretto \u003cbr\u003e2-7.  III. Presto \u003cbr\u003e2-8.  IV. Allegro con brio \u003cbr\u003e.  Symphony No. 3 in E flat major, Op. 55, \"Eroica\" \u003cbr\u003e3-1.  I. Allegro con brio \u003cbr\u003e3-2.  II. Marcia funebre: Adagio assai \u003cbr\u003e3-3.  III. Scherzo: Allegro vivace \u003cbr\u003e3-4.  IV. Finale: Allegro molto \u003cbr\u003e.  Symphony No. 8 in F major, Op. 93 \u003cbr\u003e3-5.  I. Allegro vivace e con brio \u003cbr\u003e3-6.  II. Allegretto scherzando \u003cbr\u003e3-7.  III. Tempo di Menuetto \u003cbr\u003e3-8.  IV. Allegro vivace \u003cbr\u003e.  Symphony No. 4 in B flat major, Op. 60 \u003cbr\u003e4-1.  I. Adagio - Allegro vivace \u003cbr\u003e4-2.  II. Adagio \u003cbr\u003e4-3.  III. Menuetto: Allegro vivace \u003cbr\u003e4-4.  IV. Allegro ma non troppo \u003cbr\u003e.  Symphony No. 5 in C Minor, Op. 67 \u003cbr\u003e4-5.  I. Allegro con brio \u003cbr\u003e4-6.  II. Andante con moto \u003cbr\u003e4-7.  III. Allegro \u003cbr\u003e4-8.  IV. Allegro \u003cbr\u003e.  Symphony No. 9 in D Minor, Op. 125 \u003cbr\u003e5-1.  I. Allegro ma non troppo, un poco maestoso \u003cbr\u003e5-2.  II. Molto vivace - Presto \u003cbr\u003e5-3.  III. Adagio molto e cantabile \u003cbr\u003e5-4.  IV. Presto \u003cbr\u003e5-5.  V. Presto. \"O Freunde, nicht diese Töne!\". Allegro assai \u003cbr\u003e.  Johannes Brahms \u003cbr\u003e.  Symphony No. 1 in C Minor, Op. 68 \u003cbr\u003e6-1.  I. Un poco sostenuto - Allegro \u003cbr\u003e6-2.  II. Andante sostenuto \u003cbr\u003e6-3.  III. Un poco allegretto e grazioso \u003cbr\u003e6-4.  IV. Adagio non troppo ma con brio \u003cbr\u003e.  Symphony No. 3 in F Major, Op. 90 \u003cbr\u003e6-5.  I. Allegro con brio \u003cbr\u003e6-6.  II. Andante \u003cbr\u003e6-7.  III. Poco allegretto \u003cbr\u003e6-8.  IV. Allegro \u003cbr\u003e.  Symphony No. 2 in D Major, Op. 73 \u003cbr\u003e7-1.  I. Allegro non troppo \u003cbr\u003e7-2.  II. Allegro non troppo \u003cbr\u003e7-3.  III. Allegretto grazioso (Quasi Andantino) - Presto ma non assai \u003cbr\u003e7-4.  IV. Allegro con spirito \u003cbr\u003e.  Symphony No. 4 in E Minor, Op. 98 \u003cbr\u003e7-5.  I. Allegro non troppo \u003cbr\u003e7-6.  II. Andante moderato \u003cbr\u003e7-7.  III. Allegro giocoso - poco meno presto \u003cbr\u003e7-8.  IV. Allegro energico e passionato. Più Allegro \u003cbr\u003e.  Anton Bruckner \u003cbr\u003e.  Symphony No. 1 in C minor (Vienna Version 1890\/91) \u003cbr\u003e8-1.  I. Allegro \u003cbr\u003e8-2.  II. Adagio \u003cbr\u003e8-3.  III. Scherzo: Lebhaft \u003cbr\u003e8-4.  IV. Finale: Bewegt, feurig \u003cbr\u003e.  Symphony No. 2 in C minor (2. Version 1877, publ. by Robert Haas) \u003cbr\u003e9-1.  I. Ziemlich schnell \u003cbr\u003e9-2.  II. Adagio: Feierlich, etwas bewegt \u003cbr\u003e9-3.  III. Scherzo: Schnell \u003cbr\u003e9-4.  IV. Finale: Mehr schnell \u003cbr\u003e.  Symphony No. 3 in D minor (3. Version 1889) \u003cbr\u003e10-1.  I. Mehr langsam, misterioso \u003cbr\u003e10-2.  II. Adagio: Bewegt, quasi andante \u003cbr\u003e10-3.  III. Ziemlich schnell \u003cbr\u003e10-4.  IV. Allegro \u003cbr\u003e.  Symphony No. 4 in E flat major, \"Romantic\" (2. Version 1878\/80, publ. by Robert Haas) \u003cbr\u003e11-1.  I. Bewegt, nicht zu schnell \u003cbr\u003e11-2.  II. Andante, quasi allegretto \u003cbr\u003e11-3.  III. Scherzo: Bewegt - Trio: Nicht zu schnell, keineswegs schleppend \u003cbr\u003e11-4.  IV. Finale: Bewegt, doch nicht zu schnell \u003cbr\u003e.  Symphony No. 5 in B flat major (Original Version 1875-1878) \u003cbr\u003e12-1.  I. Introduction. Adagio - Allegro \u003cbr\u003e12-2.  II. Adagio: Sehr langsam \u003cbr\u003e12-3.  III. Scherzo: Molto vivace (schnell) \u003cbr\u003e12-4.  IV. Finale: Adagio - Allegro moderato \u003cbr\u003e.  Symphony No. 6 in A major (Original Version 1879-1881) \u003cbr\u003e13-1.  I. Maestoso \u003cbr\u003e13-2.  II. Adagio: Sehr feierlich \u003cbr\u003e13-3.  III. Scherzo: Nicht schnell - Trio: Langsam \u003cbr\u003e13-4.  IV. Finale: Bewegt, doch nicht zu schnell \u003cbr\u003e.  Symphony No. 7 in E major (Original Version 1881-1883) \u003cbr\u003e14-1.  I. Allegro moderato \u003cbr\u003e14-2.  II. Adagio: Sehr feierlich und sehr langsam \u003cbr\u003e14-3.  III. Scherzo: Sehr schnell \u003cbr\u003e14-4.  IV. Finale: Bewegt, doch nicht zu schnell \u003cbr\u003e.  Symphony No. 9 in D minor (Original Version) \u003cbr\u003e15-1.  I. Feierlich, misterioso \u003cbr\u003e15-2.  II. Scherzo: Bewegt, lebhaft - Trio: Schnell \u003cbr\u003e15-3.  III. Adagio: Langsam, feierlich \u003cbr\u003e.  Symphony No. 8 in C minor (2. Version 1890, publ. by Robert Haas) \u003cbr\u003e15-4.  I. Allegro moderato \u003cbr\u003e16-1.  II. Scherzo: Allegro moderato \u003cbr\u003e16-2.  III. Adagio: Feierlich langsam, doch nicht schleppend \u003cbr\u003e16-3.  IV. Finale: Feierlich, nicht schnell \u003cbr\u003e.  Franz Schubert \u003cbr\u003e.  Symphony No. 1 in D Major, D. 82 \u003cbr\u003e17-1.  I. Adagio - Allegro vivace \u003cbr\u003e17-2.  II. Andante \u003cbr\u003e17-3.  III. Menuetto. Allegro \u003cbr\u003e17-4.  IV. Allegro vivace \u003cbr\u003e.  Symphony No. 2 in B-Flat major, D. 125 \u003cbr\u003e17-5.  I. Largo - Allegro vivace \u003cbr\u003e17-6.  II. Andante \u003cbr\u003e17-7.  III. Menuetto. Allegro vivace \u003cbr\u003e17-8.  IV. Presto vivace \u003cbr\u003e.  Symphony No. 3 in D Major, D. 200 \u003cbr\u003e18-1.  I. Adagio maestoso - Allegro con brio \u003cbr\u003e18-2.  II. Allegretto \u003cbr\u003e18-3.  III. Menuetto. Vivace \u003cbr\u003e18-4.  IV. Presto vivace \u003cbr\u003e.  Symphony No. 6 in C Major, D. 589 \u003cbr\u003e18-5.  I. Adagio - Allegro \u003cbr\u003e18-6.  II. Andante \u003cbr\u003e18-7.  III. Scherzo. Presto \u003cbr\u003e18-8.  IV. Allegro moderato \u003cbr\u003e.  Symphony No. 4 in C Minor, D. 417, \"Tragic\" \u003cbr\u003e19-1.  I. Adagio molto - Allegro vivace \u003cbr\u003e19-2.  II. Andante \u003cbr\u003e19-3.  III. Menuetto. Allegro vivace \u003cbr\u003e19-4.  IV. Allegro \u003cbr\u003e.  Symphony No. 8 in B Minor, D. 759, \"Unfinished\" \u003cbr\u003e19-5.  I. Allegro moderato \u003cbr\u003e19-6.  II. Andante con moto \u003cbr\u003e.  Symphony No. 5 in B-Flat Major, D. 485 \u003cbr\u003e20-1.  I. Allegro \u003cbr\u003e20-2.  II. Andante con moto \u003cbr\u003e20-3.  III. Menuetto. Allegro molto \u003cbr\u003e20-4.  IV. Allegro vivace \u003cbr\u003e.  Rosamunde, Op. 26, D. 797 \u003cbr\u003e20-5.  Entr'acte No. III in B-Flat Major \u003cbr\u003e20-6.  Ballet Music No. 1 \u003cbr\u003e20-7.  Ballet Music No. 2 \u003cbr\u003e.  Symphony No. 9 in C Major, D. 944, \"The Great\" \u003cbr\u003e21-1.  I. Andante - Allegro ma non troppo \u003cbr\u003e21-2.  II. Andante con moto \u003cbr\u003e21-3.  III. Scherzo. Allegro vivace \u003cbr\u003e21-4.  IV. Finale. Allegro vivace \u003cbr\u003e.  Wolfgang Amadeus Mozart \u003cbr\u003e.  Symphony No. 39 in E flat major, K. 543 \u003cbr\u003e22-1.  I. Adagio - Allegro \u003cbr\u003e22-2.  II. Andante con moto \u003cbr\u003e22-3.  III. Minuetto. Allegretto \u003cbr\u003e22-4.  IV. Finale. Allegro \u003cbr\u003e.  Symphony No. 40 in G Minor, K.550 \u003cbr\u003e22-5.  I. Molto allegro \u003cbr\u003e22-6.  II. Andante  \u003cbr\u003e22-7.  III. Menuetto. Allegretto \u003cbr\u003e22-8.  IV. Allegro assai \u003cbr\u003e.  Symphony No. 41 in C Major, K. 551, \"Jupiter\" \u003cbr\u003e22-9.  I. Allegro vivace \u003cbr\u003e22-10.  II. Andante cantabile \u003cbr\u003e22-11.  III. Menuetto: Allegretto \u003cbr\u003e22-12.  IV. Molto allegro \u003cbr\u003e.  German Dances, K. 600 \u003cbr\u003e23-1.  I. German Dance \u003cbr\u003e23-2.  II. German Dance \u003cbr\u003e23-3.  III. German Dance \u003cbr\u003e23-4.  IV. German Dance \u003cbr\u003e23-5.  V. German Dance \u003cbr\u003e23-6.  VI. German Dance \u003cbr\u003e.  Serenade No. 7 in D Major, K. 250 ,\"Haffner\" \u003cbr\u003e23-7.  I. Allegro maestoso \u003cbr\u003e23-8.  II. Andante \u003cbr\u003e23-9.  III. Menuetto \u003cbr\u003e23-10.  IV. Rondeau \u003cbr\u003e23-11.  V. Menuetto galante \u003cbr\u003e23-12.  VI. Andante \u003cbr\u003e23-13.  VII. Menuetto (Trio 1 \u0026amp; 2) \u003cbr\u003e23-14.  VIII. Adagio - Allegro assai \u003cbr\u003e.  Robert Schumann \u003cbr\u003e.  Symphony No. 3 in E flat major, Op.97 \"Rhenish\" \u003cbr\u003e24-1.  I. Lebhaft \u003cbr\u003e24-2.  II. Scherzo. Sehr mäßig \u003cbr\u003e24-3.  III. Nicht schnell \u003cbr\u003e24-4.  IV. Feierlich \u003cbr\u003e24-5.  V. Finale. Lebhaft \u003cbr\u003e.  Symphony No. 4 in D minor, Op. 120 \u003cbr\u003e24-6.  I. Ziemlich langsam - Allegro \u003cbr\u003e24-7.  II. Romanze. Ziemlich langsam \u003cbr\u003e24-8.  III. Scherzo. Lebhaft \u003cbr\u003e24-9.  IV. Langsam - Finale. Lebhaft \u003cbr\u003e.  Peter Tschaikowsky \u003cbr\u003e.  Symphony No. 5 in E minor, Op. 64 \u003cbr\u003e25-1.  I. Andante \u003cbr\u003e25-2.  II. Andante cantabile \u003cbr\u003e25-3.  III. Allegro moderato \u003cbr\u003e25-4.  IV. Andante maestoso; Allegro vivace \u003cbr\u003e.  Pulcinella Suite \u003cbr\u003e26-1.  I. Sinfonia (Ouvertüre) \u003cbr\u003e26-2.  II. Serenata \u003cbr\u003e26-3.  III. Scherzino, Allegro and Andantino \u003cbr\u003e26-4.  IV. Tarantella \u003cbr\u003e26-5.  V. Toccata \u003cbr\u003e26-6.  VI. Gavotta con due variazioni \u003cbr\u003e26-7.  VII. Vivo \u003cbr\u003e26-8.  VIII. Minuetto and Finale \u003cbr\u003e.  Symphony No. 6 in B minor, Op. 74, \"Pathétique\" \u003cbr\u003e26-9.  I. Adagio; Allegro non troppo \u003cbr\u003e26-10.  II. Allegro con grazia \u003cbr\u003e26-11.  III. Allegro molto vivace \u003cbr\u003e26-12.  IV. Finale: Adagio lamentoso \u003cbr\u003e.  Claude Debussy \u003cbr\u003e.  Le Martyre de Saint Sébastien \u003cbr\u003e27-1.  I. La cour des Lys \u003cbr\u003e27-2.  II. Danse extatique et final du 1. acte \u003cbr\u003e27-3.  III. La passion \u003cbr\u003e27-4.  IV. Le bon pasteur \u003cbr\u003e.  Modest Mussorgsky \u003cbr\u003e.  Pictures at an Exhibition \u003cbr\u003e27-5.  I. Promenade \u003cbr\u003e27-6.  II. Gnomus \u003cbr\u003e27-7.  III. Promenade \u003cbr\u003e27-8.  IV. Il vecchio castello \u003cbr\u003e27-9.  V. Promenade \u003cbr\u003e27-10.  VI. Les Tuileries \u003cbr\u003e27-11.  VII. Bydlo \u003cbr\u003e27-12.  VIII. Promenade \u003cbr\u003e27-13.  IX. Ballet des poussins dans leur coques \u003cbr\u003e27-14.  X. Samuel Goldenberg \u0026amp; Schmuyle \u003cbr\u003e27-15.  XI. Limoges. Le marché \u003cbr\u003e27-16.  XII. Catacombae: Sepulchrum Romanum \u003cbr\u003e27-17.  XIII. Cum mortuis in lingua mortua \u003cbr\u003e27-18.  XIV. La cabane sur des pattes de poule \u003cbr\u003e27-19.  XV. La grande porte de Kiev \u003cbr\u003e.  Igor Strawinsky \u003cbr\u003e28-1.  Concerto in E flat, \"Dumbarton Oaks\" \u003cbr\u003e.  Wolfgang Fortner \u003cbr\u003e28-2.  Bluthochzeit - Zwischenspiele für Orchester \u003cbr\u003e.  Anton Webern \u003cbr\u003e28-3.  Five Pieces for Orchestra, Op. 10 \u003cbr\u003e.  Frank Martin \u003cbr\u003e28-4.  Petite Symphonie concertante \u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComments: \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eFactory Sealed mint \\\\uD83D\\\\uDC4C \u003c\/p\u003e\r\n\r\n\u003ch3\u003e\u003cstrong\u003eGoldmine Grading Guide \u003c\/strong\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor\/Fair (damaged).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMint (M)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAbsolutely perfect in every way. Certainly never been played, possibly even still sealed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNear Mint (NM or M-)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good Plus (VG+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good (VG)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGood (G), Good Plus( G+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePoor (P), Fair (F)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/2638429659\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"The Listening Room","offers":[{"title":"Default Title","offer_id":42112408551630,"sku":"2638429659","price":949.85,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/7011\/3486\/products\/9354122-087067526308c3e4544e96308c3e4544eb16615188206308c3e4544ed.jpg?v=1690795424"},{"product_id":"lang-lang-piano-book-2xlp-album-hal-mint-m","title":"Lang Lang - Piano Book","description":"\u003ch3\u003eLang Lang - Piano Book\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Mint (M)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Mint (M)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFormat:      \u003c\/strong\u003e2xLP, Album, Hal\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eEurope \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e29 Mar 2019\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eClassical\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003eClassical\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA1.  Johann Sebastian Bach - Prelude In C Major \u003cbr\u003eA2.  Ludwig van Beethoven - \"Für Elise\" \u003cbr\u003eA3.  Max Richter - The Departure \u003cbr\u003eA4.  Felix Mendelssohn-Bartholdy - \"Spinning Song\" \u003cbr\u003eA5.  Claude Debussy - Clair De Lune \u003cbr\u003eA6.  Claude Debussy - Doctor Gradus Ad Parnassum \u003cbr\u003eB1.  Frédéric Chopin - \"Raindrop\" Prélude \u003cbr\u003eB2.  Wolfgang Amadeus Mozart - \"Sonata Facile\": Allegro \u003cbr\u003eB3.  Muzio Clementi - Sonatina In C Major: Andante \u003cbr\u003eB4.  Carl Czerny - The School Of Velocity: Presto \u003cbr\u003eB5.  Yann Tiersen - La Valse D'Amélie \u003cbr\u003eB6.  Claude Debussy - Rêverie \u003cbr\u003eC1.  Franz Schubert - Moment Musical In F Minor \u003cbr\u003eC2.  Edvard Grieg - To Spring \u003cbr\u003eC3.  Robert Schumann - Wilder Reiter \u003cbr\u003eC4.  Francis Poulenc - Villageoises: Staccato \u003cbr\u003eC5.  Huang Hu Wei - The Merry Shepherd Boy \u003cbr\u003eC6.  Ryuichi Sakamoto - Merry Christmas, Mr. Lawrence \u003cbr\u003eC7.  Tekla Bądarzewska-Baranowska - The Maiden's Prayer \u003cbr\u003e.  Piano Variations On \"Ah, Vous Dirai-Je, Maman\" \u003cbr\u003eD14.  Johann Sebastian Bach - Minuet In G Major \u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003eA UNIVERSAL MUSIC COMPANY\nTotal time: 72:27\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComments: \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eFactory Sealed mint \\\\uD83D\\\\uDC4C \u003c\/p\u003e\r\n\r\n\u003ch3\u003e\u003cstrong\u003eGoldmine Grading Guide \u003c\/strong\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor\/Fair (damaged).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMint (M)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAbsolutely perfect in every way. Certainly never been played, possibly even still sealed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNear Mint (NM or M-)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good Plus (VG+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good (VG)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGood (G), Good Plus( G+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePoor (P), Fair (F)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/2634207519\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"The Listening Room","offers":[{"title":"Default Title","offer_id":42112411173070,"sku":"2634207519","price":474.93,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/7011\/3486\/products\/13475933-0329352061c5d6cb38ba361c5d6cb38ba4164035553161c5d6cb38ba7.jpg?v=1690795472"},{"product_id":"tafelmusik-baroque-orchestra-the-complete-sony-recordings-47xcd-box-mint-m","title":"Tafelmusik Baroque Orchestra - The Complete Sony Recordings","description":"\u003ch3\u003eTafelmusik Baroque Orchestra - The Complete Sony Recordings\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Mint (M)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Mint (M)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFormat:      \u003c\/strong\u003e47xCD + Box\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eEurope \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e16 Jun 2015\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eClassical\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003eBaroque\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e.  Bach: Six Brandenburg Concertos, BWV 1046 - 1051 \u003cbr\u003e.  Concerto No. 1 In F Major, BWV 1046 \u003cbr\u003e.  Concerto No. 2 In F Major, BWV 1047 \u003cbr\u003e.  Concerto No. 3 In G Major, BWV 1048 \u003cbr\u003e.  Concerto No. 4 In G Major, BWV 1049 \u003cbr\u003e.  Concerto No. 5 In D Major, BWV 1050 \u003cbr\u003e.  Concerto No. 6 In B-Flat Major, BWV 1051 \u003cbr\u003e.  Bach: Concertos For Violin \u003cbr\u003e.  Concerto For Violin, Stings And Basso Continuo In A Minor BWV 1041 \u003cbr\u003e.  Concerto For Two Violins, Strings And Basso Continuo In D Minor BVW 1043 \u003cbr\u003e.  Concerto For Violin, Strings And Basso Continuo In E Major BWV 1042 \u003cbr\u003e.  Concerto For Three Violins, Strings And Basso Continuo In D Major BWV 1064 \u003cbr\u003e.  W.F. Bach: Sinfonias - Suite In G Minor - Concerto For Harpsichord in D Major \u003cbr\u003e.  Sinfonia In D Major, F. 64 \u003cbr\u003e.  Sinfonia In D Minor, F. 65 \u003cbr\u003e.  Suite In G Minor, BWV 1070 (Attrib.: W. F. Bach) \u003cbr\u003e.  Concerto For Harpsichord, Strings And Basso Continuo In D Major, F. 41 \u003cbr\u003e.  Sinfonia In F Major For Strings, F. 67 \u003cbr\u003e.  Beethoven: Piano Concertos Nos. 1 \u0026amp; 2 \u003cbr\u003e.  Concerto For Piano And Orchestra No. 1 In C Major, Op. 15 \u003cbr\u003e.  Concerto For Piano And Orchestra No. 2 In B Flat Major, Op. 19 \u003cbr\u003e.  Beethoven: Piano Concertos No. 3 \u0026amp; 4 \u003cbr\u003e.  Concerto For Piano And Orchestra No. 3 In C Minor, Op. 37 \u003cbr\u003e.  Concerto For Piano And Orchestra, No. 4 In G Major, Op. 58 \u003cbr\u003e.  Beethoven: Piano Concerto No. 5 - Violin Concerto \u003cbr\u003e.  Concerto For Piano And Orchestra No. 5 In E-Flat, Op. 73 \"Emperor\" \u003cbr\u003e.  Violin Concerto In D Major, Op. 61 \u003cbr\u003e.  Biber: Harmonia Artificiosa-Ariosa \u003cbr\u003e.  Partia I \u003cbr\u003e.  Partia II \u003cbr\u003e.  Partia III \u003cbr\u003e.  Partia IV \u003cbr\u003e.  Partia V \u003cbr\u003e.  Partia VI \u003cbr\u003e.  Partia VII \u003cbr\u003e.  Boccherini: Cello Concertos - Sinfonias \u003cbr\u003e.  Concerto G-Dur, G.480 \u003cbr\u003e.  Sinfonia B-Dur, G.497 \u003cbr\u003e.  Concerto G-Dur, G.483 \u003cbr\u003e.  Sinfonia D-Moll, G.506 \"Della Casa Del Diavolo\" \u003cbr\u003e.  Boccherini: Concerto For Violincello And Orchestra - Ouverture - Octet - Sinfonia \u003cbr\u003e.  Overture (Sinfonia) In D Major, Op.43, G.521 \u003cbr\u003e.  Concerto For Violoncello And Orchestra In D Major, G. 476 \u003cbr\u003e.  Octet (Notturno) In G Major, Op.38 No.4, G.470 \u003cbr\u003e.  Concerto For Violoncello And Orchestra In C Major, G.573 \u003cbr\u003e.  Sinfonia In C Minor, G.519 \u003cbr\u003e.  Corelli: Concerti Grossi Op. 6 \u003cbr\u003e.  Concerto VII D Major \u003cbr\u003e.  Concerto IX F Major \u003cbr\u003e.  Concerto III C Minor \u003cbr\u003e.  Concerto I C Minor \u003cbr\u003e.  Concerto XI B Flat Major \u003cbr\u003e.  Concerto VIII G Minor \u003cbr\u003e.  Gazzaniga: Don Giovanni \u003cbr\u003e.  Don Giovanni \u003cbr\u003e.  Geminiani: Concerti Grossi \u003cbr\u003e.  Concerto Grosso In D Minor, Op. 2 No. 3 \u003cbr\u003e.  Concerto Grosso In C Minor, Op. 2 No. 1 \u003cbr\u003e.  Concerto Grosso In A Major, Op. 2 No. 6 \u003cbr\u003e.  Concerto Grosso In C Minor, Op. 2 No. 2 \u003cbr\u003e.  Concerto Grosso In D Major, Op. 2 No. 4 \u003cbr\u003e.  Concerto Grosso In D Minor, Op. 2 No. 5 \u003cbr\u003e.  Concerto Grosso In C Major After Corelli, Op. 5 No. 3 \u003cbr\u003e.  Concerto Grosso In G Minor After Corelli, Op. 5 No. 5 \u003cbr\u003e.  Gluck: Orfeo ed Euridice \u003cbr\u003e.  Orfeo ed Euridice \u003cbr\u003e.  Gluck: Don Juan - Sémiramis \u003cbr\u003e.  Don Juan \u003cbr\u003e.  Semiramis \u003cbr\u003e.  Handel: 6 Concerti Grossi \u003cbr\u003e.  Concerto Grosso In B Flat Major, Op. 3, No. 1 \u003cbr\u003e.  Concerto Grosso In B Flat Major, Op. 3, No. 2 \u003cbr\u003e.  Concerto Grosso In G Major, Op. 3, No. 3 \u003cbr\u003e.  Concerto Grosso In F Major, Op. 3, No. 4 \u003cbr\u003e.  Concerto Grosso In D Minor, Op. 3, No. 5 \u003cbr\u003e.  Concerto Grosso In D Major, Op. 3, No. 6 \u003cbr\u003e.  Handel: Music For The Royal Fireworks \u003cbr\u003e.  Music for the Royal Fireworks, HWV 351 \u003cbr\u003e.  Concerto No. 2, HWV 333 \u003cbr\u003e.  Concerto No. 1, HWV 332 \u003cbr\u003e.  Concerto No. 3, HWV 334 \u003cbr\u003e.  Handel: Water Music - Suite II From Pastor Fido \u003cbr\u003e.  Water Music, HWV 348-350 \u003cbr\u003e.  Suite From \"Il Pastor Fido\", HWV 8c (Version II From 1734) \u003cbr\u003e.  Haydn: Symphonies 1771 Nos. 41, 42 \u0026amp; 43 \"Mercury\" \u003cbr\u003e.  Symphony In C Major, Hob. I: 41 \u003cbr\u003e.  Symphony In D Major, Hob. I: 42 \u003cbr\u003e.  Symphony In E-flat Major, Hob. I: 43 “Mercury” \u003cbr\u003e.  Haydn: Symphonies ca. 1771 Nos. 44 \"Mourning\", 51 \u0026amp; 52 \u003cbr\u003e.  Sinfonia No. 44 In E Minor, Hob.I:44 \"Trauer\" \u003cbr\u003e.  Sinfonia No. 51 In B-flat Major, Hob.I:51 \u003cbr\u003e.  Sinfonia No. 52 In C Minor, Hob.I:52 \u003cbr\u003e.  Haydn: Symphonies Nos. 45 \"Farewell\", 46 \u0026amp; 47 \u003cbr\u003e.  Symphony In F-Sharp Minor, Hob. I: 45 \"Farewell\" \u003cbr\u003e.  Symphony In B Major, Hob. I: 46 \u003cbr\u003e.  Symphony In G Major, Hob. I: 47 \u003cbr\u003e.  Haydn: Symphonies Nos. 50, 64 \"Tempora Mutantir\" \u0026amp; 65 \u003cbr\u003e.  Symphony In C Major, Hob. I: 50 \u003cbr\u003e.  Symphony In A Major, Hob. I: 64 \"Tempora Mutantur\" \u003cbr\u003e.  Symphony In A Major, Hob. I: 65 \u003cbr\u003e.  Haydn: Paris Symphonies I: No. 82 \"The Bear\", No. 83 \"The Hen\" \u0026amp; No. 84 \u003cbr\u003e.  Symphony In C Major, Hob.I:82 \"The Bear\" \u003cbr\u003e.  Symphony In G Minor, Hob.I:83 \"The Hen\" \u003cbr\u003e.  Symphony In E Flat Major, Hob.I:84 \u003cbr\u003e.  Haydn: Paris Symphonies II No. 85 \"The Queen\", Nos. 86 \u0026amp; 87 \u003cbr\u003e.  Symphony In B-flat Major, Hob. I: 85 \"The Queen\" \u003cbr\u003e.  Symphony In D Major, Hob. I: 86 \u003cbr\u003e.  Symphony In A Major, Hob. I: 87 \u003cbr\u003e.  Haydn: Symphonies Nos. 88, 89 \u0026amp; 90 \u003cbr\u003e.  Symphony In G Major, Hob. I: 88 \u003cbr\u003e.  Symphony In F Major, Hob. I: 89 \u003cbr\u003e.  Symphony In C Major, Hob. I: 90 \u003cbr\u003e.  Haydn: Paukenmesse \u003cbr\u003e.  Missa In Tempore Belli, Hob.XXII: 9 \"Paukenmesse\" - \"Mass In Time Of War\" - \"Messe Pour Le Temps De Guerre\" \u003cbr\u003e.  Salve Regina, Hob.XXIIIb: 2 \u003cbr\u003e27-9.  Et Jesum (Largo) - O Clemens (Allegretto) \u003cbr\u003e.  Motetto \"O Coelitum Beati'', Hob. XXIIIa: G 9 \u003cbr\u003e.  Haydn: Missa Sancti Bernardi de Offida; Motets \u003cbr\u003e.  Missa Sancti Bernardi De Offida, Hob. XXII: 10 ''Heiligmesse'' \u003cbr\u003e.  Mare Clausum, Hob. XXIVa: 9 (Fragment) \u003cbr\u003e28-9.  Motetto ''Insanae Et Vanae Curae'', Hob. XXI: 1 No.13c \u003cbr\u003e.  Motetti De Venerabili Sacramento, Hob. XXIIIc: 5a-d \u003cbr\u003e28-14.  Te Deum For The Empress Marie Therese, Hob. XXIIIc: 2 \u003cbr\u003e.  Haydn: Theresienmesse - Nelsonmesse \u003cbr\u003e.  Missa, Hob. XXII:12 \"Theresa Mass\" In B Flat Major \u003cbr\u003e.  Missa In Angustiis, Hob. XXII:11 \"Nelson Mass\" In D Minor \u003cbr\u003e.  Haydn: Missa \"Sunt Bona Mixta Malis\"; Offertorium \"Non Nobis, Domine\", Salve Regina, Ave Regina, \"Kleine Orgelmesse\" \u003cbr\u003e.  Missa \"Sunt Bona Mixta Malis\", Hob. XXII: 2 (Fragment\/Frammento) \u003cbr\u003e30-3.  Offertorium \"Non Nobis, Domine\", Hob. XXIIIa: 1 \u003cbr\u003e30-4.  Ave Regina, Hob. XXIIIb: 3 \u003cbr\u003e.  Responsoria De Venerabili, Hob. XXIIIc: 4 a-d \u003cbr\u003e30-9.  Responsorium Ad Absolutionem \"Libera Me\", Hob. XXIIb: 1 \u003cbr\u003e.  Salve Regina, Hob. XXIIIb: 1 \u003cbr\u003e.  Missa Brevis Sancti Joannis De Deao, Hob. XXII: 7 \"Little Organ Mass\" \u003cbr\u003e.  Haydn: The Creation = Die Schöpfung  \u003cbr\u003e.  Die Schöpfung, Hob. Xxi: 2 \u003cbr\u003e.  Haydn\/Kraft: Cello Concertos \u003cbr\u003e.  Concerto C-dur\/C Major, Hob. VIIb:1 \u003cbr\u003e.  Concerto, D-dur\/D Major Hob. VIIb:2 \u003cbr\u003e.  Concerto C-dur\/C Major, Op. 4 \u003cbr\u003e.  Mozart: Symphonies After Serenades \u003cbr\u003e.  Symphony In D major, K. 100 \u003cbr\u003e.  Symphony In D Major, K. 203 \u003cbr\u003e.  Symphony (\"Haffner\" Serenade) In D Major, K. 250 \u003cbr\u003e.  Symphony In D Major, K. 185 \u003cbr\u003e.  Symphony In D Major, K. 204 \u003cbr\u003e.  Symphony (\"Posthorn\" Serenade) In D Major, K. 320 \u003cbr\u003e.  Mozart: Overtures; Eine Kleine Nachtmusik \u003cbr\u003e36-1.  Idomeneo, K. 366 \u003cbr\u003e36-2.  Die Entführung Aus Dem Serail, K. 384 \u003cbr\u003e36-3.  Der Schauspieldirektor, K. 486 \u003cbr\u003e36-4.  Le Nozze Di Figaro, K. 492 \u003cbr\u003e36-5.  Don Giovanni, K. 527 \u003cbr\u003e36-6.  Così Fan Tutte, K. 588 \u003cbr\u003e36-7.  La Clemenza Di Tito, K. 621 \u003cbr\u003e36-8.  Die Zauberflöte, K. 620 \u003cbr\u003e.  Serenade No. 14 In G Major, K. 525 \"Eine Kleine Nachtmusik\" \u003cbr\u003e.  Mozart: Deutsche Tänze = German Dances = Danses Allemandes, K. 509; 536\/567; 571; 586 \u003cbr\u003e.  6 Deutsche Tänze K. 509 \u003cbr\u003e.  6 Deutsche Tänze K. 536\/567 \u003cbr\u003e.  6 Deutsche Tänze K. 571 \u003cbr\u003e.  12 Deutsche Tänze K. 586 \u003cbr\u003e.  Mozart: Rondo \u0026amp; Horn Concertos \u003cbr\u003e.  Rondo In E-flat Major, K. 371 \u003cbr\u003e.  Concerto In E-flat Major, K. 417 \u003cbr\u003e.  Concerto In E-flat Major, K. 447 \u003cbr\u003e.  Concerto In E-flat Major, K. K. 495 \u003cbr\u003e.  Concerto In D Major, K. 412 (386b) \u003cbr\u003e.  Mozart: Requiem, K.626 \u003cbr\u003e.  Requiem, K.626 \u003cbr\u003e.  Purcell: Ayres for the Theatre \u003cbr\u003e.  Instrumental Music From Dioclesian \u003cbr\u003e.  Instrumental Music From King Arthur \u003cbr\u003e.  Instrumental Music From The Fairy Queen \u003cbr\u003e.  Instrumental Music From The Indian Queen \u003cbr\u003e.  Schmelzer: Sonatas; Balletti Francesi; Ciaccona \u003cbr\u003e41-1.  Sonata A 8 Per Chiesa E Camera \u003cbr\u003e41-2.  Sonata X \u003cbr\u003e41-3.  Ciaccona A 3 Chori \u003cbr\u003e41-4.  Sonata Con Tribus Violinis \u003cbr\u003e41-5.  Sonata Ad Tabulam A 4 \u003cbr\u003e41-6.  Lamento Sopra La Morte Ferdinandi III \u003cbr\u003e41-7.  Lamento A 5 Per Camera Al Giorno Delle Correggie \u003cbr\u003e41-8.  Sonata III \u003cbr\u003e41-9.  Sonata A 5 \u003cbr\u003e41-10.  Balletti Francesi \u003cbr\u003e41-11.  Sonata Con Ariae A 9 Zu Der Kayserlichen Serenade \u003cbr\u003e.  Vivaldi: The Four Seasons; Sinfonia \"Al Santo Sepoicro\"; Concerto For 4 Violins \u0026amp; Violoncello In B Minor \u003cbr\u003e.  Concerto In E Major, Op. 8 No. 1 RV 269 \"La Primavera\" (\"Spring\"\/»Der Frühling«\/«Le Printemps») \u003cbr\u003e.  Concerto In G Minor, Op. 8 No. 2 RV 315 \"L'Estate\" (\"Summer\"\/»Der Sommer«\/«L'Été») \u003cbr\u003e.  Concerto In F Major, Op. 8 No. 3 RV 293 \"L'Autunno\" (\"Autumn\"\/»Der Herbst«\/«L'Automne») \u003cbr\u003e.  Concerto In F Minor, Op. 8 No. 4 RV 297 \"L'Inverno\" (\"Winter\"\/»Der Winter«\/«L'Hiver») \u003cbr\u003e.  Sinfonia In B Minor, RV 169 \"Al Santo Sepolcro\" (\"At The Holy Grave\"\/»Am Heiligen Grabe«\/«Du Saint Sépulcre») \u003cbr\u003e.  Concerto For 4 Violins, Violoncello, Strings And Basso Continuo In B Minor, Op. 3 No. 10 RV 580 \u003cbr\u003e.  Vivaldi: Concertos for Strings \u003cbr\u003e.  Concerto for Violoncello, Strings and Basso continuo in A minor, RV 418 \u003cbr\u003e.  Concerto for Strings and Basso continuo in C major, RV 117 \u003cbr\u003e.  Concerto for Strings and Basso continuo in F minor, RV 143 \u003cbr\u003e.  Concerto for Violin, Violoncello, Strings and Basso Continuo in B-flat major, RV 547 \u003cbr\u003e.  Concerto for 2 Violins, 2 Violoncelli, Strings and Basso Continuo in G major, RV 575 \u003cbr\u003e.  Concerto for 4 Violins, Strings and Basso Continuo in D major, RV 549 \u003cbr\u003e.  Concerto for Violoncello, Strings and Basso Continuo in G major, RV 413 \u003cbr\u003e.  Concerto For Strings And Basso Continuo In E Minor, RV 134 \u003cbr\u003e.  Concerto For Strings And Basso Continuo In A Major, RV 159 \u003cbr\u003e.  Vivaldi: Eleven Concertos \u003cbr\u003e.  Concerto For Strings In G Minor, RV 157 \u003cbr\u003e.  Concerto For Violoncello And Strings In D Major, RV 403 \u003cbr\u003e.  Concerto For Strings In G Minor, RV 152 \u003cbr\u003e.  Concerto For Violoncello And Strings In B Minor, RV 424 \u003cbr\u003e.  Concerto For Strings In D Minor, RV 127 \u003cbr\u003e.  Concerto For 2 Violins, 2 Violoncellos And Strings In D Major, RV 564 \u003cbr\u003e.  Concerto For 2 Oboes And Strings In D Minor, RV 535 \u003cbr\u003e.  Concerto For Violoncello And Strings In A Minor, RV 419 \u003cbr\u003e.  Concerto For Violoncello, Bassoon And Strings In E Minor, RV 409 \u003cbr\u003e.  Concerto For 2 Oboes, 2 Violins, Bassoon And Strings In C Major, RV 557 \u003cbr\u003e.  Concerto For Strings In G Major \"Alla Rustica\", RV 151 \u003cbr\u003e.  Zelenka: Missa Dei Filii\/Litaniae Lauretanae \u003cbr\u003e.  Missa Dei Filii, ZWV 20 (Missa Ultimarum Secundat in C Major\/ G Major) \u003cbr\u003e.  Litaniae Laurentanae: Salus Infirmorum ZWV 152 \u003cbr\u003e.  Starnitz, Richter, Haydn, Gluck: Flute Concertos \u003cbr\u003e.  Concerto For Flute, Strings, 2 Oboes, 2 Horns And Basso Continuo In G Major, Op. 29 \u003cbr\u003e.  Concerto For Flute, Strings And Basso Continuo In E Minor \u003cbr\u003e.  Concerto For Flute, Strings And Basso Continuo In G Major \u003cbr\u003e.  Concerto For Flute, Strings, 2 Horns And Basso Continuo In D Major \u003cbr\u003e46-13.  Orphée Et Eurydice ; Ballet Des Ombres Heureuses \u003cbr\u003e.  Stradella, Biber, Vivaldi, Albinoni, Telemann, Handel - Music For Trumpet \u0026amp; Orchestra \u003cbr\u003e47-1.  Sonata A 8 Viole Con Una Tromba In D Minor \u003cbr\u003e47-2.  Sonata IV A 5 In C Major \u003cbr\u003e47-3.  Sonata I A 8 In C Major \u003cbr\u003e.  Duets For 2 Trumpets \u003cbr\u003e47-8.  Sonata X A 5 In G Minor \u003cbr\u003e.  Concerto For 2 Trumpets, Strings, And Basso Continuo In C Major, RV 537 \u003cbr\u003e.  Concerto For Trumpet, 3 Oboes, Bassoon And Basso Continuo In C Major \u003cbr\u003e.  Concerto For Trumpet, 2 Oboes, Strings, And Basso Continuo In D Major \u003cbr\u003e.  Airs From Vauxhall Gardens \u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComments: \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eFactory Sealed mint \\\\uD83D\\\\uDC4C \u003c\/p\u003e\r\n\r\n\u003ch3\u003e\u003cstrong\u003eGoldmine Grading Guide \u003c\/strong\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor\/Fair (damaged).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMint (M)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAbsolutely perfect in every way. Certainly never been played, possibly even still sealed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNear Mint (NM or M-)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good Plus (VG+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good (VG)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGood (G), Good Plus( G+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePoor (P), Fair (F)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/2634065214\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"The Listening Room","offers":[{"title":"Default Title","offer_id":42112411369678,"sku":"2634065214","price":258.5,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/7011\/3486\/products\/11137208-0479631462f64b1f3981f62f64b1f39822166030825562f64b1f39826.jpg?v=1690795487"},{"product_id":"hauschka-patrick-melrose-original-television-soundtrack","title":"Hauschka - Patrick Melrose (Original Television Soundtrack)","description":"\u003ch3\u003eHauschka - Patrick Melrose (Original Television Soundtrack)\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Mint (M)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Mint (M)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFormat:      \u003c\/strong\u003eLP, Album, Ltd, Num, Cry\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eEurope \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e2018-12-07\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003ePop, Classical, Stage \u0026amp; Screen\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA1.  David Melrose Them 1:18\u003cbr\u003eA2.  Running Through The Grapevine 1:14\u003cbr\u003eA3.  First Taxi Trip 2:58\u003cbr\u003eA4.  Morgue 2:03\u003cbr\u003eA5.  Quaaludes Hit 0:57\u003cbr\u003eA6.  Back At The Drake 1:03\u003cbr\u003eA7.  Martinis And Tartar 1:44\u003cbr\u003eA8.  Second Taxi Trip 0:38\u003cbr\u003eA9.  At Loretta's 1:35\u003cbr\u003eA10.  Hotel Tripping 2:19\u003cbr\u003eA11.  Naked Delivery 0:37\u003cbr\u003eA12.  Running To Frank E. Macdonald's 0:56\u003cbr\u003eA13.  Broadway Helicopter 1:14\u003cbr\u003eA14.  Come Talk To Your Dear Old Dad 2:37\u003cbr\u003eA15.  Rivers Of Blood 2:18\u003cbr\u003eB1.  David Melrose - Piano Virtuoso 1:29\u003cbr\u003eB2.  Careful With The China 1:17\u003cbr\u003eB3.  Athritis Flashback 0:52\u003cbr\u003eB4.  Ferris Wheel 1:16\u003cbr\u003eB5.  Squashing Ants 2:00\u003cbr\u003eB6.  Mirror 1:27\u003cbr\u003eB7.  Falling Down Stairs 2:18\u003cbr\u003eB8.  Patrick In The Tunnel 0:42\u003cbr\u003eB9.  Dinner - Lurking - Stairway 1:54\u003cbr\u003eB10.  End Titles 0:44\u003cbr\u003eB11.  Party Preparations 0:47\u003cbr\u003eB12.  Lizard - Bathroom Flashback 2:01\u003cbr\u003eB13.  Catching Sonny 0:35\u003cbr\u003eB14.  Scorpion 0:54\u003cbr\u003eB15.  Don't Go Picking Out The Wallpaper Just Yet 0:46\u003cbr\u003eB16.  Liquor Store Phone Call 1:16\u003cbr\u003eB17.  If You Can't Change 1:13\u003cbr\u003eB18.  It's Amitriptyline 0:41\u003cbr\u003eB19.  Patrick Returns To Onslow Club 1:13\u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003e•\t180 gram audiophile vinyl\n•\tPVC protective sleeve\n•\tIncluding insert with pictures and credits\n•\tScore by Hauschka (Lion, Adrift)\n•\t2018 series starring Benedict Cumberbatch\n•\t5 nominations at the Primetime Emmy Awards\n•\tLimited edition of 500 numbered copies on crystal clear vinyl\nPatrick Melrose is the 2018 tv series to which Hauschka (Volker Bertelmann) composed the music. \"It was a challenge to work on the music because every episode has a different approach,\" reveals the composer. Hauschka was excited by the challenge for this soundtrack and created this fine and versatile record. \nNominated for 5 Emmy Awards, this five-part limited series based on the acclaimed novels by Edward St. Aubyn tracks Patrick from a privileged but deeply traumatic childhood in the South of France through severe substance abuse in his twenties in New York and, ultimately, toward recovery back home in Britain. At once harrowing and hilarious, Oscar nominee and Emmy winner Benedict Cumberbatch stars as the troubled titular character.       \n\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComments: \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003e\u003cstrong\u003eGoldmine Grading Guide \u003c\/strong\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor\/Fair (damaged).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMint (M)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAbsolutely perfect in every way. Certainly never been played, possibly even still sealed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNear Mint (NM or M-)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good Plus (VG+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good (VG)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGood (G), Good Plus( G+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePoor (P), Fair (F)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/2098314590\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"The Listening Room","offers":[{"title":"Default Title","offer_id":42147587948750,"sku":"","price":172.7,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/7011\/3486\/products\/12907208-0188130560c3aae3d1ec860c3aae3d1ecc162343600360c3aae3d1ed3.jpg?v=1694596656"},{"product_id":"richard-strauss-gerd-seifert-berliner-philharmoniker-zubin-mehta-eine-alpensinfonie-horn-concerto-no-1","title":"Richard Strauss, Gerd Seifert, Berliner Philharmoniker, Zubin Mehta - Eine Alpensinfonie \/ Horn Concerto No. 1","description":"\u003ch3\u003eRichard Strauss, Gerd Seifert, Berliner Philharmoniker, Zubin Mehta - Eine Alpensinfonie \/ Horn Concerto No. 1\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Mint (M)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Mint (M)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFormat:      \u003c\/strong\u003eCD, Album, RE, Car\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eEurope \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e2015\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eClassical\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003eRomantic\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e.  Eine Alpensinfonie Op. 64 (An Alpine Symphony Op. 64) \u003cbr\u003e.  Horn Concerto No. 1 Op. 11 \u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003eThis CD is CD 2 of [r=23852078 and not an individual release.\n\nRecorded: February 21st, 1989 (1-22), February 24th, 1989 (23-25) Philharmonie Berlin\n℗ 1990\n© 2015\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComments: \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003e\u003cstrong\u003eGoldmine Grading Guide \u003c\/strong\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor\/Fair (damaged).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMint (M)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAbsolutely perfect in every way. Certainly never been played, possibly even still sealed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNear Mint (NM or M-)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good Plus (VG+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good (VG)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGood (G), Good Plus( G+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePoor (P), Fair (F)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/2098327238\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"The Listening Room","offers":[{"title":"Default Title","offer_id":42147588800718,"sku":"","price":863.5,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/7011\/3486\/products\/23873492-097817262f7c49448ce462f7c49448ce5166040488462f7c49448ce9.jpg?v=1694596691"},{"product_id":"zubin-mehta-the-new-york-philharmonic-orchestra-brahms-the-symphonies-piano-concertos-violin-concerto-double-concerto","title":"Zubin Mehta, The New York Philharmonic Orchestra - Brahms - The Symphonies - Piano Concertos - Violin Concerto - Double Concerto","description":"\u003ch3\u003eZubin Mehta, The New York Philharmonic Orchestra - Brahms - The Symphonies - Piano Concertos - Violin Concerto - Double Concerto\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Mint (M)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Mint (M)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFormat:      \u003c\/strong\u003e8xCD, RE, RM + Box, Comp, RM\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eUSA, Canada \u0026amp; Europe \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e2016-03-04\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eClassical\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003eRomantic\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e.  Symphony No. 1 In C Minor Op. 68 \u003cbr\u003e.  Symphony No. 2 In D Major Op. 73 \u003cbr\u003e.  Symphony No. 3 In F Major Op. 90 \u003cbr\u003e.  Variations On A Theme By Joseph Haydn Op. 56a \u003cbr\u003e.  Symphony No. 4 In E Minor Op. 98 \u003cbr\u003e.  Concerto For Piano And Orchestra No. 1 In D Minor Op. 15 \u003cbr\u003e.  Concerto For Piano And Orchestra No. 2 In B-flat Major Op. 83 \u003cbr\u003e.  Concerto For Violin And Orchestra in D major op. 77 \u003cbr\u003e.  Concerto For Violin, Cello And Orchestra In A Minor Op. 102 “Double Concerto” \u003cbr\u003e8-4.  Academic Festival Overture op. 80 \u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003eCD 1:\nOriginal Cassette: YT 42486 Released 1987\n(released on cassette only, no LP issued)\nRecording: New York City, Avery Fisher Hall, September 20, 1982\nProducer: David Mottley\nTape No.: YT 42486\n(P) 1987 Sony Music Entertainment\n\nCD 2:\nOriginal LP: M 35158 Released May 5, 1979\nRecording: New York City, Manhattan Center, January 15, 1979\nProducer: Andrew Kazdin\nEngineers: Bud Graham, John Johnson \u0026amp; Milton Cherin\nMatrix Nos.: AL 35158 [1; BL 35158 [2–4\n(P) 1979 Sony Music Entertainment\n\nCD 3:\nOriginal LP: M 39032 Released June 4, 1984\nRecording: New York City, Avery Fisher Hall, September 30, 1981\nProducers: David Mottley [1–4 \u0026amp; Richard Einhorn [5–14\nEngineer: Bud Graham\nMatrix Nos.: AL 39032 [1–3; BL 39032 [4–14\n(P) 1984 Sony Music Entertainment\n\nCD 4:\nOriginal LP: M 35837 Released May 3, 1980\nRecording: New York City, Avery Fisher Hall, November 24\/26, 1979\nProducer: Andrew Kazdin\nEngineers: Bud Graham \u0026amp; Raymond Moore\nMatrix Nos.: AL 35837 [1\/2; BL 35837 [3\/4\n(P) 1980 Sony Music Entertainment\n\nCD 5:\nOriginal LP: M 35884 Released August 4, 1981\nRecording: New York City, Avery Fisher Hall, February 3\/5, 1979\nProducer: Andrew Kazdin\nEngineers: Bud Graham, Larry Keyes \u0026amp; Raymond Moore\nMatrix Nos.: AL 35884 [1; BL 35884 [2\/3\n(P) 1981 Sony Music Entertainment\n\nCD 6:\nOriginal LP: M 35885 Released April 4, 1981\nRecording: New York City, Avery Fisher Hall, February 5, 1979\nProducer: Andrew Kazdin\nEngineers: Bud Graham, Larry Keyes \u0026amp; Raymond Moore\nMatrix Nos.: AL 35885 [1\/2; BL 35885 [3\/4\n(P) 1981 Sony Music Entertainment\n\nCD 7:\nOriginal LP: M 35146 Released March 2, 1979\nRecording: New York City, Manhattan Center, October 16, 1978\nProducer: Andrew Kazdin\nEngineers: Bud Graham, Larry Keyes \u0026amp; Milton Cherin\nMatrix Nos.: AL 35146 [1; BL 35146 [2\/3\n(P) 1979 Sony Music Entertainment\n\nCD 8:\nOriginal LP: M 35894 Released February 4, 1980\nRecording: New York City, Avery Fisher Hall,\nApril 28, 1980 [1–3; August 19, 1980 [4\nProducer: David Mottley\nEngineers: Bud Graham \u0026amp; Stanley Tonkel\nMatrix Nos.: AL 35894 [1\/2; BL 35894 [3\/4\n(P) 1980 Sony Music Entertainment\n\nTape Transfers CDs 1–4, 8 [4: Brett Zinn, Iron Mountain Digital Studios\nMixing CDs 1–4, 8 [4 and Mastering: Martin Kistner, b-sharp music \u0026amp; media solutions\nFor tape transfers from the original analogue sources and mastering\n24bit\/96kHz technology has been applied.\n\nConsists of previously released material.\nPhotos: cover \u0026amp; pp. 4, 21: Jeremy King; pp. 2\/3, 15, 16: Don Hunstein (C) Sony Music Entertainment;\np. 9 (C) Sony Music Entertainment; p. 10 Carol Friedman; p. 30 Art Maillett\n\nCDs 1–8 (C) Sony Music Entertainment\nThis compilation (P) \u0026amp; (C) 2016 Sony Music Entertainment\nDistributed by Sony Music Entertainment\nSony Classical and \"Sony\" are trademarks of Sony Music Entertainment\nAll trademarks and logos are protected · Made in the EU\nwww.sonyclassical.com\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComments: \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003e\u003cstrong\u003eGoldmine Grading Guide \u003c\/strong\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor\/Fair (damaged).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMint (M)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAbsolutely perfect in every way. Certainly never been played, possibly even still sealed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNear Mint (NM or M-)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good Plus (VG+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good (VG)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGood (G), Good Plus( G+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePoor (P), Fair (F)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/2098327415\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"The Listening Room","offers":[{"title":"Default Title","offer_id":42147588833486,"sku":"","price":302.23,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/7011\/3486\/products\/10839004-0796436462f7c4951854a62f7c4951854c166040488562f7c4951854e.jpg?v=1694596695"},{"product_id":"jascha-heifetz-favorite-recital-pieces-encores","title":"Jascha Heifetz - Favorite Recital Pieces \u0026 Encores","description":"\u003ch3\u003eJascha Heifetz - Favorite Recital Pieces \u0026amp; Encores\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Mint (M)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Mint (M)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFormat:      \u003c\/strong\u003e5xCD + Box\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eEurope \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e2015\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eClassical\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003eClassical\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eCD1.  Violin Sonata No.1, Violin Sonata No. 1 In D Minor, 3 Preludes 72:35\u003cbr\u003eCD2.  Violin Sonata No. 9 In A Major, Fantasy in C Major, Etc. 70:11\u003cbr\u003eCD3.  Live At The Dorothy Chandler Pavilion - Part 1 50:52\u003cbr\u003eCD4.  Live At The Dorothy Chandler Pavilion - Part 2 33:59\u003cbr\u003eCD5.  The Final Recordings \u0026amp; Popular Encores 55:18\u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003eBox Set of 5 CDs. Made in EU\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComments: \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003e\u003cstrong\u003eGoldmine Grading Guide \u003c\/strong\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor\/Fair (damaged).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMint (M)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAbsolutely perfect in every way. Certainly never been played, possibly even still sealed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNear Mint (NM or M-)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good Plus (VG+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good (VG)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGood (G), Good Plus( G+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePoor (P), Fair (F)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/2098328138\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"The Listening Room","offers":[{"title":"Default Title","offer_id":42147589357774,"sku":"","price":259.05,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/7011\/3486\/products\/23775113-0824251762f64b311d2ea62f64b311d2ec166030827362f64b311d2ef.jpg?v=1694596698"},{"product_id":"jonas-kaufmann-giacomo-puccini-georges-bizet-charles-gounod-jules-massenet-tosca-carmen-faust-werther","title":"Jonas Kaufmann \/ Giacomo Puccini, Georges Bizet, Charles Gounod, Jules Massenet - Tosca \/ Carmen \/ Faust \/ Werther","description":"\u003ch3\u003eJonas Kaufmann \/ Giacomo Puccini, Georges Bizet, Charles Gounod, Jules Massenet - Tosca \/ Carmen \/ Faust \/ Werther\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Mint (M)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Mint (M)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFormat:      \u003c\/strong\u003e4xBlu-ray, Multichannel + Box, Comp\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eEurope \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e2015\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eClassical, Stage \u0026amp; Screen\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003eOpera\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e1-1.  Tosca (Melodramma In Three Acts) \u003cbr\u003e2-1.  Carmen (Opera In Four Acts \/ Viennese Version) \u003cbr\u003e3-1.  Faust (Opera In Five Acts) \u003cbr\u003e4-1.  Werther (Drame Lyrique In Four Acts) \u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003eThe box contains the previously released blu-rays: [r=9594588, [r=9594168, [r=9604543, [r=9599668.\nSee links for detailed info\/credits on each title.\n\nThe same standalone releases linked above, are packed in a cardboard slipcase box.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComments: \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003e\u003cstrong\u003eGoldmine Grading Guide \u003c\/strong\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor\/Fair (damaged).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMint (M)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAbsolutely perfect in every way. Certainly never been played, possibly even still sealed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNear Mint (NM or M-)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good Plus (VG+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good (VG)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGood (G), Good Plus( G+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePoor (P), Fair (F)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/2100366716\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"The Listening Room","offers":[{"title":"Default Title","offer_id":42147595714766,"sku":"","price":604.45,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/7011\/3486\/products\/9604767-0193414162fa690df2e8d62fa690df2e8f166057806162fa690df2e92.jpg?v=1694596906"},{"product_id":"sir-colin-davis-the-philips-years","title":"Sir Colin Davis - The Philips Years","description":"\u003ch3\u003eSir Colin Davis - The Philips Years\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Mint (M)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Mint (M)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFormat:      \u003c\/strong\u003e15xCD, RM + Box, Comp\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eEurope \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e2013\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eClassical\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003eClassical, Romantic, Choral, Modern, Opera, Contemporary\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e.  Béla Bartók \u003cbr\u003e.  Piano Concerto No.1 \u003cbr\u003e.  Piano Concerto No.2 \u003cbr\u003e.  Piano Concerto No.3 \u003cbr\u003e.  Ludwig van Beethoven \u003cbr\u003e.  Symphony No.5 In C Minor, Op..67 \u003cbr\u003e.  Piano Concerto No.5 In E Flat Major, Op.73 \"Emperor\" \u003cbr\u003e.  Hector Berlioz \u003cbr\u003e.  Symphonie Fantastique \u003cbr\u003e.  Modest Mussorgsky \u003cbr\u003e3-6.  Night On The Bare Mountain  11:29\u003cbr\u003e.  Hector Berlioz \u003cbr\u003e.  Requiem (Grande Messe Des Morts) \u003cbr\u003e.  Te Deum \u003cbr\u003e.  Antonín Dvořák \u003cbr\u003e.  Symphony No.7 In D Minor, Op.70 B141 \u003cbr\u003e.  Symphony No.9 In E Minor, Op.95 \"From The New World\" B178 \u003cbr\u003e.  Edward Elgar \u003cbr\u003e.  Variations On An Original Theme, Op.36 \"Enigma\" \u003cbr\u003e.  Gustav Holst \u003cbr\u003e.  The Planets \u003cbr\u003e.  Joseph Haydn \u003cbr\u003e.  Symphony No.95 In G Major, Hob.I:94 \"Surprise\" \u003cbr\u003e.  Symphony No.101 In D Major, Hob.I:101 \"The Clock\" \u003cbr\u003e.  Symphony No.104 D Major, Hob.I:104 \"London\" \u003cbr\u003e.  Max Reger \u003cbr\u003e.  Variations And Fugue On A Theme By Mozart, Op.132 \u003cbr\u003e.  Paul Hindemith \u003cbr\u003e.  Symphonic Metamorphoses On Themes By Carl Maria von Weber \u003cbr\u003e.  Igor Stravinsky \u003cbr\u003e.  Symphony In Three Movements \u003cbr\u003e.  Gustav Mahler \u003cbr\u003e.  Das Lied Von Der Erde = The Song Of The Earth 68:41\u003cbr\u003e.  Wolfgang Amadeus Mozart \u003cbr\u003e.  Sumphony No.25 In G Minor, K183 \u003cbr\u003e.  Symphony No.32 In G Major, K318 (Overture In G) \u003cbr\u003e.  Piano Concerto No.15 In B Flat Major, K450 \u003cbr\u003e.  Symphony No.40 In G Minor, K550 \u003cbr\u003e.  Vesperae Solennes De Confessore, K339 \u003cbr\u003e12-7.  Kyrie, K341\/368a, D Minor 8:20\u003cbr\u003e12-8.  Ave Verum Corpus, K618 3:48\u003cbr\u003e12-9.  Exsultate, Jubilate, K165\/158a 15:07\u003cbr\u003e12-10.  Ruhe Sanft, Mein Holdes Leben (Aria), Zaide, K344 6:44\u003cbr\u003e12-11.  Ach, Ich Fühl’s (Aria), Die Zauberflöte, K620 4:32\u003cbr\u003e12-12.  Ei Parte... Senti... Per Pietà, Ben Mio, Perdona (Aria), Così Fan Tutte, K588 9:56\u003cbr\u003e.  Jean Sibelius \u003cbr\u003e.  Symphony No.1 In E Minor, Op.39 \u003cbr\u003e13-5.  Finlandia, Op.26 No.7 7:49\u003cbr\u003e13-6.  Pohjola's Daughter, Op.49 14:50\u003cbr\u003e13-7.  Tapiola, Op.112 17:54\u003cbr\u003e.  Sir Michael Tippett \u003cbr\u003e.  The Knot Garden 80:33\u003cbr\u003e.  Igor Stravinsky \u003cbr\u003e.  L'Oiseau De Feu = The Firebird (1910) \u003cbr\u003e.  Orpheus (Ballet In Three Scenes) \u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003eCD1: Béla Bartók (Total timing 76:56) (ADD)\nPiano Concerto No.1: Recorded: Wembley Town Hall, London, 30 \u0026amp; 31 May 1975; (P) 1976 Universal International Music BV\nPiano Concerto No.2: Recorded: Wembley Town Hall, London, 19 December 1968; (P) 1969 Universal International Music BV\nPiano Concerto No.3: Recorded: Watford Town Hall, 1 \u0026amp; 2 April 1975; (P) 1976 Universal International Music BV\nPublishers: Universal Edition AG, Wien (Nos. 1 \u0026amp; 2); Hawkes \u0026amp; Son (London) Ltd (No. 3).\n\nCD2: Ludwig van Beethoven (Total timing 76:21) (DDD)\nSymphony No.5: Recorded: September 1992; (P) 1995 Universal International Music BV\nPiano Concerto No.5: Recorded: Lukaskirche, Dresden, November 1984; (P) 1986 Universal International Music BV\n\nCD3: (Total timing 66:42) (ADD)\nBerlioz: Recorded: Concertgebouw, Amsterdam, 9 \u0026amp; 10 January 1974; (P) 1974 Universal International Music BV\nMussorgsky: Recorded: November 1979; (P) 1980 Universal International Music BV\n\nCD4 \u0026amp; CD5: Hector Berlioz (Total timing 143:30) (ADD)\nRequiem: Recorded: Westminster Cathedral, London, 17-26 November 1969; (P) 1970 Universal International Music BV\nTe Deum: Recorded: Watford Town Hall, 5 \u0026amp; 6 January 1969; (P) 1969 Universal International Music BV\n\nCD6: Antonin Dvořák (Total timing 78:43) (ADD)\nSymphony No.7: Recorded: Concertgebouw, Amsterdam, 10 \u0026amp; 11 November 1975; (P) 1976 Universal International Music BV\nSymphony No.9: Recorded: Concertgebouw, Amsterdam, 7 \u0026amp; 8 November 1977; (P) 1978 Universal International Music BV\n\nCD7: (Total timing 80:01)\nElgar: Recorded: Wembley Town Hall, 16 \u0026amp; 17 January 1965; (P) 1965 Universal International Music BV; (ADD)\nHolst: Recorded: Philharmonie, Berlin, 12 \u0026amp; 13 November 1988; (P) 1989 Universal International Music BV; (DDD)\n\nCD8: Joseph Haydn (Total timing 77:45) \nSymphony No.94: Recorded: Concertgebouw, Amsterdam, 27 November-1 December 1981; (P) 1982 Universal International Music BV; (DDD)\nSymphony No.101: Recorded: Concertgebouw, Amsterdam, 21-24 May 1979; (P) 1980 Universal International Music BV; (ADD)\nSymphony No.104: Recorded: Concertgebouw, Amsterdam, 5-11 November 1977; (P) 1978 Universal International Music BV; (ADD)\n\nCD9: (Total timing 76:26) (DDD)\nReger \u0026amp; Hindemith: Recorded: Herkulessaal, Munich, 2-6 May 1989; (P) 1990 Universal International Music BV\nStravisky: Recorded: Herkulessaal, Munich, March 1985; (P) 1986 Universal International Music BV\nPublishers: Schott Musik International GmbH \u0026amp; Co. KG (Hindemith; Stravinsky).\n\nCD10: Gustav Mahler (Total timing 68:41) (DDD)\nRecorded: All Saint's Church, Tooting, London, 15-18 March 1981; (P) 1982 Universal International Music BV\n\nCD11: Wolfgang Amadeus Mozart (Total timing 80:16) \nK183: Recorded: Walthamstow Assembly Hall, London, 23-29 November 1963; (P) 1964 Universal International Music BV\nK318: Recorded: Walthamstow Assembly Hall, London, 23-29 November 1963; (P) 1965 Universal International Music BV\nK450: Recorded: Walthamstow Assembly Hall, London, 19 \u0026amp; 21 September 1964; (P) 1965 Universal International Music BV\nK550: Recorded: Walthamstow Assembly Hall, London, 27-29 November 1961; (P) 1962 Universal International Music BV\n\nCD12: Wolfgang Amadeus Mozart (Total timing 77:06) \nK339\/341\/618\/165: Recorded: Walthamstow Assembly Hall, London, 3-6 April 1971; (P) 1972 Universal International Music BV; (ADD)\nK344\/620\/588: Recorded: Henry Wood Hall, London, 5 July \u0026amp; 30 October 1982; (P) 1983 Universal International Music BV; (DDD)\n\nCD13: Jean Sibelius (Total timing 79:37) (ADD) \nOp.39 \u0026amp; Op.26\/7: Recorded: Symphony Hall, Boston, 3-6 April 1976; (P) 1976 Universal International Music BV\nOp.49: Recorded: Symphony Hall, Boston, 5-17 March 1980; (P) 1981 Universal International Music BV\nOp.112: Recorded: Symphony Hall, Boston, 29 November-2 December 1975; (P) 1977 Universal International Music BV\nPublishers: Breitkopf \u0026amp; Härtel Musikverlag (Op. 39, Op.26\/7, Op.112); Robert Lienau, Berlin (Op.49).\n\nCD14: Sir Michael Tippett (Total timing 80:33) (DDD)\nRecorded: Wembley Town Hall, London, 23-29 July 1973; (P) 1981 Universal International Music BV\nPublisher: Schott \u0026amp; Co. Ltd\n\nCD15: Igor Stravisky (Total timing 78:06) (ADD)\nThe Firebird: Recorded: Concertgebouw, Amesterdam, 6-8 November 1978; (P) 1979 Universal International Music BV\nOrpheus: Recorded: January 1964; (P) 1964 Universal International Music BV\nPublishers: Schott Musik International GmbH \u0026amp; Co. KG (The Firebird); Hawkes \u0026amp; Son (London) Limited (Orpheus).\n\nThis compilation\n(P) 2013 Decca Music Group Limited\n(C) 2013 Decca Music Group Limited\nMade in the EU\nAnalogue To Digital Remaster\nTotal timing 19:00:43\n\nClamshell carboard box includes the CDs in individual, same artwork, card sleeves and a 48-page booklet in English, French and German.\n\nEditor's note: Almost all tracks appear with titles in English, French and German. For the above tracklist the original language title and\/or English title\/translation was used.\n\nOn 10-2, Zhang Ji is mistaken to be the writer of After Long Autumn Night. Qian Qi is the correct writer.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComments: \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003e\u003cstrong\u003eGoldmine Grading Guide \u003c\/strong\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor\/Fair (damaged).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMint (M)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAbsolutely perfect in every way. Certainly never been played, possibly even still sealed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNear Mint (NM or M-)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good Plus (VG+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good (VG)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGood (G), Good Plus( G+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePoor (P), Fair (F)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/2100366968\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"The Listening Room","offers":[{"title":"Default Title","offer_id":42147595747534,"sku":"","price":215.88,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/7011\/3486\/products\/6911185-0244827462fa6913d02b562fa6913d02b7166057806762fa6913d02b9.jpg?v=1694596912"},{"product_id":"michael-nyman-the-piano","title":"Michael Nyman - The Piano","description":"\u003ch3\u003eMichael Nyman - The Piano\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Mint (M)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Mint (M)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFormat:      \u003c\/strong\u003eSACD, Hybrid, Album, RE, RM\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eHong Kong \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e2015-12-16\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eClassical, Stage \u0026amp; Screen\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003eContemporary, Soundtrack\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e1.  To The Edge Of The Earth 4:06\u003cbr\u003e2.  Big My Secret 2:51\u003cbr\u003e3.  A Wild And Distant Shore 5:50\u003cbr\u003e4.  The Heart Asks Pleasure First 1:33\u003cbr\u003e5.  Here To There 1:02\u003cbr\u003e6.  The Promise 4:14\u003cbr\u003e7.  A Bed Of Ferns 0:46\u003cbr\u003e8.  The Fling 1:28\u003cbr\u003e9.  The Scent Of Love 4:16\u003cbr\u003e10.  Deep Into The Forest 2:58\u003cbr\u003e11.  The Mood That Passes Through You 1:13\u003cbr\u003e12.  Lost And Found 2:24\u003cbr\u003e13.  The Embrace 2:36\u003cbr\u003e14.  Little Impulse 2:11\u003cbr\u003e15.  The Sacrifice 2:46\u003cbr\u003e16.  I Clipped Your Wing 4:34\u003cbr\u003e17.  The Wounded 2:26\u003cbr\u003e18.  All Imperfect Things 4:03\u003cbr\u003e19.  Dreams Of A Journey 5:30\u003cbr\u003e20.  The Heart Asks Pleasure First \/ The Promise (Edit) 3:11\u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003eRecorded at Arco Studios, Munich\nMixed \u0026amp; edited at Kitsch Studio, Brussels\nPost-production at Abbey Road, London\nRemastered at Super Audio Mastering\n\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComments: \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003e\u003cstrong\u003eGoldmine Grading Guide \u003c\/strong\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor\/Fair (damaged).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMint (M)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAbsolutely perfect in every way. Certainly never been played, possibly even still sealed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNear Mint (NM or M-)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good Plus (VG+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good (VG)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGood (G), Good Plus( G+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePoor (P), Fair (F)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/2100372293\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"The Listening Room","offers":[{"title":"Default Title","offer_id":42147595944142,"sku":"","price":690.8,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/7011\/3486\/products\/8291449-0490465762fa692908d4762fa692908d48166057808962fa692908d4a.jpg?v=1694596935"},{"product_id":"franz-schubert-rudolf-serkin-rudolf-serkin-plays-schubert","title":"Franz Schubert, Rudolf Serkin - Rudolf Serkin Plays Schubert","description":"\u003ch3\u003eFranz Schubert, Rudolf Serkin - Rudolf Serkin Plays Schubert\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Mint (M)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Mint (M)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFormat:      \u003c\/strong\u003e5xCD, Comp\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eEurope \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eClassical\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003eRomantic\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e.  Piano Sonata In A Major D959 \u003cbr\u003e.  4 Impromptus D935 \u003cbr\u003e.  Piano Sonata In B-Flat Major D960 \u003cbr\u003e.  Piano Sonata In C Major D840 \"Reliquie\" (Fragment) \u003cbr\u003e.  Quintet For Piano, Violin, Viola, Cello And Double Bass In A Major D667 \"Trout\" \u003cbr\u003e3-6.  Auf Dem Strom D943 \u003cbr\u003e3-7.  Der Hirt Auf Dem Felsen D965 \u003cbr\u003e.  Moments Musicaux D780 \u003cbr\u003e.  Trio For Piano, Violin And Cello No. 2 In E-Flat Major D929 \u003cbr\u003e.  Piano Sonata In B-Flat Major D960 \u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComments: \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003e\u003cstrong\u003eGoldmine Grading Guide \u003c\/strong\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor\/Fair (damaged).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMint (M)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAbsolutely perfect in every way. Certainly never been played, possibly even still sealed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNear Mint (NM or M-)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good Plus (VG+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good (VG)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGood (G), Good Plus( G+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePoor (P), Fair (F)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/2100961292\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"The Listening Room","offers":[{"title":"Default Title","offer_id":42147607609550,"sku":"","price":345.4,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/7011\/3486\/products\/21277192-0848348062fb3ad07fa4762fb3ad07fa49166063176062fb3ad07fa4c.jpg?v=1694597756"},{"product_id":"gustav-mahler-leonard-bernstein-the-new-york-philharmonic-orchestra-the-complete-mahler-symphonies","title":"Gustav Mahler \/ Leonard Bernstein, The New York Philharmonic Orchestra - The Complete Mahler Symphonies","description":"\u003ch3\u003eGustav Mahler \/ Leonard Bernstein, The New York Philharmonic Orchestra - The Complete Mahler Symphonies\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Mint (M)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Mint (M)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFormat:      \u003c\/strong\u003e12xCD, RE, RM + Box, Comp\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eEurope \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e2012-03-09\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eClassical\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003eRomantic\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e.  Symphony No. 1 In D Major “Titan” \u003cbr\u003e.  Symphony No. 2 In C Minor “Resurrection” \u003cbr\u003e.  Symphony No. 3 In D Minor \u003cbr\u003e.  Symphony No. 4 In G Major \u003cbr\u003e.  Symphony No. 5 In C-sharp Minor \u003cbr\u003e.  Symphony No. 6 In A Minor “Tragic” \u003cbr\u003e.  Symphony No. 9 In D Major \u003cbr\u003e.  Symphony No. 7 In E Minor \u003cbr\u003e.  Symphony No. 8 In E-flat Major “Symphony Of A Thousand” \u003cbr\u003e.  Symphony No. 10 (Unfinished) \u003cbr\u003e.  Kindertotenlieder \u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003eCD 1:\nRecording: Philharmonic Hall, now Avery Fisher Hall,\nLincoln Center, New York City, USA, October 4 \u0026amp; 22, 1966\nProducers: John McClure \u0026amp; Thomas Z. Shepard\nEngineers: Fred Praut \u0026amp; Ed Michalski\n℗ 1967 Sony Music Entertainment\n\nCDs 2\/3:\nLee Venora soprano\nJennie Tourel mezzo-soprano\nThe Collegiate Chorale\nAbraham Kaplan director\n\nRecording: Manhattan Center, New York City, USA,\nSeptember 29 \u0026amp; 30, 1963\nProducer: John McClure\n℗ 1964 Sony Music Entertainment\n\nCDs 4\/5:\nMartha Lipton mezzo-soprano\nWomen’s Chorus of the Schola Cantorum\nHugh Ross director\nBoys’ Choir of the Church of the Transfiguration\nStuart Gardner director\nJohn Corigliano solo violin\nJohn Ware solo posthorn\n\nRecording: Manhattan Center, New York City, USA, April 3, 1961\nProducer: John McClure\n℗ 1962 Sony Music Entertainment\n\nCD 6:\nReri Grist soprano\nRecording: St. George Hotel, Brooklyn, New York City, USA,\nFebruary 1, 1960\nProducer: John McClure\n℗ 1960 Sony Music Entertainment\n\nCD 7:\nJames Chambers horn\nRecording: Philharmonic Hall, now Avery Fisher Hall,\nLincoln Center, New York City, USA, January 7, 1963\nProducer: John McClure\n℗ 1964 Sony Music Entertainment\n\nCDs 8\/9:\nRecording: Philharmonic Hall, now Avery Fisher Hall, Lincoln\nCenter, New York City, USA, May 2 \u0026amp; 6, 1967 (Symphony No. 6),\nDecember 16, 1965 (Symphony No. 9)\nProducer: John McClure\n℗ 1967 Sony Music Entertainment\n\nCD 10:\nRaymond Sabinsky mandolin\nRecording: Philharmonic Hall, now Avery Fisher Hall,\nLincoln Center, New York City, USA, December 14 \u0026amp; 15, 1965\nProducer: John McClure\n℗ 1966 Sony Music Entertainment\n\nCD 11:\nErna Spoorenberg mezzo-soprano: Magna Peccatrix\nGwyneth Jones soprano: Una poenitentium\nGwenyth Annear soprano: Mater gloriosa\nAnna Reynolds alto: Mulier Samaritana\nNorma Procter alto: Maria Aegyptiaca\nJohn Mitchinson tenor: Doctor Marianus\nVladimir Ruzdjak baritone: Pater ecstaticus\nDonald McIntyre bass: Pater profundus\nLondon Symphony Chorus\nDonald Hunt chorus master\nOrpington Junior Singers\nSheila Mossman chorus master\nHighgate School Boys’ Choir\nEdward Chapman chorus master\nFinchley Children’s Music Group\nJohn Andrews music director\nHans Vollenweider organ\nLondon Symphony Orchestra\n\nRecording: Walthamstow Assembly Hall, London, England,\nApril 18-20, 1966\nProducer: John McClure\nEngineer: Hellmuth Kolbe\n℗ 1966 Sony Music Entertainment\n\nCD 12:\nJanet Baker soprano (2–6)\nIsrael Philharmonic (2–6)\nRecording: Columbia 30th Street Studio, New York City, USA,\nApril 8, 1975 (1); Frederick Mann Auditorium, Tel Aviv, Israel,\nOctober 1974 (2–6)\nProducer: John McClure\nEngineers: Hellmuth Kolbe, Bud Graham \u0026amp; Ed Michalski\n℗ 1975 Sony Music Entertainment\n\nCDs 1–12 consist of previously released material.\nArtist Photos: pp. 2, 7, 8, 30: Don Hunstein (C) Sony Music Archives\npp. 14, 29: © Sony Music Archives\nThis compilation ℗ \u0026amp; © 2012 Sony Music Entertainment\nDistributed by Sony Music Entertainment.\nAll trademarks and logos are protected. Made in the EU.\nSony Classical and \"Sony Classial\" are trademarks of Sony Music Entertainment.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComments: \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003e\u003cstrong\u003eGoldmine Grading Guide \u003c\/strong\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor\/Fair (damaged).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMint (M)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAbsolutely perfect in every way. Certainly never been played, possibly even still sealed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNear Mint (NM or M-)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good Plus (VG+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good (VG)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGood (G), Good Plus( G+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePoor (P), Fair (F)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/2100961349\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"The Listening Room","offers":[{"title":"Default Title","offer_id":42147607642318,"sku":"","price":474.93,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/7011\/3486\/products\/13603495-0591660662fb3ad16cd0162fb3ad16cd02166063176162fb3ad16cd05.jpg?v=1694597760"},{"product_id":"tedd-joselson-the-complete-rca-album-collection","title":"Tedd Joselson - The Complete RCA Album Collection","description":"\u003ch3\u003eTedd Joselson - The Complete RCA Album Collection\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Mint (M)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Mint (M)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFormat:      \u003c\/strong\u003e6xCD, RE, RM + Box, Comp, RM\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eUS \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e2019-05-03\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eClassical\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003eRomantic, Modern\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e.  Concerto For Piano And Orchestra No. 1 In B-flat Minor Op. 23 \u003cbr\u003e.  Concerto For Piano And Orchestra No. 2 In G Minor Op. 16 \u003cbr\u003e.  Piano Sonata In B Minor S 178 \u003cbr\u003e.  Piano Sonata No. 2 In B-flat Minor “Funeral March” Op. 35 \u003cbr\u003e.  Piano Sonata No. 8 In B-flat Major Op. 84 \u003cbr\u003e.  Piano Sonata No. 2 In D Minor Op. 14  \u003cbr\u003e.  Visions Fugitives Op. 22 \u003cbr\u003e.  Pictures At An Exhibition \u003cbr\u003e.  Piano Sonata No. 7 In B-flat Major Op. 83 \u003cbr\u003e.  Piano Sonata No. 9 In C Major Op. 103 \u003cbr\u003e.  Piano Sonata No. 6 In A Major Op. 82 \u003cbr\u003e.  Concerto For Piano And Orchestra No. 3 In C Major Op. 26 \u003cbr\u003e.  Concerto For Piano And Orchestra in G major M 83 \u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003eCD 1:\nOriginal LP: ARL1-0751 Released November, 1974\nRecording: Philadelphia, Scottish Rite Cathedral, October 2, 1974 [1–3; May 14\/15, 1974 [4–7\nProducers: Jay David Saks [1–3; Max Wilcox [4–7\nRecording Engineer: Paul Goodman\nMatrix Nos.: DRA5-2947 [1; DRA5-2948 [2; DRA5-2949 [3; DRA5-2340 [4; DRA5-2341 [5; DRA5-2342 [6; DRA5-2343 [7\nLP Matrix Nos.: ARL1-0751-A [1–3; ARL1-0751-B [4–7\nP 1974 Sony Music Entertainment\n\nCD 2:\nOriginal LP: ARL1-1010 Released May 1975\nRecording: New York City, RCA Studio A, December 16\/17, 1974 [1–3; February 4\/5, 1975 [4–7\nProducer: Peter Dellheim\nRecording Engineer: Bernard Keville\nMatrix Nos.: DRA4-3515 [1–3; ERA4-0077 [4; ERA4-0078 [5; ERA4-0079 [6; ERA4-0080 [7\nLP Matrix Nos.: ARL1-1010-A [1–3; ARL1-1010-B [4–7\nP 1975 Sony Music Entertainment\n\nCD 3:\nOriginal LP: ARL1-1570 Released May 1976\nNew York City, RCA Studio A, September 8\/9 1975 [1–3; November 20\/21, 1975 [4–7\nProducer: Peter Dellheim\nRecording Engineer: Bernard Keville\nMatrix Nos.: ERA4-0253 [1; ERA4-0254 [2; ERA4-0255 [3; ERA4-3013 [4; ERA4-3014 [5; ERA4-3015 [6; ERA4-3016 [7\nLP Matrix Nos.: ARL1-1570-A [1–3; ARL1-1570-B [4–7\nP 1976 Sony Music Entertainment\n\nCD 4:\nOriginal LP: ARL1-2158 Released March 1977\nRecording: New York City, RCA Studio A, August 5, 1976 [1–20; September 29\/30, 1976 [21–36\nProducer: Peter Dellheim\nRecording Engineer: Bernard Keville\nMatrix Nos.: FRA4-2441 [1–20; FRA4-2458 [21–36\nLP Matrix Nos.: ARL1-2158-A [1–20; ARL1-2158-B [21–36\nP 1977 Sony Music Entertainment\n\nCD 5:\nOriginal LP: ARL1-2753 Released May 1978 [1–6\nTracks 8–11 previously unreleased\nRecording: New York City, RCA Studio A, August 8, 1977 [1–3; June 30, 1977 [4–7; 1979 [8–11\nProducer: Peter Dellheim [1–7\nRecording Engineer: Edwin Begley [1–7\nMatrix Nos.: GRA4-1204 [1; GRA4-1205 [2; GRA4-1206 [3; GRA4-1170 [4; GRA4-1171 [5; GRA4-1172 [6; GRA4-1173 [7; JRA4-5105 [8; JRA4-5106 [9; JRA4-5107 [10; JRA4-5108 [11\nLP Matrix Nos.: ARL1-2753-A [1–3; ARL1-2753-B [4–7\nP 1978\/2019 Sony Music Entertainment\n\nCD 6:\nOriginal LP: ARL1-2910 Released September 1978\nRecording: Dallas, Music Hall at Fair Park, March 31 \u0026amp; April 3, 1978\nProducer: Peter Dellheim\nRecording Engineer: Edwin Begley\nMatrix Nos.: HRA5-6630 [1; HRA5-6631 [2; HRA5-6632 [3; HRA5-6633 [4; HRA5-6634 [5; HRA5-6635 [6\nLP Matrix Nos.: ARL1-2910-A [1–3; ARL1-2910-B [4–6\nP 1978 Sony Music Entertainment\n\nCD 1: Mastering by Martin Kistner, b-sharp music \u0026amp; media solutions\nCDs 2–6: Analogue Tape Transfers by Brett Zinn, Iron Mountain Digital Services,\nMastering by Martin Kistner, b-sharp music \u0026amp; media solutions, using 24 bit \/ 192 kHz technology\n\nPhotos: cover \u0026amp; pp. 2, 4, 10, 24: Dave Hecht C Sony Music Entertainment;\npp. 9, 15 C Sony Music Entertainment\n\nConsists of previously released material · CD 5 [8–11 previously unreleased\n19075903272 · This compilation P \u0026amp; C 2019 Sony Music Entertainment\nDistributed by Sony Music Entertainment · All trademarks and logos are protected\nMade in the EU · Sony Classical and [Sony Classical Logo are trademarks of Sony Music Entertainment\nRCA is a registered trademark of RCA Trademark Management SA\nwww.sonyclassical.com\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComments: \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003e\u003cstrong\u003eGoldmine Grading Guide \u003c\/strong\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor\/Fair (damaged).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMint (M)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAbsolutely perfect in every way. Certainly never been played, possibly even still sealed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNear Mint (NM or M-)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good Plus (VG+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good (VG)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGood (G), Good Plus( G+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePoor (P), Fair (F)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/2100963464\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"The Listening Room","offers":[{"title":"Default Title","offer_id":42147608002766,"sku":"","price":276.32,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/7011\/3486\/products\/13378150-0361794962fb40ec6aa3262fb40ec6aa35166063332462fb40ec6aa37.jpg?v=1694597804"},{"product_id":"lili-kraus-wolfgang-amadeus-mozart-lili-kraus-plays-mozart","title":"Lili Kraus, Wolfgang Amadeus Mozart - Lili Kraus Plays Mozart","description":"\u003ch3\u003eLili Kraus, Wolfgang Amadeus Mozart - Lili Kraus Plays Mozart\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Mint (M)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Mint (M)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFormat:      \u003c\/strong\u003e4xCD, Comp, RE, RM + Box, Comp, RE\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eEurope \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e2015\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eClassical\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003eClassical\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e.  Piano Sonata No. 1  In C Major, K.279 (189d) \u003cbr\u003e.  Piano Sonatao No. 2  In F Major, K.280 (189e) \u003cbr\u003e.  Piano Sonata No. 3 B Flat Major, K.281 (189f) \u003cbr\u003e.  Piano Sonata No.4  In E Flat Major, K.282 (189g) \u003cbr\u003e.  Piano Sonata No.5 In G Major, K.283 (189h) \u003cbr\u003e1-16.  Rondo For Piano In D Major, K.485. Allegro 6:08\u003cbr\u003e.  Piano Sonata No. 6 In D Major, K.284 (300h) \"Durnitz\" \u003cbr\u003e.  Piano Sonata No.7 In C Major, K.309 (284b) \u003cbr\u003e.  Piano Sonata No. 8 In A Major, K.310 (300d) \u003cbr\u003e.  Piano Sonata No. 9 In D Major, K.311 (284c) \u003cbr\u003e.  Piano Sonata No. 10 In C Major, K330. (300h) \u003cbr\u003e.  Piano Sonata No. 11 In A Major, K331 (300i) \u003cbr\u003e.  Piano Sonata No. 12 In F Major, K332. (300k) \u003cbr\u003e3-10.  Fantasia For Piano In D Minor, K.397 (385g) 4:54\u003cbr\u003e.  Piano Sonata No. 18 In D Major, K576 \u003cbr\u003e.  Piano Sonata No. 13 In B Flat Major, K333 (315c) \u003cbr\u003e4-4.  Fantasia For Piano In C Minor, K.475 11:52\u003cbr\u003e.  Piano Sonata No. 14 In C Major, K \u003cbr\u003e.  Piano Sonata No. 16 In C Major, K545 \"Sonata Facile\" \u003cbr\u003e.  Piano Sonata No. 17 In B Flat Major, K570 \u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003eThis compilation ℗ 2003 © 2015.\n\nRecording data:\nCD 1: March, 1968 (track 1-6, 16); October, 1967 (7-10, 13-15)\nCD 2: March, 1968\nCD 3: March, 1968 (1-3, 7-10); May, 1968 (4-6, 11-13)\nCD 4: May, 1968 (1-3, 8-13); October, 1967 (4-7).\n\nTotal time: 73:19 (CD 1); 74:23 (CD 2); 75:51 (CD 3); 75:25 (CD 4).\nSturdy cardboard box with 4 CD in wallet sleeves.\nMade in the EU.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComments: \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003e\u003cstrong\u003eGoldmine Grading Guide \u003c\/strong\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor\/Fair (damaged).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMint (M)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAbsolutely perfect in every way. Certainly never been played, possibly even still sealed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNear Mint (NM or M-)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good Plus (VG+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good (VG)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGood (G), Good Plus( G+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePoor (P), Fair (F)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/2100969287\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"The Listening Room","offers":[{"title":"Default Title","offer_id":42147609051342,"sku":"","price":345.4,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/7011\/3486\/products\/10385699-035996362fb4693641cc62fb4693641ce166063477162fb4693641d0.jpg?v=1694597812"},{"product_id":"rob-simonsen-reveries","title":"Rob Simonsen - Rêveries","description":"\u003ch3\u003eRob Simonsen - Rêveries\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Mint (M)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Mint (M)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFormat:      \u003c\/strong\u003eCD, Album\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eUS \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e2019-09-06\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eElectronic, Classical\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003eContemporary\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e1.  Argenté 4:37\u003cbr\u003e2.  Rêve 3:50\u003cbr\u003e3.  Envol 3:30\u003cbr\u003e4.  Coeur 5:15\u003cbr\u003e5.  Nuit Tombante 3:48\u003cbr\u003e6.  Spectre 3:11\u003cbr\u003e7.  Aurore 3:54\u003cbr\u003e8.  Ciel 4:01\u003cbr\u003e9.  Ondes 4:02\u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003eMasterworks is a registered trademark of Sony Music Entertainment. Masterworks is an imprint of Sony Music Masterworks.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComments: \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003e\u003cstrong\u003eGoldmine Grading Guide \u003c\/strong\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor\/Fair (damaged).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMint (M)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAbsolutely perfect in every way. Certainly never been played, possibly even still sealed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNear Mint (NM or M-)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good Plus (VG+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good (VG)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGood (G), Good Plus( G+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePoor (P), Fair (F)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/2100969920\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"The Listening Room","offers":[{"title":"Default Title","offer_id":42147609149646,"sku":"","price":172.7,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/7011\/3486\/products\/22975007-0434217162fb45077fc1362fb45077fc14166063437562fb45077fc17.jpg?v=1694597832"},{"product_id":"modest-mussorgsky-leonard-bernstein-the-new-york-philharmonic-orchestra-pictures-at-an-exhibition-night-on-bald-mountain","title":"Modest Mussorgsky : Leonard Bernstein, The New York Philharmonic Orchestra - Pictures At An Exhibition \/ Night On Bald Mountain","description":"\u003ch3\u003eModest Mussorgsky : Leonard Bernstein, The New York Philharmonic Orchestra - Pictures At An Exhibition \/ Night On Bald Mountain\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Mint (M)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Mint (M)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFormat:      \u003c\/strong\u003eCD, Comp, RE\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eUS \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eClassical\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003eRomantic\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e.  Pictures At An Exhibition \u003cbr\u003e16.  Night On Bald Mountain 11:00\u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003eConsists of previously released material.\r\n\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComments: \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003e\u003cstrong\u003eGoldmine Grading Guide \u003c\/strong\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor\/Fair (damaged).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMint (M)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAbsolutely perfect in every way. Certainly never been played, possibly even still sealed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNear Mint (NM or M-)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good Plus (VG+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good (VG)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGood (G), Good Plus( G+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePoor (P), Fair (F)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/2100971033\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"The Listening Room","offers":[{"title":"Default Title","offer_id":42147609575630,"sku":"","price":86.35,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/7011\/3486\/products\/6472783-0923600662fb48ba6d13562fb48ba6d136166063532262fb48ba6d138.jpg?v=1694597893"},{"product_id":"elmer-bernstein-ghostbusters-original-motion-picture-score","title":"Elmer Bernstein - Ghostbusters (Original Motion Picture Score)","description":"\u003ch3\u003eElmer Bernstein - Ghostbusters (Original Motion Picture Score)\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Mint (M)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Mint (M)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFormat:      \u003c\/strong\u003eCD, Album\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eEurope \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e2019-06-07\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eElectronic, Classical, Stage \u0026amp; Screen\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003eModern Classical, Score, Contemporary\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e1.  Ghostbusters Theme 3:02\u003cbr\u003e2.  Library 2:23\u003cbr\u003e3.  Venkman 0:34\u003cbr\u003e4.  Hello 1:38\u003cbr\u003e5.  The Best One In Your Row 1:09\u003cbr\u003e6.  Get Her! 2:05\u003cbr\u003e7.  Plan 1:28\u003cbr\u003e8.  Dana's Theme 3:34\u003cbr\u003e9.  Fridge And Sign 1:59\u003cbr\u003e10.  Attack 1:33\u003cbr\u003e11.  Client 0:36\u003cbr\u003e12.  Dana's Apartment 1:41\u003cbr\u003e13.  Same Problem 1:10\u003cbr\u003e14.  We Got One 2:04\u003cbr\u003e15.  Zuul Part 1 0:47\u003cbr\u003e16.  Meeting 1 0:40\u003cbr\u003e17.  I Respect You 0:59\u003cbr\u003e18.  Who Brought The Dog 1:00\u003cbr\u003e19.  Zull Part 2 4:16\u003cbr\u003e20.  Steel Drum 1:31\u003cbr\u003e21.  Cross Rip 2:18\u003cbr\u003e22.  News 1:45\u003cbr\u003e23.  Judgment Day 1:20\u003cbr\u003e24.  Mistake 0:40\u003cbr\u003e25.  Halls 2:31\u003cbr\u003e26.  Ballroom 1:04\u003cbr\u003e27.  Trap 0:56\u003cbr\u003e28.  Meeting 2 1:16\u003cbr\u003e29.  Earthquake 0:35\u003cbr\u003e30.  Stairwell 1:22\u003cbr\u003e31.  Gozer 2:52\u003cbr\u003e32.  Let's Go 1:17\u003cbr\u003e33.  We're Going To Save The World 1:29\u003cbr\u003e34.  Mr. Stay Puft 0:35\u003cbr\u003e35.  Final Battle 1:34\u003cbr\u003e36.  Finish 2:16\u003cbr\u003e37.  Zuul (Album Version) 3:15\u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003eTracks 14, 15, 24, 32–34 were not used in the film.\nTracks 20, 24, 25 (Introduction) and 34 previously unreleased.\n\nSpecial Thanks to Ivan Reitman, Eric Reich, Katrina Hitz-Tough, Tim Ahlering, Paul Friedman, Jaime Cyr, Rod Davis and Russell Lefferts\n\n\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComments: \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003e\u003cstrong\u003eGoldmine Grading Guide \u003c\/strong\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor\/Fair (damaged).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMint (M)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAbsolutely perfect in every way. Certainly never been played, possibly even still sealed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNear Mint (NM or M-)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good Plus (VG+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good (VG)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGood (G), Good Plus( G+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePoor (P), Fair (F)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/2101260392\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"The Listening Room","offers":[{"title":"Default Title","offer_id":42147612328142,"sku":"","price":215.88,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/7011\/3486\/products\/13731333-0658645562fb7ed2e7b3962fb7ed2e7b3b166064917062fb7ed2e7b3f.jpg?v=1694597994"},{"product_id":"lautten-compagney-wolfgang-katschner-meredith-monk-philip-glass-steve-reich-guillaume-dufay-circle-line","title":"Lautten Compagney, Wolfgang Katschner - Meredith Monk, Philip Glass, Steve Reich, Guillaume Dufay - Circle Line","description":"\u003ch3\u003eLautten Compagney, Wolfgang Katschner - Meredith Monk, Philip Glass, Steve Reich, Guillaume Dufay - Circle Line\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Mint (M)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Mint (M)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFormat:      \u003c\/strong\u003eLP, Album\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eEurope \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e2019-11-22\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eClassical\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003eContemporary, Renaissance\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA1.  Philip Glass - Train To São Paulo 2:39\u003cbr\u003eA2.  Guillaume Dufay - Gloria Ad Modum Tubae 2:11\u003cbr\u003eA3.  Philip Glass - Morning Passages 4:09\u003cbr\u003eA4.  Guillaume Dufay - Flos Florum 2:38\u003cbr\u003eA5.  Peter A. Bauer - Secreto Intimo 3:19\u003cbr\u003eA6.  Steve Reich, Guillaume Dufay - Clapping Music \u0026amp; Se La Face Ay Pale 4:30\u003cbr\u003eB1.  Guillaume Dufay - Missa L'homme Armé: Cantus Firmus \/ Kyrie \/ Benedictus 3:28\u003cbr\u003eB2.  Guillaume Dufay - Ave Regina Caelorum 1:35\u003cbr\u003eB3.  Guillaume Dufay - Ave Maris Stella 1:58\u003cbr\u003eB4.  Meredith Monk - Dawn 4:13\u003cbr\u003eB5.  Philip Glass - Anthem Part I 5:44\u003cbr\u003eB6.  Wim Mertens - Close Cover 3:05\u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003eTrain To São Paulo \u0026amp; Anthem Part I from Powaqqatsi\nMorning Passages from The Hours\nSecreto Intimo from Häxan\nDawn from  Book Of Days\n\nPublishers:\n© Bosworth (Train To São Paulo, Anthem Part I)\n© MRX Music Corporation \/ WC Music Corp. \/ Warner Bros Inc. \/ Sony\/ATV Harmony (Morning Passages)\n© Universal Edition (Clapping Music)\n© Boosey \u0026amp; Hawkes (Dawn)\n\nRecording: 25-28 February, Kornspeicher der Dorfmühle Lehrberg, Germany\n\n℗ \u0026amp; © 2019 Sony Music Entertainment (Germany) GmbH\nTotal time: Side A: 19:31 \/ Side B: 19:21\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComments: \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003e\u003cstrong\u003eGoldmine Grading Guide \u003c\/strong\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor\/Fair (damaged).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMint (M)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAbsolutely perfect in every way. Certainly never been played, possibly even still sealed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNear Mint (NM or M-)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good Plus (VG+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good (VG)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGood (G), Good Plus( G+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePoor (P), Fair (F)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/2107977563\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"The Listening Room","offers":[{"title":"Default Title","offer_id":42147624911054,"sku":"","price":103.62,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/7011\/3486\/products\/15567933-0905644463037c74ad0d563037c74ad0d6166117285263037c74ad0da.jpg?v=1694599374"},{"product_id":"igor-stravinsky-roger-waters-bridgehampton-chamber-music-festival-igor-stravinsky-s-the-soldier-s-tale-with-new-narration-adapted-and-performed-by-roger-waters","title":"Igor Stravinsky, Roger Waters, Bridgehampton Chamber Music Festival - Igor Stravinsky’s The Soldier’s Tale With New Narration Adapted And Performed By Roger Waters","description":"\u003ch3\u003eIgor Stravinsky, Roger Waters, Bridgehampton Chamber Music Festival - Igor Stravinsky’s The Soldier’s Tale With New Narration Adapted And Performed By Roger Waters\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Mint (M)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Mint (M)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFormat:      \u003c\/strong\u003e2xLP, Album\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eEurope \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e2018-11-30\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eClassical\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e.  Part I \u003cbr\u003eA1.  The Soldier's March 1:47\u003cbr\u003eA2.  Slogging Homeword... 2:20\u003cbr\u003eA3.  Airs By A Stream 2:35\u003cbr\u003eA4.  As You Can Hear... 7:41\u003cbr\u003eA5.  The Soldier's March (Reprise) 1:48\u003cbr\u003eA6.  Eventually, Joseph Reaches His Home Village... 2:55\u003cbr\u003eB1.  Pastorale 2:35\u003cbr\u003eB2.  The Soldier, Disconsolate... 4:13\u003cbr\u003eB3.  Pastorale (Reprise) 0:37\u003cbr\u003eB4.  The Soldier, Slowly Coming Back To Himself... 2:48\u003cbr\u003eB5.  Airs By A Stream (Reprise) : To Stretch Out On The Grass... 0:47\u003cbr\u003eB6.  Hey Satan, You Bastard... 5:33\u003cbr\u003eB7.  Airs By A Stream (2nd Reprise) 0:46\u003cbr\u003eB8.  Naught To Be Gained Here... 0:05\u003cbr\u003e.  Part II \u003cbr\u003eC1.  The Soldier’s March (2nd Reprise): Down A Hot And Dusty Track... 0:50\u003cbr\u003eC2.  He Doesn't Even Know Himself... 0:52\u003cbr\u003eC3.  The Soldier’s March (3rd Reprise): Will He Take The Road To Home... 0:28\u003cbr\u003eC4.  He Doesn't Have A Home Anymore... 3:56\u003cbr\u003eC5.  The Royal March 2:38\u003cbr\u003eC6.  So, All Was Arranged... 0:58\u003cbr\u003eC7.  Later That Night... 0:39\u003cbr\u003eC8.  The Little Concert: Light Floods The Eastern Sky... 2:59\u003cbr\u003eD1.  The Soldier, With A Confident Air... 0:46\u003cbr\u003eD2.  Three Dances: Tango (Part 1) 1:18\u003cbr\u003eD3.  Three Dances: Tango (Part 2) 1:01\u003cbr\u003eD4.  Three Dances: Waltz \u0026amp; Ragtime 4:02\u003cbr\u003eD5.  So, First A Tango... 0:40\u003cbr\u003eD6.  The Devil's Dance 1:20\u003cbr\u003eD7.  The Devil, Confused... 0:27\u003cbr\u003eD8.  The Little Chorale 0:42\u003cbr\u003eD9.  The Devil Recovers Some Of His Wits... 0:13\u003cbr\u003eD10.  The Devil's Song: Alright! You’ll Be Safe At Home... 0:39\u003cbr\u003eD11.  Hm, A Fair Warning... 0:13\u003cbr\u003eD12.  Grand Chorale (Part 1) 0:29\u003cbr\u003eD13.  Spring, Summer, Autumn... 0:16\u003cbr\u003eD14.  Grand Chorale (Part 2) 0:30\u003cbr\u003eD15.  Steady Now... 0:11\u003cbr\u003eD16.  Grand Chorale (Part 3) 0:27\u003cbr\u003eD17.  Steady, Just Smell The Flowers... 0:13\u003cbr\u003eD18.  Grand Chorale (Part 4) 0:52\u003cbr\u003eD19.  Now I Have Everything... 0:34\u003cbr\u003eD20.  Grand Chorale (Part 5) 0:55\u003cbr\u003eD21.  The Princess, All Excited... 1:21\u003cbr\u003eD22.  Grand Chorale (Part 6) 0:26\u003cbr\u003eD23.  And So, Off They Go... 1:13\u003cbr\u003eD24.  Triumphal March Of The Devil 2:24\u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003eRecorded at the Bridgehampton Presbyterian Church, December 11-12, 2014.\n\nVinyl comes in clear plastic Classical Music on Vinyl embossed bag with top flap sealed with clear round.\n\nClassical MOV sticker in top right corner.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComments: \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003e\u003cstrong\u003eGoldmine Grading Guide \u003c\/strong\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor\/Fair (damaged).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMint (M)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAbsolutely perfect in every way. Certainly never been played, possibly even still sealed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNear Mint (NM or M-)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good Plus (VG+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good (VG)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGood (G), Good Plus( G+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePoor (P), Fair (F)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/2108065547\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"The Listening Room","offers":[{"title":"Default Title","offer_id":42147634544846,"sku":"","price":267.69,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/7011\/3486\/products\/12886177-0412711361f146b0d1e5761f146b0d1e58164320222461f146b0d1e5a.jpg?v=1694599617"},{"product_id":"bob-dylan-triplicate","title":"Bob Dylan - Triplicate","description":"\u003ch3\u003eBob Dylan - Triplicate\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Mint (M)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Mint (M)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFormat:      \u003c\/strong\u003e3xLP, Album, Dlx, Ltd, Num\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eUSA \u0026amp; Europe \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e2017-03-31\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eJazz, Pop, Classical, Folk World \u0026amp; Country\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e.  'Til The Sun Goes Down \u003cbr\u003eA1.  I Guess I'll Have To Change My Plans 2:27\u003cbr\u003eA2.  September Of My Years 3:26\u003cbr\u003eA3.  I Could Have Told You 3:36\u003cbr\u003eA4.  Once Upon A Time 3:38\u003cbr\u003eA5.  Stormy Weather 3:06\u003cbr\u003eB1.  This Nearly Was Mine 2:49\u003cbr\u003eB2.  That Old Feeling 3:39\u003cbr\u003eB3.  It Gets Lonely Early 3:10\u003cbr\u003eB4.  My One And Only Love 3:23\u003cbr\u003eB5.  Trade Winds 2:41\u003cbr\u003e.  Devil Dolls \u003cbr\u003eC1.  Braggin' 2:45\u003cbr\u003eC2.  As Time Goes By 3:22\u003cbr\u003eC3.  Imagination 2:35\u003cbr\u003eC4.  How Deep Is The Ocean 3:23\u003cbr\u003eC5.  P.S. I Love You 4:18\u003cbr\u003eD1.  The Best Is Yet To Come 2:57\u003cbr\u003eD2.  But Beautiful 3:22\u003cbr\u003eD3.  Here's That Rainy Day 3:27\u003cbr\u003eD4.  Where Is The One 3:15\u003cbr\u003eD5.  There's A Flaw In My Flue 2:47\u003cbr\u003e.  Comin' Home Late \u003cbr\u003eE1.  Day In, Day Out 3:02\u003cbr\u003eE2.  I Couldn't Sleep A Wink Last Night 3:16\u003cbr\u003eE3.  Sentimental Journey 3:12\u003cbr\u003eE4.  Somewhere Along The Way 3:19\u003cbr\u003eE5.  When The World Was Young 3:47\u003cbr\u003eF1.  These Foolish Things 4:11\u003cbr\u003eF2.  You Go To My Head 3:07\u003cbr\u003eF3.  Stardust 2:35\u003cbr\u003eF4.  It's Funny To Everyone But Me 2:39\u003cbr\u003eF5.  Why Was I Born 2:50\u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003e[Sticker:\nLimited Edition, Numbered \nVintage Style Case of \n30 Brand New Recordings\nOn Three 180g LPs\nIncludes Digital Download\n88985413511 S1\n\nOn labels:\nMade in America\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComments: \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003e\u003cstrong\u003eGoldmine Grading Guide \u003c\/strong\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor\/Fair (damaged).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMint (M)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAbsolutely perfect in every way. Certainly never been played, possibly even still sealed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNear Mint (NM or M-)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good Plus (VG+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good (VG)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGood (G), Good Plus( G+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePoor (P), Fair (F)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/2108081111\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"The Listening Room","offers":[{"title":"Default Title","offer_id":42147638345934,"sku":"","price":518.1,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/7011\/3486\/products\/10061445-024225166168fcc91abd16168fcc91abd216342704096168fcc91abd5.jpg?v=1694599683"},{"product_id":"ben-folds-and-west-australian-symphony-orchestra-live-in-perth","title":"Ben Folds And West Australian Symphony Orchestra - Live In Perth","description":"\u003ch3\u003eBen Folds And West Australian Symphony Orchestra - Live In Perth\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Mint (M)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Mint (M)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFormat:      \u003c\/strong\u003e2xLP, Album, RSD, RE, RM\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eEurope \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e2017-04-22\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eRock, Pop, Classical\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003ePop Rock, Classical\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA1.  Zak And Sara \u003cbr\u003eA2.  Smoke \u003cbr\u003eA3.  Fred Jones Part 2 \u003cbr\u003eA4.  Gracie \u003cbr\u003eB1.  All U Can Eat \u003cbr\u003eB2.  Steven's Last Night In Town \u003cbr\u003eB3.  Boxing \u003cbr\u003eB4.  Annie Waits \u003cbr\u003eB5.  Brick \u003cbr\u003eC1.  Evaporated \u003cbr\u003eC2.  Not The Same \u003cbr\u003eC3.  The Ascent Of Stan \u003cbr\u003eD1.  Lullabye \u003cbr\u003eD2.  Narcolepsy \u003cbr\u003eD3.  Rock This Bitch \u003cbr\u003eD4.  The Luckiest \u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003eReleased for Record Store Day 2017. Comes in a gatefold sleeve and includes digital download code.\n\nTracks A4 \u0026amp; B1 previously unreleased.\nRecorded on March 12 \u0026amp; 13 2005 at live performances.\n\nHype Sticker on seal reads \"Ben Folds' historic 2005 Australian concerts with WASO. Features 2 prev unreleased songs, remastered from the original concert recordings, documents first time Folds' compositions performed live with orchestra. Features 'Brick', 'The Luckiest' and 'Boxing'. Includes digital download. 88985374081\" \n\nMade in the EU.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComments: \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003e\u003cstrong\u003eGoldmine Grading Guide \u003c\/strong\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor\/Fair (damaged).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMint (M)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAbsolutely perfect in every way. Certainly never been played, possibly even still sealed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNear Mint (NM or M-)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good Plus (VG+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good (VG)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGood (G), Good Plus( G+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePoor (P), Fair (F)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/2110426355\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"The Listening Room","offers":[{"title":"Default Title","offer_id":42147641393358,"sku":"","price":345.4,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/7011\/3486\/products\/10180901-0106986561d9cf4b7d47361d9cf4b7d474164166433161d9cf4b7d477.jpg?v=1694599738"},{"product_id":"henry-jackman-the-5th-wave-original-motion-picture-soundtrack","title":"Henry Jackman - The 5th Wave (Original Motion Picture Soundtrack)","description":"\u003ch3\u003eHenry Jackman - The 5th Wave (Original Motion Picture Soundtrack)\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Mint (M)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Mint (M)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFormat:      \u003c\/strong\u003eLP, Album, Ltd, Num, Yel\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eEurope \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e2016-03-14\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eElectronic, Classical, Stage \u0026amp; Screen\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003eScore, Soundtrack\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA1.  Prologue 1:59\u003cbr\u003eA2.  Tsunami 2:36\u003cbr\u003eA3.  Aftermath 2:41\u003cbr\u003eA4.  Wright Patterson 1:15\u003cbr\u003eA5.  The Others 1:55\u003cbr\u003eA6.  One Degree Of Separation 1:47\u003cbr\u003eA7.  Reznik 2:32\u003cbr\u003eA8.  Cassie 2:04\u003cbr\u003eA9.  In The Sights 2:10\u003cbr\u003eA10.  A Call To Arms 2:13\u003cbr\u003eA11.  Evan 2:54\u003cbr\u003eA12.  Dayton 2:33\u003cbr\u003eB1.  5th Wave 1:31\u003cbr\u003eB2.  Under Fire 1:29\u003cbr\u003eB3.  Flashback 2:51\u003cbr\u003eB4.  Extinction 1:42\u003cbr\u003eB5.  Finding Sam 3:05\u003cbr\u003eB6.  Getaway 2:13\u003cbr\u003eB7.  Epilogue 3:07\u003cbr\u003eB8.  Humanity 3:57\u003cbr\u003eB9.  Vosch 6:10\u003cbr\u003eB10.  Ringer 0:44\u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003e● 180 gram audiophile vinyl\n● Gatefold sleeve\n● Poster (roughly 90 x 60 cm)\n● PVC protective sleeve\n● First pressing of 500 numbered copies on yellow flamed vinyl\n\nHenry would like to thank:\nJ Blakeson, Lia Vollack, Raul Perez, Paul Rubell, Steven Kofsky, Amos Newman, Laura Engel, Jessica Yap, Victoria De La Vega, Ralph, Becca Ellie, Esme Rose \u0026amp; Mum\n\nScore Published by Twenty Fifteen Avenue Music, Inc. (ASCAP), and Twenty Fifteen Boulevard Music, Inc. (BMI), admin. by Sony\/ATV Music Publishing LLC\n\nMotion Picture Artwork © 2016 CTMG. All Rights Reserved. ℗ 2016 Columbia Pictures Industries, Inc., under exclusive license to Sony Classical, a division of Sony Music Entertainment. All Rights Reserved. All trademarks and logos are protected. Manufactured and distributed by Music On Vinyl B.V. for Sony Music Entertainment. All trademarks and logos are protected. Made in the EU.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComments: \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003e\u003cstrong\u003eGoldmine Grading Guide \u003c\/strong\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor\/Fair (damaged).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMint (M)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAbsolutely perfect in every way. Certainly never been played, possibly even still sealed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNear Mint (NM or M-)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good Plus (VG+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good (VG)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGood (G), Good Plus( G+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePoor (P), Fair (F)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/2110499618\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"The Listening Room","offers":[{"title":"Default Title","offer_id":42147667706062,"sku":"","price":224.51,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/7011\/3486\/products\/8306377-07852557620448326f911620448326f9121644447794620448326f916.jpg?v=1694600641"},{"product_id":"simone-dinnerstein-havana-lyceum-orchestra-mozart-in-havana","title":"Simone Dinnerstein, Havana Lyceum Orchestra - Mozart In Havana","description":"\u003ch3\u003eSimone Dinnerstein, Havana Lyceum Orchestra - Mozart In Havana\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Mint (M)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Mint (M)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFormat:      \u003c\/strong\u003eLP, Album, RE, 180\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eEurope \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e2017\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eClassical\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003eClassical\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e.  Piano Concerto No. 21 in C Major K 467 \u003cbr\u003e.  Piano Concerto No. 23 in A Major K 488 \u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003eRecorded at Oratorio San Felipe Neri, Havana, Cuba, June 28-30, 2016.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComments: \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003e\u003cstrong\u003eGoldmine Grading Guide \u003c\/strong\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor\/Fair (damaged).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMint (M)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAbsolutely perfect in every way. Certainly never been played, possibly even still sealed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNear Mint (NM or M-)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good Plus (VG+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good (VG)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGood (G), Good Plus( G+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePoor (P), Fair (F)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/2113487081\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"The Listening Room","offers":[{"title":"Default Title","offer_id":42147673473230,"sku":"","price":276.32,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/7011\/3486\/products\/10800554-0604960561197da37a30361197da37a304162906051561197da37a306.jpg?v=1694600833"},{"product_id":"johann-johannsson-echo-collective-12-conversations-with-thilo-heinzmann","title":"Jóhann Jóhannsson, Echo Collective - 12 Conversations With Thilo Heinzmann","description":"\u003ch3\u003eJóhann Jóhannsson, Echo Collective - 12 Conversations With Thilo Heinzmann\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Mint (M)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Mint (M)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFormat:      \u003c\/strong\u003eLP, Album, Ltd, 180\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eEurope \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e2019-09-20\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eElectronic, Classical\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003eAmbient, Modern Classical\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA1.  Manifest \u003cbr\u003eA2.  Low \u003cbr\u003eA3.  Stuk \u003cbr\u003eA4.  Shell \u003cbr\u003eA5.  Zurich \u003cbr\u003eA6.  Harm \u003cbr\u003eB1.  Lacrimosa \u003cbr\u003eB2.  Pol \u003cbr\u003eB3.  Form \u003cbr\u003eB4.  Arc \u003cbr\u003eB5.  Danse \u003cbr\u003eB6.  Gold \u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003eLimited Edition with art print, also available as official download.\n\nHoused in a gatefold cover.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComments: \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003e\u003cstrong\u003eGoldmine Grading Guide \u003c\/strong\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor\/Fair (damaged).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMint (M)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAbsolutely perfect in every way. Certainly never been played, possibly even still sealed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNear Mint (NM or M-)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good Plus (VG+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good (VG)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGood (G), Good Plus( G+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePoor (P), Fair (F)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/2114312735\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"The Listening Room","offers":[{"title":"Default Title","offer_id":42147675177166,"sku":"","price":345.4,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/7011\/3486\/products\/14159966-3736383644b6c5b7b269644b6c5b7b26d1682664539644b6c5b7b27a.jpg?v=1694600902"},{"product_id":"kyung-wha-chung-chung-trio-kyung-wha-chung-40-legendary-years","title":"Kyung-Wha Chung, Chung Trio - Kyung-Wha Chung 40 Legendary Years","description":"\u003ch3\u003eKyung-Wha Chung, Chung Trio - Kyung-Wha Chung 40 Legendary Years\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Mint (M)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Mint (M)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFormat:      \u003c\/strong\u003e19xCD, Album + DVD-V + Box, Comp, Ltd, Num\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eSouth Korea \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e2010-03-06\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eClassical\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003eClassical, Romantic, Impressionist, Modern\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e.  Violin Concerto In D Major, Op. 35 \u003cbr\u003e.  Violin Concerto In D Minor, Op. 47 \u003cbr\u003e.  Violin Concerto No. 1 In G Minor, Op. 26 \u003cbr\u003e.  Scottish Fantasy, Op. 46 \u003cbr\u003e.  Concerto For Violin And Orchestra \u003cbr\u003e.  Concerto In D For Violin And Orchestra \u003cbr\u003e.  Partita For Violin Solo No.2 In D Minor, BWV 1004 \u003cbr\u003e.  Violin Sonata No. 3 In C Major, BWV 1005 \u003cbr\u003e.  Violin Concerto No. 3 In B Minor, Op. 61 \u003cbr\u003e.  Violin Concerto No. 5 In A Minor, Op. 37 \u003cbr\u003e.  Violin Concerto No. 1 In D, Op. 19 \u003cbr\u003e.  Violin Concerto No. 2 In G Minor, Op. 63 \u003cbr\u003e.  Violin Concerto No. 2 In B Minor \u003cbr\u003e.  Violin Concerto In B Minor, Op. 61 \u003cbr\u003eCD9-1.  Poeme, Op. 26  16:28\u003cbr\u003eCD9-2.  Introduction And Rondo Capriccioso, Op. 28 9:04\u003cbr\u003eCD9-3.  Havanaise, Op. 83 9:12\u003cbr\u003eCD9-4.  Tzigane  8:47\u003cbr\u003e.  Violin Concerto In D Major, Op. 61 \u003cbr\u003e.  Sonata For Violin \u0026amp; Piano In A Major, M. 8 \u003cbr\u003e.  Sonata For Violin \u0026amp; Piano \u003cbr\u003e.  Symphonie Espagnole \u003cbr\u003e.  Violin Concerto In A Minor, Op. 20 \u003cbr\u003e.  Violin Concerto In D Major, Op. 35 \u003cbr\u003e.  Violin Concerto In E Minor, Op. 64 \u003cbr\u003e.  Violin Concerto \u003cbr\u003e.  Violin Concerto No. 1, Op. Posth. \u003cbr\u003e.  Con Amore \u003cbr\u003eCD15-1.  Fritz Kreisler La Gitana  2:55\u003cbr\u003eCD15-2.  Liebesleid  3:44\u003cbr\u003eCD15-3.  Dancing Doll (Poupée Valsante)  2:23\u003cbr\u003eCD15-4.  Scherzo-tarantelle, Op. 16  4:47\u003cbr\u003eCD15-5.  Salut D'amour, Op. 12  2:58\u003cbr\u003eCD15-6.  La Capricieuse Op. 17  4:27\u003cbr\u003eCD15-7.  Valse Sentimentale, Op. 51 No. 6  2:29\u003cbr\u003eCD15-8.  Praeludium And Allegro  5:45\u003cbr\u003eCD15-9.  Perpetuum Mobile  3:02\u003cbr\u003eCD15-10.  Beau Soir  2:59\u003cbr\u003eCD15-11.  Nocturne No. 20 In C-sharp Minor  4:06\u003cbr\u003eCD15-12.  Caprice In A Minor 1:41\u003cbr\u003eCD15-13.  Gavotte 2:47\u003cbr\u003eCD15-14.  Liebesfreud  3:12\u003cbr\u003eCD15-15.  Serenade Espagnole  1:56\u003cbr\u003eCD15-16.  Caprice, Op. 52 No. 6  8:20\u003cbr\u003eCD15-17.  Hungarian Dance No. 1  3:28\u003cbr\u003e.  Piano Trio No. 3 In F Minor, Op. 65 \u003cbr\u003e.  Piano Trio No. 1 In B-flat Major, Op. 21 \u003cbr\u003e.  Piano Trio No. 1 In D Minor, Op. 49 \u003cbr\u003e.  Piano Trio No. 1 In B Major, Op. 8 \u003cbr\u003e.  Sonata For Violin And Piano In E Flat, Op.18 \u003cbr\u003e.  Sonata For Violin And Piano In B Minor \u003cbr\u003e.  Concerto For Piano, Violin, Cello, And Orchestra In C Major, Op. 56 \"Triple Concerto\" \u003cbr\u003e.  Two Romances For Violin And Orchestra \u003cbr\u003eCD19-6.  Romance Cantabile For Piano, Flute And Bassoon Accompanied By Two Oboes And Strings In E Minor (Hess 13)  4:55\u003cbr\u003e.  DVD \u003cbr\u003e.  Symphony No. 3 In A Minor, Op. 56, Mwv N 18 \"Scottish\" \u003cbr\u003e.  Violin Concerto In E Minor, Op. 64, MWV O 14 \u003cbr\u003e.  Symphony No. 4 In A Major, Op. 90, Mwv N 16 \"Italian\" \u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComments: \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003e\u003cstrong\u003eGoldmine Grading Guide \u003c\/strong\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor\/Fair (damaged).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMint (M)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAbsolutely perfect in every way. Certainly never been played, possibly even still sealed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNear Mint (NM or M-)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good Plus (VG+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good (VG)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGood (G), Good Plus( G+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePoor (P), Fair (F)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/2000682587\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"The Listening Room","offers":[{"title":"Default Title","offer_id":42147707289806,"sku":"","price":2158.75,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/7011\/3486\/products\/20047033-0126485262f65d06f1e9362f65d06f1e95166031283862f65d06f1e97.jpg?v=1694602312"},{"product_id":"glenn-gould-on-television-the-complete-cbc-broadcasts-1954-1977","title":"Glenn Gould - On Television - The Complete CBC Broadcasts 1954-1977","description":"\u003ch3\u003eGlenn Gould - On Television - The Complete CBC Broadcasts 1954-1977\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Mint (M)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Mint (M)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFormat:      \u003c\/strong\u003eBox, Comp + 10xDVD-V, Mono, RM, NTSC\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eUSA, Canada \u0026amp; Europe \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e2011-09-12\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eClassical\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003eClassical, Baroque, Romantic\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e.  ============================================================================ \u003cbr\u003e.  DVD 1 (1954-1974) Early TV Performances \/ Beethoven (TT 187:53) \u003cbr\u003e.  ============================================================================ \u003cbr\u003e.  Heure De Concert (original broadcast: Dec 16, 1954) \u003cbr\u003e1-1.  Introduction 0:45\u003cbr\u003e1-2.  Piano Concerto No. 1 in C major - I. Allegro con brio 13:20\u003cbr\u003e.  Chrysler Festival (original broadcast: Feb 20, 1957) \u003cbr\u003e1-3.  Introduction 0:56\u003cbr\u003e.  Partita No. 5 in G major \u003cbr\u003e1-7.  Introduction 0:46\u003cbr\u003e1-8.  Symphony No. 2 - IV. Urlicht 4:43\u003cbr\u003e.  Special: Address And Music For The Queen (original broadcast: Oct 13, 1957) \u003cbr\u003e1-9.  Introduction 0:30\u003cbr\u003e.  Piano Concerto No. 5 in F minor \u003cbr\u003e.  Original broadcast: 1957 \u003cbr\u003e.  Piano Concerto No. 1 in D minor \u003cbr\u003e.  Original broadcast: 1958 \u003cbr\u003e1-15.  Partita No. 2 in C minor (rehearsal) 1:48\u003cbr\u003e.  Original broadcast: 1960 \u003cbr\u003e.  Piano Sonata No. 17 in D minor \"The Tempest\" \u003cbr\u003e.  The Subject Is Beethoven (original broadcast: Feb 6, 1961) \u003cbr\u003e1-19.  Introduction 7:49\u003cbr\u003e.  Eroica Variations \u003cbr\u003e1-23.  Introduction 9:16\u003cbr\u003e.  Sonata For Piano And Cello No. 3 in A major \u003cbr\u003e1-28.  Credits 0:51\u003cbr\u003e.  Intertel: The Culture Explosion (original broadcast: Nov 9, 1966) \u003cbr\u003e1-29.  \"I Detest Audiences\" 3:40\u003cbr\u003e.  Telescope: Variations On Glenn Gould (original broadcast: May 8, 1969) \u003cbr\u003e1-30.  Glenn Gould On Recording Technology 1:22\u003cbr\u003e1-31.  Introduction - The Musicality Of Man 2:11\u003cbr\u003e1-32.  The Idea Of North 7:42\u003cbr\u003e1-33.  \"I Was Running Scared\" 4:56\u003cbr\u003e1-34.  Symphony No.6 in F major \"Pastoral\" 3:05\u003cbr\u003e1-35.  Glenn Gould On Wawa 4:07\u003cbr\u003e1-36.  Credits 0:48\u003cbr\u003e.  CBC Special: The World Of Music - The Well-Tempered Listener (original broadcast: Feb 18, 1970) \u003cbr\u003e1-37.  Introduction 0:10\u003cbr\u003e.  The Well-Tempered Klavier, Book 2 \u003cbr\u003e.  Commercials For Musicamera (original broadcasts: 1974) \u003cbr\u003e1-46.  Glenn Gould as Sir Nigel Twit-Thornwaite 1:02\u003cbr\u003e1-47.  Glenn Gould as Dr. Karlheinz Klopweisser 1:05\u003cbr\u003e1-48.  Glenn Gould as Myron Chianti 1:04\u003cbr\u003e1-49.  Audio Surprise 0:32\u003cbr\u003e.  ============================================================================ \u003cbr\u003e.  DVD 2 (1962) The U.S.S.R. \/ Bach (TT 116:44) \u003cbr\u003e.  ============================================================================ \u003cbr\u003e.  Sunday Concert: Music In The U.S.S.R (original broadcast: Jan 14, 1962) \u003cbr\u003e2-1.  Introduction 10:43\u003cbr\u003e.  Quintet For Piano And Strings in G minor \u003cbr\u003e2-5.  Introduction 5:48\u003cbr\u003e.  Piano Sonata No. 7 in B flat major \u003cbr\u003e2-9.  Credits 0:18\u003cbr\u003e.  Sunday Concert: Glenn Gould On Bach (original broadcast: Apr 8, 1962) \u003cbr\u003e2-10.  Introduction 0:20\u003cbr\u003e2-11.  Fugue in E flat major 1:47\u003cbr\u003e2-12.  Introduction 8:09\u003cbr\u003e.  Cantate \"Widerstehe Doch Der Sünde\" \u003cbr\u003e2-16.  Introduction 5:13\u003cbr\u003e2-17.  The Art Of The Fugue - Contrapunctus IV 3:07\u003cbr\u003e2-18.  Introduction 2:10\u003cbr\u003e.  Brandenburg Concerto No. 5 in D major \u003cbr\u003e2-22.  Credits 1:10\u003cbr\u003e.  ============================================================================ \u003cbr\u003e.  DVD 3 (1962 \u0026amp; 1963) Richard Strauss \/ The Anatomy Of The Fugue (TT 117:49) \u003cbr\u003e.  ============================================================================ \u003cbr\u003e.  Richard Strauss - A Personal View (original broadcast: Oct 15, 1962) \u003cbr\u003e3-1.  Introduction 0:48\u003cbr\u003e3-2.  Cäcilie 1:58\u003cbr\u003e3-3.  Introduction 5:41\u003cbr\u003e3-4.  Violin Sonata in E flat major - I. Allegro ma non troppo 10:11\u003cbr\u003e3-5.  Introduction 3:29\u003cbr\u003e.  Ophelia-Lieder \u003cbr\u003e3-9.  Introduction 2:17\u003cbr\u003e.  Le Bourgeois Gentilhomme \u003cbr\u003e3-13.  Introduction 3:09\u003cbr\u003e3-14.  Beim Schlafengehen 4:32\u003cbr\u003e3-15.  Credits 0:30\u003cbr\u003e.  The Anathomy Of The Fugue (original broadcast: Mar 4, 1963) \u003cbr\u003e3-16.  Introduction 7:46\u003cbr\u003e3-17.  Who Follow With Me - Duet 1:26\u003cbr\u003e3-18.  Spring Returns (Madrigal for 5 voices) 2:06\u003cbr\u003e3-19.  Introduction 0:53\u003cbr\u003e3-20.  The Well-Tempered Klavier, Book 2 - Fuga VII in E flat major 3:08\u003cbr\u003e3-21.  Introduction 0:44\u003cbr\u003e3-22.  The Well-Tempered Klavier, Book 2 - Fuga XXII in B flat major 3:09\u003cbr\u003e3-23.  Introduction 1:55\u003cbr\u003e.  Adagio and Fugue in C minor \u003cbr\u003e3-26.  Introduction 3:07\u003cbr\u003e3-27.  Piano Sonata No. 31 in A flat major - III. Adagio ma non troppo. Fuga. Allegro ma non troppo 11:43\u003cbr\u003e3-28.  Introduction 3:49\u003cbr\u003e3-29.  Piano Sonata No. 3 in B flat major - IV. Fuge. Lebhaft 4:23\u003cbr\u003e3-30.  Introduction 0:19\u003cbr\u003e3-31.  So You Want To Write A Fugue? 5:14\u003cbr\u003e3-32.  Credits 1:02\u003cbr\u003e.  ============================================================================ \u003cbr\u003e.  DVD 4 (1964 \u0026amp; 1966) Anthology of Variation \/ Gould \u0026amp; Menuhin (TT 117:10) \u003cbr\u003e.  ============================================================================ \u003cbr\u003e.  Anthology Of Variation (original broadcast: Jun 3, 1964) \u003cbr\u003e4-1.  Introduction 1:09\u003cbr\u003e4-2.  Introduction by Glenn Gould 9:41\u003cbr\u003e4-3.  Fantasia In D 7:33\u003cbr\u003e4-4.  Introduction 2:55\u003cbr\u003e.  Goldberg Variations \u003cbr\u003e4-17.  Introduction 3:36\u003cbr\u003e.  Variations For Piano \u003cbr\u003e4-21.  Introduction 6:43\u003cbr\u003e.  Piano Sonata No. 30 in E major \u003cbr\u003e4-25.  Credits 1:09\u003cbr\u003e.  Duo Glenn Gould \u0026amp; Yehudi Menuhin (original broadcast: May 18, 1966) \u003cbr\u003e4-26.  Glenn Gould and Yehudi Menuhin 0:36\u003cbr\u003e.  Sonata For Piano And Violin No. 4 in C minor \u003cbr\u003e4-31.  Glenn Gould and Yehudi Menuhin on Bach and Schoenberg 7:07\u003cbr\u003e4-32.  Phantasy For Violin And Piano 10:00\u003cbr\u003e4-33.  Glenn Gould and Yehudi Menuhin on Beethoven 3:17\u003cbr\u003e.  Sonata For Piano And Violin No. 10 in G major \u003cbr\u003e4-38.  Credits 0:28\u003cbr\u003e.  ============================================================================ \u003cbr\u003e.  DVD 5 (1966) Humprey Burton Interviews on Bach \u0026amp; Beethoven (TT: 96:40) \u003cbr\u003e.  ============================================================================ \u003cbr\u003e.  Conversations With Glenn Gould - Part 1: Bach (original broadcast: Mar 15, 1966) \u003cbr\u003e5-1.  Introduction 1:01\u003cbr\u003e5-2.  Introduction 1:59\u003cbr\u003e5-3.  Goldberg Variations - Variatio 4 0:55\u003cbr\u003e5-4.  Glenn Gould and Humphrey Burton on Bach 37:17\u003cbr\u003e5-5.  Closing comments 2:10\u003cbr\u003e5-6.  32 Variations On An Original Theme in C minor 12:29\u003cbr\u003e5-7.  Credits 1:00\u003cbr\u003e.  Conversations With Glenn Gould - Part 2: Beethoven (original broadcast: Mar 22, 1966) \u003cbr\u003e5-8.  Glenn Gould and Humphrey Burton on Beethoven 35:19\u003cbr\u003e5-9.  Piano Sonata No. 30 in E major - I. Vivace ma non troppo - Adagio espressivo 4:09\u003cbr\u003e5-10.  Credits 0:30\u003cbr\u003e.  ============================================================================ \u003cbr\u003e.  DVD 6 (1966) Humprey Burton Interviews on Schoenberg \u0026amp; Richard Strauss (TT 80:43) \u003cbr\u003e.  ============================================================================ \u003cbr\u003e.  Conversations With Glenn Gould - Part 3: Arnold Schoenberg (original broadcast: Apr 5, 1966) \u003cbr\u003e6-1.  Glenn Gould and Humphrey Burton on Schoenberg 36:37\u003cbr\u003e6-2.  Suite For Piano - Intermezzo 4:39\u003cbr\u003e6-3.  Credits 0:29\u003cbr\u003e.  Conversations With Glenn Gould - Part 4: Richard Strauss (original broadcast: Apr 19, 1966) \u003cbr\u003e6-4.  Glenn Gould and Humphrey Burton on Strauss 28:57\u003cbr\u003e6-5.  Elektra (excerpt) 5:42\u003cbr\u003e6-6.  Glenn Gould and Humphrey Burton on Strauss 2:03\u003cbr\u003e6-7.  Beim Schlafengehen (excerpt) 2:14\u003cbr\u003e.  ============================================================================ \u003cbr\u003e.  DVD 7 (1967) Music For A Sunday Afternoon \/ The Canada Centennial Concert (TT 86:16) \u003cbr\u003e.  ============================================================================ \u003cbr\u003e.  Music For A Sunday Afternoon - Mozart \u0026amp; Beethoven (original broadcast: Mar 19, 1967) \u003cbr\u003e7-1.  Introduction 0:21\u003cbr\u003e.  Piano Sonata No. 13 in B flat major \u003cbr\u003e7-5.  Glenn Gould on Beethoven 5:26\u003cbr\u003e7-6.  Introduction 0:12\u003cbr\u003e.  Piano Sonata No. 17 in D minor \"The Tempest\" \u003cbr\u003e7-10.  Credits 0:57\u003cbr\u003e.  The Canada Centennial Concert (original broadcast: Nov 15, 1967) \u003cbr\u003e7-11.  Introduction 1:04\u003cbr\u003e.  Piano Concerto No. 7 in G minor \u003cbr\u003e7-15.  Introduction 0:34\u003cbr\u003e7-16.  Burleske For Piano And Orchestra in D minor 24:03\u003cbr\u003e7-17.  Credits 1:00\u003cbr\u003e.  ============================================================================ \u003cbr\u003e.  DVD 8 (1970) The Idea Of North \/ The Beethoven Bicentennial Concert (TT 115:33) \u003cbr\u003e.  ============================================================================ \u003cbr\u003e8-1..9.  The Idea Of North (original broadcast: Aug 5, 1970) 56:58\u003cbr\u003e.  The Beethoven Bicentennial Concert (original broadcast: Dec 9, 1970) \u003cbr\u003e8-10.  Bagatelle in E flat major 5:07\u003cbr\u003e8-11.  Introduction 1:26\u003cbr\u003e.  Six Variations For Piano in F major \u003cbr\u003e8-20.  Introduction 0:36\u003cbr\u003e.  Piano Concerto No. 5 in E flat major \"Emperor\" \u003cbr\u003e8-24.  Credits 0:41\u003cbr\u003e.  ============================================================================ \u003cbr\u003e.  DVD 9 (1974 \u0026amp; 1975) Musicamera - Music In Our Time Parts 1\u0026amp;2 (TT 115:52) \u003cbr\u003e.  ============================================================================ \u003cbr\u003e.  Musicamera - Music In Our Time - Part 1 \"The Age Of Ecstacy: 1900-1910\" (original broadcast: Feb 20, 1974) \u003cbr\u003e9-1.  Introduction 0:17\u003cbr\u003e9-2.  Prélude in E major 1:52\u003cbr\u003e9-3.  Introduction 4:38\u003cbr\u003e9-4.  Prélude in C major 0:50\u003cbr\u003e9-5.  Prélude in E flat major 1:22\u003cbr\u003e9-6.  Prélude in F major 1:14\u003cbr\u003e9-7.  Introduction 1:01\u003cbr\u003e9-8.  Désir 2:26\u003cbr\u003e9-9.  Caresse Dansée 2:38\u003cbr\u003e9-10.  Introduction 2:19\u003cbr\u003e9-11.  Feuillet d'Album 1:34\u003cbr\u003e9-12.  Introduction 1:31\u003cbr\u003e9-13.  Première Rhapsodie For Clarinet And Orchestra 9:01\u003cbr\u003e9-14.  Introduction 2:05\u003cbr\u003e.  8 Lieder \u003cbr\u003e9-19.  Introduction 0:28\u003cbr\u003e9-20.  Sonata For Piano 10:40\u003cbr\u003e.  Musicamera - Music In Our Time - Part 2 \"The Flight From Order: 1910-1920\" (original broadcast: Feb 5, 1975) \u003cbr\u003e9-21.  Introduction 0:11\u003cbr\u003e9-22.  Visions Fugitives - No. 2 Andante 2:47\u003cbr\u003e9-23.  Introduction 5:32\u003cbr\u003e.  Ophelia-Lieder \u003cbr\u003e9-27.  Introduction 3:11\u003cbr\u003e.  Pierrot Lunaire For Reciter And Chamber Ensemble \u003cbr\u003e9-35.  Introduction 2:08\u003cbr\u003e.  L'Histoire Du Soldat \u003cbr\u003e9-40.  Introduction 2:07\u003cbr\u003e9-41.  La Valse (Poème Chorégraphique) 11:35\u003cbr\u003e9-42.  Credits 1:02\u003cbr\u003e.  ============================================================================ \u003cbr\u003e.  DVD 10 (1975 \u0026amp; 1977) Musicamera - Music In Our Time Part 3\u0026amp;4 (TT 117:03) \u003cbr\u003e.  ============================================================================ \u003cbr\u003e.  Musicamera - Music In Our Time - Part 3 \"New Faces, Old Forms: 1920-1930\" (original broadcast: Nov 26, 1975) \u003cbr\u003e10-1.  Introductory Scene 1:14\u003cbr\u003e.  Façade For Reciter And 6 Instruments \u003cbr\u003e10-5.  Introduction 3:46\u003cbr\u003e.  Das Marienleben \u003cbr\u003e10-9.  Introduction 1:06\u003cbr\u003e.  String Quartet No. 4 \u003cbr\u003e10-12.  Introduction 5:07\u003cbr\u003e10-13.  Suite For Piano - IV. Intermezzo 3:43\u003cbr\u003e10-14.  Introduction 1:15\u003cbr\u003e10-15.  As It Fell Upon A Day 4:54\u003cbr\u003e10-16.  Introduction 1:47\u003cbr\u003e.  Aubade (Concerto Chorégraphique) \u003cbr\u003e10-22.  Credits 1:45\u003cbr\u003e.  Musicamera - Music In Our Time - Part 4 \"The Artist As Artisan: 1930-1940\" (original broadcast: Dec 14, 1977) \u003cbr\u003e10-23.  2 Ricercari Sul Nome BACH - No.1 \"Funebre\" 5:38\u003cbr\u003e10-24.  Introduction 5:32\u003cbr\u003e.  Sonata For Trumpet And Piano \u003cbr\u003e10-27.  Introduction 1:31\u003cbr\u003e10-28.  Gesänge Des Späten Jahres - No. 1 \"Wanderlied Im Herbst\" 7:12\u003cbr\u003e10-29.  Introduction 5:48\u003cbr\u003e.  Concerto For 9 Instruments \u003cbr\u003e10-33.  Introduction 1:20\u003cbr\u003e10-34.  Sonata No. 7 in B flat major - I. Allegro inquieto - Andantino 9:01\u003cbr\u003e10-35.  Credits 1:14\u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003ePhotos (C) CBC \u0026amp; Sony Music Archives\n\nThanks to:\nDenise Donlon, Brendan Moore and CBC\nBogdan Roscic, Mark Cavell and Sony Classical\nStephen Posen, Ray Roberts, Faye Perkins and the Glenn Gould Estate\nTim Page, Neil Crory, Kevin Bazzana, Michael Stegemann, Roy Harris,\nBob Trenholm and Gould scholars around the world Glenn Gould and his vision \n\nConversations with Glenn Gould (C) BBC 1966\nAll other programming (C) CBC 1954–1977\n(P) \u0026amp; (C) 2011 Sony Music Entertainment\nAll trademarks and logos are protected. Made in the EU\nSony Classical and [Sony Classical Logo are trademarks of Sony Music Entertainment\nwww.sonyclassical.com\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComments: \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003e\u003cstrong\u003eGoldmine Grading Guide \u003c\/strong\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor\/Fair (damaged).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMint (M)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAbsolutely perfect in every way. Certainly never been played, possibly even still sealed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNear Mint (NM or M-)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good Plus (VG+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good (VG)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGood (G), Good Plus( G+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePoor (P), Fair (F)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/2100167723\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"The Listening Room","offers":[{"title":"Default Title","offer_id":42147709550798,"sku":"","price":1467.95,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/7011\/3486\/products\/11546719-0876328162fa182ac8c9062fa182ac8c91166055735462fa182ac8c93.jpg?v=1694602387"},{"product_id":"ralph-vaughan-williams-a-sea-symphony-the-wasps","title":"Ralph Vaughan Williams - A Sea Symphony\/The Wasps","description":"\u003ch3\u003eRalph Vaughan Williams - A Sea Symphony\/The Wasps\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Very Good Plus (VG+)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Very Good Plus (VG+)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFormat:      \u003c\/strong\u003e2xLP, Album\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eUK \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e1968\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eClassical\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003eNeo-Classical\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e.  A Sea Symphony \u003cbr\u003e.  The Wasps: Aristophanic Suite \u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003eTwo LP boxed set with 3 folded page notes - front page (as attached photo) shows Sir Adrian Boult and Dr. R. Vaughan Williams taken in August 1947.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComments: \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003e\u003cstrong\u003eGoldmine Grading Guide \u003c\/strong\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor\/Fair (damaged).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMint (M)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAbsolutely perfect in every way. Certainly never been played, possibly even still sealed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNear Mint (NM or M-)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good Plus (VG+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good (VG)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGood (G), Good Plus( G+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePoor (P), Fair (F)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/2237930716\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"The Listening Room","offers":[{"title":"Default Title","offer_id":42147711746254,"sku":"","price":129.53,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/7011\/3486\/products\/10170630-0557241164886eef15b6364886eef15b64168666289564886eef15b66.jpg?v=1694602456"},{"product_id":"rick-wakeman-christmas-portraits","title":"Rick Wakeman - Christmas Portraits","description":"\u003ch3\u003eRick Wakeman - Christmas Portraits\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Mint (M)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Mint (M)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFormat:      \u003c\/strong\u003e2xLP\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eGermany \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e2019\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eClassical\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003eClassical\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA1.  The First Noel \u003cbr\u003eA2.  In The Bleak Midwinter \u003cbr\u003eA3.  Deck The Halls With Boughs Of Holly \/ Away In A Manger \u003cbr\u003eA4.  The Holly \u0026amp; The Ivy \/ Mary's Boy Child \u003cbr\u003eB5.  Silent Night \u003cbr\u003eB6.  God Rest Ye Merry Gentlemen \/ Angels From The Realms Of Glory \u003cbr\u003eB7.  O Come, All Ye Faithful \/ Hark! The Herald Angels Sing \/ See, Amid The Winter's Snow \u003cbr\u003eC8.  O Little Town Of Bethlehem \u003cbr\u003eC9.  I Saw Three Ships \/ When A Child Is Born \u003cbr\u003eC10.  O Holy Night \u003cbr\u003eC11.  Coventry Carol \/ O Come, O Come, Emmanuel \u003cbr\u003eD12.  A Winter's Tale \u003cbr\u003eD13.  We Three Kings \u003cbr\u003eD14.  Sussex Carol \/ It Came Upon The Midnight Clear \u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003eTrack numbers listed as per back cover.\n\nNote: track D14 title is entered as per the back cover, however sometime it is rendered as \"It Came Upon A Midnight Clear\"\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComments: \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003e\u003cstrong\u003eGoldmine Grading Guide \u003c\/strong\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor\/Fair (damaged).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMint (M)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAbsolutely perfect in every way. Certainly never been played, possibly even still sealed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNear Mint (NM or M-)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good Plus (VG+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good (VG)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGood (G), Good Plus( G+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePoor (P), Fair (F)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/2113161755\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"The Listening Room","offers":[{"title":"Default Title","offer_id":42147735208142,"sku":"","price":276.32,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/7011\/3486\/products\/14538444-0159180561dc39256024f61dc392560250164182250161dc392560253.jpg?v=1694603379"},{"product_id":"il-divo-live-in-barcelona","title":"Il Divo - Live In Barcelona","description":"\u003ch3\u003eIl Divo - Live In Barcelona\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Mint (M)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Mint (M)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFormat:      \u003c\/strong\u003eBlu-ray\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eEurope \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e2009\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eClassical\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003eModern, Contemporary\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e1.  Somewhere \u003cbr\u003e2.  Unbreak My Heart (Regresa A Mi) \u003cbr\u003e3.  La Promessa \u003cbr\u003e4.  Angelina \u003cbr\u003e5.  Isabel \u003cbr\u003e6.  Bridge Over Troubled Water \u003cbr\u003e7.  She \u003cbr\u003e8.  Passerà \u003cbr\u003e9.  Unchained Melody (Senza Catene) \u003cbr\u003e10.  Mama \u003cbr\u003e11.  Nights In White Satin (Notte Di Luce) \u003cbr\u003e12.  The Winner Takes It All (Va Todo Al Ganador) \u003cbr\u003e13.  Without You (Desde El Dia Que Te Fuiste) \u003cbr\u003e14.  Pour Que Tu M'Aimes Encore \u003cbr\u003e15.  Everytime I Look At You \u003cbr\u003e16.  Hallelujah (Aleluya) \u003cbr\u003e17.  Adagio \u003cbr\u003e18.  La Vida Sin Amor \u003cbr\u003e19.  Caruso \u003cbr\u003e20.  The Power Of Love (La Fuerza Mayor) \u003cbr\u003e21.  My Way (A Mi Manera) \u003cbr\u003e22.  Amazing Grace \u003cbr\u003e23.  The Impossible Dream \u003cbr\u003e24.  Behind The Scenes Of An Evening With Il Divo \u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003eDuration: 122 mins approx\nDisc: BD25 Single Layer - Region 0\nVideo: Full HD 1080p - 16:9\nAudio: DTS-HD MA 5.1 + PCM stereo 2.0\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComments: \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003e\u003cstrong\u003eGoldmine Grading Guide \u003c\/strong\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor\/Fair (damaged).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMint (M)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAbsolutely perfect in every way. Certainly never been played, possibly even still sealed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNear Mint (NM or M-)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good Plus (VG+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good (VG)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGood (G), Good Plus( G+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePoor (P), Fair (F)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/2100962042\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"The Listening Room","offers":[{"title":"Default Title","offer_id":42147736813774,"sku":"","price":69.08,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/7011\/3486\/products\/11796636-015325262fb3c0d5809962fb3c0d5809a166063207762fb3c0d5809d.jpg?v=1694603481"},{"product_id":"ennio-morricone-the-legend-of-1900","title":"Ennio Morricone - The Legend Of 1900","description":"\u003ch3\u003eEnnio Morricone - The Legend Of 1900\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Mint (M)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Mint (M)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFormat:      \u003c\/strong\u003eLP, Ltd, Num, RE, Smo\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eEurope \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e2021\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eClassical, Stage \u0026amp; Screen\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003eSoundtrack, Score, Classical\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA1.  1900's Theme \u003cbr\u003eA2.  The Legend Of The Pianist \u003cbr\u003eA3.  The Crisis \u003cbr\u003eA4.  The Crave \u003cbr\u003eA5.  A Goodbye To Friends \u003cbr\u003eA6.  Study For Three Hands \u003cbr\u003eA7.  Playing Love \u003cbr\u003eA8.  A Mozart Reincarnated \u003cbr\u003eA9.  Child \u003cbr\u003eA10.  1900's Madness #1 \u003cbr\u003eB1.  Danny's Blues \u003cbr\u003eB2.  Second Crisis \u003cbr\u003eB3.  Peacherine Rag \u003cbr\u003eB4.  Nocturne With No Moon \u003cbr\u003eB5.  Before The End \u003cbr\u003eB6.  Playing Love \u003cbr\u003eB7.  I Can And Then \u003cbr\u003eB8.  1900's Madness N.2 \u003cbr\u003eB9.  Silent Goodbye \u003cbr\u003eB10.  Ships And Snow \u003cbr\u003eB11.  Lost Boys Calling \u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Legend of 1900 is available as a limited edition of 5000 numbered copies on smoke coloured vinyl. The package includes an insert.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComments: \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003e\u003cstrong\u003eGoldmine Grading Guide \u003c\/strong\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor\/Fair (damaged).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMint (M)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAbsolutely perfect in every way. Certainly never been played, possibly even still sealed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNear Mint (NM or M-)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good Plus (VG+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good (VG)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGood (G), Good Plus( G+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePoor (P), Fair (F)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/2263847653\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"The Listening Room","offers":[{"title":"Default Title","offer_id":42147737567438,"sku":"","price":518.1,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/7011\/3486\/products\/17850514-020263461c642a975b2961c642a975b2b164038314561c642a975b2d.jpg?v=1694603521"},{"product_id":"james-galway-james-galway-plays-flute-concertos","title":"James Galway - James Galway Plays Flute Concertos","description":"\u003ch3\u003eJames Galway - James Galway Plays Flute Concertos\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Mint (M)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Mint (M)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFormat:      \u003c\/strong\u003e12xCD, RM + Box, Comp\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003e \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e2011\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eClassical\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003eRomantic, Classical, Baroque, Modern, Contemporary\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e.  Concerto For Flute, Strings \u0026amp; Continuo In C Major \u003cbr\u003e.  Concerto For Flute, Violin, Harpsichord, Strings \u0026amp; Continuo In A Minor BWV 1044 \u003cbr\u003e.  Concerto For Flute, Strings \u0026amp; Continuo In A Minor \u003cbr\u003e.  Concerto For Flute, Strings \u0026amp; Continuo In E Minor BWV 1059R \u003cbr\u003e.  Orchestral Suite No. 2 In B Minor BWV 1067 \u003cbr\u003e.  Concerto For Flute \u0026amp; Strings In G Major \u003cbr\u003e.  Suite For Flute \u0026amp; Strings In A Minor TWV55 \u003cbr\u003e.  Concerto For Flute \u0026amp; Orchestra In G Major \u003cbr\u003e.  Concerto For Flute \u0026amp; Orchestra No. 1 In G Major \u003cbr\u003e.  Concerto For Flute \u0026amp; Strings In D Major \u003cbr\u003e.  Concerto For Flute \u0026amp; Orchestra In G Major \u003cbr\u003e3-10.  Concerto Lugubre For Flute \u0026amp; Strings 17:47\u003cbr\u003e.  Concerto For Flute \u0026amp; Strings In G Major \u003cbr\u003e.  6 Concertos For Flute \u0026amp; Strings Op. 10 \u003cbr\u003e.  Concerto No. 3 In D Major RV 428 \"Il Gardellino\" \u003cbr\u003e.  Concerto No. 2 In G Minor RV 439 \"La Notte\" \u003cbr\u003e.  Concerto No. 1 In F Major RV 433 \"La Tempresta Di Mare\" \u003cbr\u003e.  Concerto No. 4 In G Major RV 435 \u003cbr\u003e.  Concerto No. 5 In F Major RV 434 \u003cbr\u003e.  Concerto No. 6 In G Major RV 437 \u003cbr\u003e.  - \u003cbr\u003e.  Concerto For Flute \u0026amp; Orchestra In G Major \u003cbr\u003e.  Concerto For Flute \u0026amp; Orchestra In C Major \u003cbr\u003e.  Concerto For Flute \u0026amp; Orchestra In G Minor \u003cbr\u003e.  Concerto For Flute \u0026amp; Orchestra In D Major \u003cbr\u003e.  Concerto For Flute \u0026amp; Strings In G Major H 445 \/ Wq 169 \u003cbr\u003e.  Concerto For Flute \u0026amp; Strings In A Major H 438 \/ Wq 168 \u003cbr\u003e.  Concerto For Flute \u0026amp; Strings In G Major H 445 \/ Wq 169 \u003cbr\u003e.  Concerto For Flute \u0026amp; Orchestra No. 1 In G Major K. 313 (285c) \u003cbr\u003e.  Concerto For Flute \u0026amp; Orchestra No. 2 In D Major K. 314 (285d) \u003cbr\u003e.  Concerto For Flute, Harp \u0026amp; Orchestra In C Major K. 299 (297c) \u003cbr\u003e.  Concerto For Flute \u0026amp; Orchestra No. 8 In G Major \u003cbr\u003e.  Concerto For Flute \u0026amp; Orchestra No. 7 In E Minor \u003cbr\u003e.  Concerto For 2 Flutes \u0026amp; Chamber Orchestra In G Major \u003cbr\u003e.  Concerto For Flute \u0026amp; Orchestra No. 2 In D Minor Op. 31 \u003cbr\u003e.  Concerto For Flute, Clarinet \u0026amp; Orchestra In B-Flat Major Op. 41 \u003cbr\u003e.  Concerto For Flute \u0026amp; Orchestra In D Major \u003cbr\u003e.  Concerto For Flute \u0026amp; Orchestra In D Major \u003cbr\u003e.  Concerto For Flute \u0026amp; Orchestra In D Major \u003cbr\u003e.  Concerto For Flute \u0026amp; Orchestra In D Major Op. 283 \u003cbr\u003e.  Concierto Pastoral For Flute \u0026amp; Orchestra \u003cbr\u003e.  Concerto For Flute \u0026amp; Chamber Orchestra No. 2 Op. 111 \u003cbr\u003e.  Concerto For Flute \u0026amp; Strings No. 1 Op. 45 \u003cbr\u003e.  Concerto For Flute \u0026amp; Orchestra \u003cbr\u003e.  Concerto For Flute \u0026amp; Orchestra FS119 \u003cbr\u003e.  Concerto For Flute \u0026amp; Orchestra (Mandala Ki Râga Sangeet = A Circle Of Râga Music) \u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003eCD1:\nTracks 1 to 6: Recorded at Evangelische Stadtkirche, Schwaigern, Germany, October 25, 27-29, 1991; (P) 1992 Sony Music Entertainment.\nTracks 7 to 12: Recorded at Kingsway Hall, London, Great Britain, November 1976; (P) 1978 Siny Music Entertainment.\n\nCD2:\nTracks 1 to 7: Recorded at Evangelische Stadtkirche, Schwaigern, Germany, October 25, 27-29, 1991; (P) 1992 Sony Music Entertainment.\nTracks 8 to 17: Recorded at Blauwkapel, Utrecht, Netherlands, April 1978; (P) 1979 Sony Music Entertainment.\nTracks 18 to 20: Recorded at Saint Patrick's College, Maynooth, Ireland, September 29-October 1, 1979; (P) 1980 Sony Music Entertainment.\n\nCD3: Recorded at Chiesa di San Francesco, Schio, Italy, November 26-28, 1991; (P) 1993 Sony Music Entertainment.\n\nCD4: Recorded at Aula Maxima, Saint Patrick's College, Maynooth, Ireland, November 5-6, 1983; (P) 1985 Sony Music Entertainment.\n\nCD5: Recorded at Evangelische Stadtkirche, Schwaigern, Germany, June 19-23, 1989; (P) 1991 Sony Music Entertainment.\n\nCD6: Recorded at Evangelische Stadtkirche, Schwaigern, Germany, November 23-25, 1989; (P) 1990 Sony Music Entertainment.\n\nCD7: Recorded at The Colosseum, Watford, Great Britain, September 29-October 1, 1995; (P) 1997 Sony Music Entertainment.\n\nCD8: Recorded at Whitfield Studios, London, Great Britain, February 15-17, 1999; (P) 2001 Sony Music Entertainment.\n\nCD9: Recorded at Evangelische Stadtkirche, Schwaigern, Germany, September 9-11, 1993; (P) 1994 Sony Music Entertainment.\n\nCD10: Recorded at Duomo Vecchio, Monselice, Italy, June 4-6, 1987; (P) 1988 Sony Music Entertainment.\n\nCD11:\nTracks 1 to 3: Recorded at St. John's, Smith Square, London, Great Britain, January 9, 1981; (P) 1981 Sony Music Entertainment.\nTracks 4 to 6: Recorded at Kingsway Hall, London, Great Britain, October 18, 22 \u0026amp; 23, 1978; (P) 1979 Sony Music Entertainment.\nTracks 7 to 12: Recorded at EMI Studio, Abbey Road, London, Great Britain, September 16, 1996; (P) 1996 Sony Music Entertainment.\nPublishers: Schott \u0026amp; Co. Ltd. (MCPS) (tracks 4 to 6); Schirmer Inc. O\/B\/O Novello \u0026amp; Company Ltd. (tracks 7 to 9); Boosey \u0026amp; Hawkes Inc. O\/B\/O Faber Music Ltd. (tracks 10 to 12).\n\nCD12:\nTracks 1 to 3: Recorded in 1977; (P) 1980 Sony Music Entertainment.\nTracks 4 \u0026amp; 5: Recorded at The Danish Radio Concert Hall, Copenhagen, Denmark, March 17, 1985; (P) 1987 Sony Music Entertainment.\nTracks 6 to 10: Recorded in 1981; (P) 1982 Sony Music Entertainment.\nPublishers: Leduc, Paris (ASCAP) \/ Theodore Presser (ASCAP) (tracks 1 to 3); Lopes Edition Ltd. (MCPS) (tracks 6 to 10).\n\nThis compilation (P) \u0026amp; (C) 2011 Sony Music Entertainment\nMade in the E.U.\n\n24bit, High Resolution Audio\nTotal time - 12:29:16\n\nComes in thick cardboard box with each disc in an individual, same artwork, cardboard wallet. No booklet included. \u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComments: \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003e\u003cstrong\u003eGoldmine Grading Guide \u003c\/strong\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor\/Fair (damaged).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMint (M)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAbsolutely perfect in every way. Certainly never been played, possibly even still sealed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNear Mint (NM or M-)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good Plus (VG+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good (VG)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGood (G), Good Plus( G+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePoor (P), Fair (F)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/2098289339\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"The Listening Room","offers":[{"title":"Default Title","offer_id":42147746808014,"sku":"","price":259.05,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/7011\/3486\/products\/9724754-0272434062f7a95d3b59c62f7a95d3b59d166039791762f7a95d3b5a0.jpg?v=1694604043"},{"product_id":"johann-sebastian-bach-leonhard-lechner-giovanni-pierluigi-da-palestrina-cipriano-de-rore-jan-dismas-zelenka-alessandro-scarlatti-passionen-messen-passions-missae","title":"Johann Sebastian Bach ❘ Leonhard Lechner ❘ Giovanni Pierluigi Da Palestrina ❘ Cipriano De Rore ❘ Jan Dismas Zelenka ❘ Alessandro Scarlatti - Passionen \u0026 Messen \/ Passions \u0026 Missae","description":"\u003ch3\u003eJohann Sebastian Bach ❘ Leonhard Lechner ❘ Giovanni Pierluigi Da Palestrina ❘ Cipriano De Rore ❘ Jan Dismas Zelenka ❘ Alessandro Scarlatti - Passionen \u0026amp; Messen \/ Passions \u0026amp; Missae\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Mint (M)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Mint (M)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFormat:      \u003c\/strong\u003e10xCD + Box, Comp\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eEurope \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e2012\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eClassical\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003eBaroque, Renaissance\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e.  Johann Sebastian Bach - Johannes-Passion BWV 245 \u003cbr\u003e.  Erster Teil - First Part \u003cbr\u003e1-1.  Nr. 1: Chor: Herr, Unser Herrscher 10:41\u003cbr\u003e1-2.  Nr. 2a Rezitativ: Jesus Ging Mit Seinen Jüngern (Evangelist, Jesus) 1:09\u003cbr\u003e1-3.  Nr. 2b Chor: Jesum Von Nazareth 0:12\u003cbr\u003e1-4.  Nr. 2c Rezitativ: Jesus Spricht Zu Ihnen (Evangelist) - Nr. 2d Chor: Jesum Von Nazareth 0:48\u003cbr\u003e1-5.  Nr. 2e Rezitativ: Jesus Antwortete (Evangelist, Jesus) 0:23\u003cbr\u003e1-6.  Nr. 3 Choral: O Große Lieb (Chor) 1:00\u003cbr\u003e1-7.  Nr. 4 Rezitativ: Auf Dass Das Wort Erfüllet Würde (Evangelist, Jesus) 1:12\u003cbr\u003e1-8.  Nr. 5 Choral: Dein Will Geschehe (Chor) 1:04\u003cbr\u003e1-9.  Nr. 6 Rezitativ: Die Schar Aber Und Der Oberhauptmann (Evangelist) 0:43\u003cbr\u003e1-10.  Nr. 7 Arie: Von Den Stricken Meiner Sünden (Alt) 5:34\u003cbr\u003e1-11.  Nr. 8 Rezitativ: Simon Petrus Aber Folgete (Evangelist) 0:15\u003cbr\u003e1-12.  Nr. 9 Arie: Ich Folge Dir Gleichfalls (Sopran) 3:57\u003cbr\u003e1-13.  Nr. 10 Rezitativ: Derselbige Jünger (Evangelist, Magd, Petrus, Jesus, Diener) 3:08\u003cbr\u003e1-14.  Nr. 11 Choral: Wer Hat Dich So Geschlagen (Chor) 2:19\u003cbr\u003e1-15.  Nr. 12a Rezitativ: Und Hannas Sandte Ihn Gebunden (Evangelist) 0:18\u003cbr\u003e1-16.  Nr. 12b Chor: Bist Du Nicht Seiner Jünger Einer? 0:28\u003cbr\u003e1-17.  Nr. 12c Rezitativ: Er Leugnete Aber (Evangelist, Petrus, Diener) 1:35\u003cbr\u003e1-18.  Nr. 13 Arie: Ach, Mein Sinn (Tenor) 2:47\u003cbr\u003e1-19.  Nr. 14 Choral: Petrus, Der Nicht Denkt Zurück (Chor) 1:25\u003cbr\u003e.  Zweiter Teil - Second Part \u003cbr\u003e1-20.  Nr. 15: Choral: Christus, Der Uns Selig Macht (Chor) 1:24\u003cbr\u003e1-21.  Nr. 16a Rezitativ: Da Führeten Sie Jesum (Evangelist, Pilatus) 0:36\u003cbr\u003e1-22.  Nr. 16b Chor: Wäre Dieser Nicht Ein Übeltäter 1:06\u003cbr\u003e1-23.  Nr. 16c Rezitativ: Da Sprach Pilatus Zu Ihnen (Evangelist, Pilatus) 0:11\u003cbr\u003e1-24.  Nr. 16d Chor: Wir Dürfen Niemand Töten 0:40\u003cbr\u003e1-25.  Nr. 16e Rezitativ: Auf Dass Erfüllet Würde (Evangelist, Pilatus, Jesus) 1:47\u003cbr\u003e1-26.  Nr. 17 Choral: Ach, Großer König (Chor) 1:40\u003cbr\u003e1-27.  Nr. 18a Rezitativ: Da Sprach Pilatus Zu Ihm (Evangelist, Pilatus, Jesus) 1:26\u003cbr\u003e1-28.  Nr. 18b Chor: Nicht Diesen, Sondern Barrabam! 0:11\u003cbr\u003e1-29.  Nr. 18c Rezitativ: Barrabas Aber War Ein Mörder! (Evangelist) 0:28\u003cbr\u003e1-30.  Nr. 19 Arioso: Betrachte, Meine Seel (Bass) 2:24\u003cbr\u003e1-31.  Nr. 20 Arie: Erwäge, Wie Sein Blutgefärbter Rücken (Tenor) 8:30\u003cbr\u003e2-1.  Nr. 21a Rezitativ: Und Die Kriegsknechte Flochten (Evangelist) 0:18\u003cbr\u003e2-2.  Nr. 21b Chor: Sei Gegrüßet, Lieber Jüdenkönig! 0:35\u003cbr\u003e2-3.  Nr. 21c Rezitativ: Und Gaben Ihm Backenstreiche (Evangelist, Pilatus) 1:04\u003cbr\u003e2-4.  Nr. 21d Chor: Kreuzige, Kreuzige! 0:53\u003cbr\u003e2-5.  Nr. 21e Rezitativ: Pilatus Sprach Zu Ihnen (Evangelist, Pilatus) 0:20\u003cbr\u003e2-6.  Nr. 21f Chor: Wir Haben Ein Gesetz 1:16\u003cbr\u003e2-7.  Nr. 21g Rezitativ: Da Pilatus Das Wort Hörete (Evangelist, Pilatus, Jesus) 1:43\u003cbr\u003e2-8.  Nr. 22 Choral: Durch Dein Gefängnis (Chor) 1:02\u003cbr\u003e2-9.  Nr. 23a Rezitativ: Die Jüden Aber Schrieen (Evangelist) 0:04\u003cbr\u003e2-10.  Nr. 23b Chor: Lässest Du Diesen Los 1:17\u003cbr\u003e2-11.  Nr. 23c Rezitativ: Da Pilatus Das Wort Hörete (Evangelist, Pilatus) 0:41\u003cbr\u003e2-12.  Nr. 23d Chor: Weg, Weg Mit Dem! 1:00\u003cbr\u003e2-13.  Nr. 23e Rezitativ: Spricht Pilatus Zu Ihnen (Evangelist, Pilatus) 0:11\u003cbr\u003e2-14.  Nr. 23f Chor: Wir Haben Keinen König 0:10\u003cbr\u003e2-15.  Nr. 23g Rezitativ: Da Überantwortete Er Ihn (Evangelist) 0:58\u003cbr\u003e2-16.  Nr. 24 Arie: Eilt, Ihr Angefochtenen Seelen (Bass, Chor) 4:26\u003cbr\u003e2-17.  Nr. 25a Rezitativ: Pilatus Antwortet (Evangelist, Pilatus) 1:10\u003cbr\u003e2-18.  Nr. 25b Chor: Schreibe Nicht: Der Jüden König 0:34\u003cbr\u003e2-19.  Nr. 25c Rezitativ: Pilatus Antwortet (Evangelist, Pilatus) 0:17\u003cbr\u003e2-20.  Nr. 26 Choral: In Meines Herzens Grunde (Chor) 1:10\u003cbr\u003e2-21.  Nr. 27a Rezitativ: Die Kriegsknechte Aber (Evangelist) 0:32\u003cbr\u003e2-22.  Nr. 27b Chor: Lasset Uns Den Nicht Zerteilen 1:34\u003cbr\u003e2-23.  Nr. 27c Rezitativ: Auf Dass Erfüllet Würde Die Schrift (Evangelist, Jesus) 1:47\u003cbr\u003e2-24.  Nr. 28 Choral: Er Nahm Alles Wohl In Acht (Chor) 1:14\u003cbr\u003e2-25.  Nr. 29 Rezitativ: Und Von Stund An (Evangelist, Jesus) 1:19\u003cbr\u003e2-26.  Nr. 30 Arie: Es Ist Vollbracht - Der Held Aus Juda (Alt) 6:11\u003cbr\u003e2-27.  Nr. 31 Rezitativ: Und Neiget Das Haupt Und Verschied (Evangelist) 0:20\u003cbr\u003e2-28.  Nr. 32 Arie: Mein Teurer Heiland (Bass, Chor) 5:11\u003cbr\u003e2-29.  Nr. 33 Rezitativ: Und Siehe Da, Der Vorhang Im Tempel (Evangelist) 0:28\u003cbr\u003e2-30.  Nr. 34 Arioso: Mein Herz, In Dem Die Ganze Welt (Tenor) 0:59\u003cbr\u003e2-31.  Nr. 35 Arie: Zerfließe, Mein Herze (Sopran) 7:16\u003cbr\u003e2-32.  Nr. 36 Rezitativ: Die Jüden Aber, Dieweil Es Der Rüsttag War (Evangelist) 2:03\u003cbr\u003e2-33.  Nr. 37 Choral: O Hilf, Christe, Gottes Sohn (Chor) 1:18\u003cbr\u003e2-34.  Nr. 38 Rezitativ: Darnach Bat Pilatum (Evangelist) 1:55\u003cbr\u003e2-35.  Nr. 39 Chor: Ruht Wohl, Ihr Heiligen Gebeine 9:11\u003cbr\u003e2-36.  Nr. 40 Choral: Ach, Herr, Lass Dein Lieb Engelein (Chor) 2:15\u003cbr\u003e.  Johann Sebastian Bach - Matthäus-Passion BWV 244 \u003cbr\u003e.  Erster Teil - Part One \u003cbr\u003e3-1.  Nr. 1 Chor: Kommt Ihr Töchter, Helft Mir Klagen 8:29\u003cbr\u003e3-2.  Nr. 1 Rezitativ: Da Jesus Diese Rede Vollendet Hatte (Evangelist, Jesus) 0:44\u003cbr\u003e3-3.  Nr. 3 Choral: Herzliebster Jesu, Was Hast Du Verbrochen (Chor) 0:52\u003cbr\u003e3-4.  Nr. 4a Rezitativ: Da Versammleten Sich Die Hohenpriester (Evangelist) - Nr. 4b Chor: Ja Nicht Auf Das Fest - Nr. 4c Rezitativ: Da Nun Jesus War Zu Bethanien (Evangelist) - Nr. 4d Chor: Wozu Dienet Dieser Unrat - Nr. 4e Rezitativ: Da Das Jesus Merkete (Evangelist, Jesus) 3:04\u003cbr\u003e3-5.  Nr. 5 Rezitativ: Du Lieber Heiland Du (Alt) 1:00\u003cbr\u003e3-6.  Nr. 6 Arie: Buß Und Reu (Alt) 4:55\u003cbr\u003e3-7.  Nr. 7 Rezitativ: Da Ging Hin Der Zwölfen Einer (Evangelist, Jesus) 0:39\u003cbr\u003e3-8.  Nr. 8 Arie: Blute Nur, Du Liebes Herz (Sopran) 4:49\u003cbr\u003e3-9.  Nr. 9a Rezitativ: Aber Am Ersten Tage Der Süßen Brot (Evangelist) - Nr. 9b Chor: Wo Willst Du, Dass Wir Dir Bereiten - Nr. 9c Rezitativ: Er Sprach: Gehet Hin In Die Stadt (Evangelist, Jesus) - Nr. 9d Rezitativ: Und Sie Wurden Sehr Betrübt (Evangelist) - Nr. 9e Chor: Herr, Bin Ichs 2:23\u003cbr\u003e3-10.  Nr. 10 Choral: Ich Bins, Ich Sollte Büßen 0:56\u003cbr\u003e3-11.  Nr. 11 Rezitativ: Er Antwortete Und Sprach (Evangelist, Jesus) 3:07\u003cbr\u003e3-12.  Nr. 12 Rezitativ: Wiewohl Mein Herz In Tränen Schwimmt (Sopran) 1:11\u003cbr\u003e3-13.  Nr. 13 Arie: Ich Will Dir Mein Herze Schenken (Sopran) 3:46\u003cbr\u003e3-14.  Nr. 14 Rezitativ: Und Da Sie Den Lobgesang Gesprochen Hatten (Evangelist, Jesus) 1:10\u003cbr\u003e3-15.  Nr. 15 Choral: Erkenne Mich, Mein Hüter 1:03\u003cbr\u003e3-16.  Nr. 16 Rezitativ: Petrus Aber Antwortete Und Sprach Zu Ihm (Evangelist, Jesus, Petrus) 1:04\u003cbr\u003e3-17.  Nr. 17 Choral: Ich Will Hier Bei Dir Stehen 1:04\u003cbr\u003e3-18.  Nr. 18 Rezitativ: Da Kam Jesus Mit Ihnen Zu Einem Hofe (Evangelist, Jesus) 1:46\u003cbr\u003e3-19.  Nr. 19 Rezitativ: O Schmerz! Hier Zittert Das Gequälte Herz (Tenor) 2:15\u003cbr\u003e3-20.  Nr. 20 Arie: Ich Will Bei Meinem Jesu Wachen (Tenor) 5:59\u003cbr\u003e3-21.  Nr. 21 Rezitativ: Und Ging Hin Ein Wenig (Evangelist, Jesus) 0:42\u003cbr\u003e3-22.  Nr. 22 Rezitativ: Der Heiland Fällt Vor Seinem Vater Nieder (Bass) 0:58\u003cbr\u003e3-23.  Nr. 23 Arie: Gerne Will Ich Mich Bequemen (Bass) 4:51\u003cbr\u003e3-24.  Nr. 24 Rezitativ: Und Er Kam Zu Seinen Jüngern (Evangelist, Jesus) 1:12\u003cbr\u003e3-25.  Nr. 25 Choral: Was Mein Gott Will, Das Gscheh Allzeit 1:03\u003cbr\u003e3-26.  Nr. 26 Rezitativ: Und Er Kam Und Fand Sie Aber Schlafend (Evangelist, Jesus, Judas) 2:28\u003cbr\u003e3-27.  Nr. 27a Arie: So Ist Mein Jesus Nun Gefangen (Sopran, Alt) - Nr. 27b Chor: Sind Blitze, Sind Donner In Wolken Verschwunden 4:30\u003cbr\u003e3-28.  Nr. 28 Rezitativ: Und Siehe, Einer Aus Denen (Evangelist, Jesus) 2:15\u003cbr\u003e3-29.  Nr. 29 Choral: O Mensch, Bewein Dein Sünde Groß 6:22\u003cbr\u003e.  Zweiter Teil - Part Two \u003cbr\u003e4-1.  Nr. 30 Arie: Ach, Nun Ist Mein Jesus Hin (Alt) 4:17\u003cbr\u003e4-2.  Nr. 31 Rezitativ: Die Aber Jesum Gegriffen Hatten (Evangelist) 1:06\u003cbr\u003e4-3.  Nr. 32 Choral: Mir Hat Die Welt Trüglich Gericht' (Chor) 0:42\u003cbr\u003e4-4.  Nr. 33 Rezitativ: Und Wiewohl Viel Falsche Zeugen Herzutraten (Evangelist, Pontifex, Zeugen I \u0026amp; II) 1:19\u003cbr\u003e4-5.  Nr. 34 Rezitativ: Mein Jesus Schweigt Zu Falschen Lügen Stille (Tenor) 0:53\u003cbr\u003e4-6.  Nr. 35 Arie: Geduld! Wenn Mich Falsche Zungen Stechen (Tenor) 3:21\u003cbr\u003e4-7.  Nr. 36a Rezitativ: Und Der Hohepriester Antwortete Und Sprach Zu Ihm (Evangelist, Pontifex, Jesus) - Nr. 36b Chor: Er Ist Des Todes Schuldig - Nr. 36c Rezitativ: Da Speieten Sie Aus (Evangelist) - Nr. 36d Chor: Weissage Uns, Christe 2:15\u003cbr\u003e4-8.  Nr. 37 Choral: Wer Hat Dich So Geschlagen (Chor) 0:55\u003cbr\u003e4-9.  Nr. 38a Rezitativ: Petrus Aber Saß Draußen Im Palast (Evangelist, Mägde I \u0026amp; II, Petrus) - Nr. 38b Chor: Wahrlich, Du Bist Auch Einer Von Denen - Nr. 38c Rezitativ: Da Hub Er An, Sich Zu Verfluchen (Evangelist, Petrus) 2:26\u003cbr\u003e4-10.  Nr. 39 Arie: Erbarme Dich (Alt) 6:43\u003cbr\u003e4-11.  Nr. 40 Choral: Bin Ich Gleich Von Dir Gewichen (Chor) 1:08\u003cbr\u003e4-12.  Nr. 41a Rezitativ: Des Morgens Aber Hielten Alle Hohepriester (Evangelist, Judas) - Nr. 41b Chor: Was Gehet Uns Das An - Nr. 41c Rezitativ: Und Er Warf Die Silberlinge In Den Tempel (Evangelist, Pontifex I \u0026amp; II) 1:48\u003cbr\u003e4-13.  Nr. 42 Arie: Gebt Mir Meinen Jesum Wieder (Bass) 2:51\u003cbr\u003e4-14.  Nr. 43 Rezitativ: Sie Hielten Aber Einen Rat (Evangelist, Pilatus, Jesus) 2:13\u003cbr\u003e4-15.  Nr. 44 Choral: Befiehl Du Deine Wege 1:05\u003cbr\u003e4-16.  Nr. 45a Rezitativ: Auf Das Fest Aber Hatte Der Landpfleger Gewohnheit (Evangelist, Pilatus, Frau Des Pilatus, Chöre) - Nr. 45b Chor: Lass Ihn Kreuzigen 2:28\u003cbr\u003e4-17.  Nr. 46 Choral: Wie Wunderbarlich Ist Doch Diese Strafe 0:51\u003cbr\u003e4-18.  Nr. 47 Rezitativ: Der Landpfleger Sagte (Evangelist, Jesus) 0:15\u003cbr\u003e4-19.  Nr. 48 Rezitativ: Er Hat Uns Allen Wohlgetan (Sopran) 1:03\u003cbr\u003e4-20.  Nr. 49 Arie: Aus Liebe Will Mein Heiland Sterben (Sopran) 4:35\u003cbr\u003e4-21.  Nr. 50a Rezitativ: Sie Schrieen Aber Noch Mehr (Evangelist) - Nr. 50b Chor: Laß Ihn Kreuzigen - Nr. 50c Rezitativ: Da Aber Pilatus Sahe (Evangelist, Pilatus) - Nr. 50d Chor: Sein Blut Komme Über Uns - Nr. 50e Rezitativ: Da Gab Er Ihnen Barrabam Los (Evangelist) 2:03\u003cbr\u003e4-22.  Nr. 51 Rezitativ: Erbarm Es Gott (Alt) 0:51\u003cbr\u003e4-23.  Nr. 52 Arie: Können Tränen Meiner Wangen (Alt) 6:03\u003cbr\u003e5-1.  Nr. 53a Rezitativ: Da Nahmen Die Kriegsknechte (Evangelist) - Nr. 53b Chor: Gegrüßet Seist Du, Jüdenkönig - Nr. 53c Rezitativ: Und Speieten Ihn An (Evangelist) 1:11\u003cbr\u003e5-2.  Nr. 54 Choral: O Haupt Voll Blut Und Wunden 2:16\u003cbr\u003e5-3.  Nr. 55 Rezitativ: Und Da Sie Ihn Verspottet Hatten (Evangelist) 0:54\u003cbr\u003e5-4.  Nr. 56 Rezitativ: Ja Freilich Will In Uns Das Fleisch Und Blut (Bass) 0:42\u003cbr\u003e5-5.  Nr. 57 Arie: Komm, Süßes Kreuz, So Will Ich Sagen (Bass) 5:45\u003cbr\u003e5-6.  Nr. 58a Rezitativ: Und Da Sie An Die Stätte Kamen (Evangelist) - Nr. 58b Chor: Der Du Den Tempel Gottes Zerbrichst - Nr. 58c Rezitativ: Desgleichen Auch Die Hohenpriester (Evangelist) - Nr. 58d Chor: Andern Hat Er Geholfen - Nr. 58e Rezitativ: Desgleichen Schmäheten Ihn Auch Die Mörder (Evangelist) 3:41\u003cbr\u003e5-7.  Nr. 59 Rezitativ: Ach Golgatha (Alt) 1:36\u003cbr\u003e5-8.  Nr. 60 Arie: Sehet, Jesus Hat Die Hand (Alt) 3:34\u003cbr\u003e5-9.  Nr. 61a Rezitativ: Und Von Der Sechsten Stunde An (Evangelist, Jesus) - Nr. 61b Chor: Der Rufet Dem Elias - Nr. 61c Rezitativ: Und Bald Lief Einer Unter Ihnen (Evangelist) - Nr. 61d Chor: Halt! Lass Sehen - Nr. 61e Rezitativ: Aber Jesus Schrie Abermal (Evangelist) 2:28\u003cbr\u003e5-10.  Nr. 62 Choral: Wenn Ich Einmal Soll Scheiden 1:26\u003cbr\u003e5-11.  Nr. 63a Rezitativ: Und Siehe Da, Der Vorhang Im Tempel Zerriss (Evangelist) - Nr. 63b Chor: Wahrlich, Dieser Ist Gottes Sohn Gewesen - Nr. 63c Rezitativ: Und Es Waren Viel Weiber Da (Evangelist) 2:43\u003cbr\u003e5-12.  Nr. 64 Rezitativ: Am Abend, Da Es Kühle War (Bass) 2:05\u003cbr\u003e5-13.  Nr. 65 Arie: Mache Dich, Mein Herze, Rein (Bass) 6:15\u003cbr\u003e5-14.  Nr. 66a Rezitativ: Und Joseph Nahm Den Leib (Evangelist) - Nr. 66b Chor: Herr, Wir Haben Gedacht - Nr. 66c Rezitativ: Pilatus Sprach Zu Ihnen (Evangelist, Pilatus) 2:50\u003cbr\u003e5-15.  Nr. 67 Rezitativ: Nun Ist Der Herr Zur Ruh Gebracht 2:08\u003cbr\u003e5-16.  Nr. 68 Chor: Wir Setzen Uns Mit Tränen Nieder 6:59\u003cbr\u003e.  Giovanni Pierluigi Da Palestrina \u003cbr\u003e6-1.  Ave Regina Caelorum (A 8 Stimmen\/Voices) 4:03\u003cbr\u003e.  Lamentationes Zum Karsamstag (A 3-8 Stimmen\/Voices) \u003cbr\u003e6-2.  Lectio I 7:38\u003cbr\u003e6-3.  Lectio II 7:44\u003cbr\u003e6-4.  Lectio III 9:11\u003cbr\u003e.  - \u003cbr\u003e6-5.  Gloriosi Principes Terrae (Motette\/Motet A 4 Stimmen\/Voices) 2:58\u003cbr\u003e.  Missa In Duplicibus Minoribus II (A 5 Stimmen\/Voices) \u003cbr\u003e6-6.  Kyrie - Christe - Kyrie 4:07\u003cbr\u003e6-7.  Gloria 8:11\u003cbr\u003e6-8.  Credo 11:30\u003cbr\u003e6-9.  Sanctus 6:20\u003cbr\u003e6-10.  Agnus Dei 3:17\u003cbr\u003e.  Leonhard Lechner - Johannes-Passion • Missa Prima \"Domine Dominus Noster\" • Motets \u003cbr\u003e.  Historia Der Passion Und Des Leidens Unsers Einigen Erlösers Und Seligmachers Jesu Christi, Nürnberg 1594 \u003cbr\u003e7-1.  Part 1 (Das Leiden Unsers Herren Jesu Christi Aus Dem Evangelisten Johanne) 8:13\u003cbr\u003e7-2.  Part 2 (Simon Petrus Aber Stund …) 5:38\u003cbr\u003e7-3.  Part 3 (Da Nahm Pilatus Jesum …) 4:17\u003cbr\u003e7-4.  Part 4 (Pilatus Aber Schrieb Eine Überschrift …) 1:31\u003cbr\u003e7-5.  Part 5 (Jesus Aber Betete Und Sprach …) 4:39\u003cbr\u003e7-6.  Part 6 Conclusio (Der Du Für Uns Gelitten Hast) 0:32\u003cbr\u003e.  Missa Prima \"Domine Dominus Noster\" \u003cbr\u003e7-7.  Kyrie 1:20\u003cbr\u003e7-8.  Gloria 2:49\u003cbr\u003e7-9.  Credo 5:16\u003cbr\u003e7-10.  Sanctus Et Benedictus 3:08\u003cbr\u003e7-11.  Agnus Dei 3:27\u003cbr\u003e.  - \u003cbr\u003e7-12.  Dominus Regit (Aus\/From \"Motectœ Sacræ\" XII) - 6-Part 4:40\u003cbr\u003e7-13.  Laudate Pueri (Aus\/From \"Motectœ Sacræ\" XX) - 6-Part 6:31\u003cbr\u003e.  Cypriano De Rore • Passio Domini Nostri Jesu Christi Secundum Johannem \u003cbr\u003e8-1.  Passio Domini Nostri… 18:07\u003cbr\u003e8-2.  Intermedium I: Ad Te Levavi Oculos 2:37\u003cbr\u003e8-3.  Adducunt Ergo Jesum 23:15\u003cbr\u003e8-4.  Intermedium II: Instrumental 3:08\u003cbr\u003e8-5.  Susceperunt Autem Jesu 12:50\u003cbr\u003e8-6.  Intermedium III: Agnus Dei 2:55\u003cbr\u003e8-7.  Judaei Ergo Quoniam Parasceve Erat 4:28\u003cbr\u003e.  Jan Dismas Zelenka - Lamentationes Jeremiae Prophetae \u003cbr\u003e.  Lamentationes Pro Die Mercurii Sancto \u003cbr\u003e9-1.  Lamentatio I c-Moll\/In C Minor 14:34\u003cbr\u003e9-2.  Lamentatio II F-Dur\/In F Major 9:12\u003cbr\u003e.  Lamentationes Pro Die Jovis Sancto \u003cbr\u003e9-3.  Lamentatio I B-Dur\/In B Flat Major 9:07\u003cbr\u003e9-4.  Lamentatio II g-Moll\/In G Minor 11:20\u003cbr\u003e.  Lamentationes Pro Die Veneris Sancto \u003cbr\u003e9-5.  Lamentatio I A-Dur\/In A Major 13:01\u003cbr\u003e9-6.  Lamentatio II F-Dur\/In F Major 11:35\u003cbr\u003e.  Alessandro Scarlatti - Passio Secundum Ioannem \u003cbr\u003e10-1.  Passio Domini Nostri Iesu Christi 2:40\u003cbr\u003e10-2.  In Illo Tempore Egressus Est 1:09\u003cbr\u003e10-3.  Iesus Itaque Sciens Omnia 5:26\u003cbr\u003e10-4.  Cors Ergo Et Tribunus 1:26\u003cbr\u003e10-5.  Sequebatur Autem Iesum Simon Petrus 2:26\u003cbr\u003e10-6.  Pontifex Ergo Interrogavit Iesum 3:54\u003cbr\u003e10-7.  Erat Autem Simon Petrus 1:44\u003cbr\u003e10-8.  Adducunt Ergo Iesum 3:03\u003cbr\u003e10-9.  Introivit Ergo Iterum In Praetorium Pilatus 5:18\u003cbr\u003e10-10.  Et, Cum Hoc Dixisset, Iterum Exivit Ad Iudaeos 1:24\u003cbr\u003e10-11.  Tunc Ergo Apprehendit Pilatus Iesum 7:10\u003cbr\u003e10-12.  Et Exinde Quaerebat Pilatus 3:05\u003cbr\u003e10-13.  Susceperunt Autem Iesum 5:29\u003cbr\u003e10-14.  Stabant Autem Iuxta Crucem 2:24\u003cbr\u003e10-15.  Postea Sciens Iesus 3:20\u003cbr\u003e10-16.  Iudaei Ergo 4:36\u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003e℗ \u0026amp; © 2012 Sony Music Entertainment. Distributed by Sony Music Entertainment. Made in the EU.\r\n\r\nPackaging: 10 individual card sleeves in box set. Includes a 24 page booklet with tracklisting and credits.\r\n\r\nCover paintings:\r\n- Box set: Albrecht Altdorfer (c. 1480-1538), Kreuzigung, Szene: Christus am Kreuz mit Maria und Johannes, Gemäldegalerie, Kassel.\r\n- Sleeves of discs 1 \u0026amp; 2: Jesus mit Johannes (Zisterzienserkirche Viktrin, Kärnten um 1400), Buch- und Kunstverlag Ettal.\r\n- Sleeves of discs 3 to 5: not available.\r\n- Sleeve of disc 6: Michelangelo Buonarotti (1475-1546), Die Erschaffung Adams (Detail), Rom, Musei Vaticani, Cappella Sixtina.\r\n- Sleeve of disc 7: Jan Sanders van Hemessen (1504-ca. 1567), \"The Scoffing of Christ\", Alte Pinakothek, München.\r\n– Sleeve of disc 8: Raffaelo Santi (1483-1520), \"Grablegung Christi\" (1507). Photo: Archiv für Kunst und Geschichte Berlin.\r\n- Sleeve of disc 9: Jeremia, Mosaic, San Clemente, Roma.\r\n- Sleeve of disc 10: Die Kreuztragung Christi, Hans Holbein d.Ä. Umkreis (15 Jhdt.). By kind permission of Kupferstichkabinett Basel.\r\n_____________________________________________\r\n\r\n• Discs 1 \u0026amp; 2: Recorded February 6-15 \u0026amp; April 3-7, 1987, Haarlem, Vereenigde Doopsgezinde Gemeente. Technical equipment: Sonart\/Milano.\r\nEdition: Urtext-Edition der Gesamtausgabe: J. S. Bach, Neue Ausgabe sämtlicher Werke, herausgegeben vom Johann-Sebastian-Bach-Institut Göttingen und vom Bach-Archiv Leipzig, Serie II: Messen, Passionen und oratorische Werke, Bd. 4: Johannes-Passion, herausgegeben von Arthur Mendel, BA 1537.\r\nA co-production with WDR.\r\nTotal times: 59.30 \u0026amp; 62.49.\r\n℗ 1988 harmonia mundi, Freiburg.\r\n\r\n• Discs 3 to 5: Recorded March 1-8, 1989, Doopsgezinde Kerke, Haarlem.\r\nEdition: J.S. Bach, Neue Ausgabe sämtlicher Werke, herausgegeben vom Johann-Sebastian-Bach-Institut Göttingen \u0026amp; vom Bach-Archiv Leipzig, Serie II, Messen, Passionen und oratorische Werke, Bd. 5: Matthäus-Passion (BA\/DVfM 5038), herausgegeben von Alfred Dürer.\r\nTotal times: 74.40, 51.10 \u0026amp; 46.32.\r\n℗ 1990 BMG Music.\r\n\r\n• Disc 6: Recorded March 22-24, 1993, Kirche in Hattstatt, Elsass (F).\r\nA co-production with WDR.\r\nTotal time: 66.01.\r\n℗ 1993 BMG Music.\r\n\r\n• Disc 7: Recorded Pfarrkirche Violau, July 2-5 \u0026amp; October 31, 1986.\r\nTotal time: 52.26.\r\n℗ 1987 BMG Entertainment.\r\n\r\n• Disc 8: Recorded October 28-30, 1988, The Chapel of the Irish College, Leuven, Belgium.\r\nTotal time: 67.19.\r\n℗ 1987 BMG Music.\r\n\r\n• Disc 9: Recorded November 22-27, 1982, Kirche\/Church Seewen, Kanton Solothurn.\r\nTotal time: 66.19.\r\nA co-production with WDR.\r\n℗ 1983 harmonia mundi, Freiburg.\r\n\r\n• Disc 10: Recorded October 23-26, 1981, Reformierte Kirche Arlesheim, Baselland.\r\nA co-production with WDR.\r\nTotal time: 54.32.\r\n℗ 1982 harmonia mundi, Freiburg.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComments: \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003e\u003cstrong\u003eGoldmine Grading Guide \u003c\/strong\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor\/Fair (damaged).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMint (M)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAbsolutely perfect in every way. Certainly never been played, possibly even still sealed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNear Mint (NM or M-)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good Plus (VG+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good (VG)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGood (G), Good Plus( G+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePoor (P), Fair (F)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/2100957401\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"The Listening Room","offers":[{"title":"Default Title","offer_id":42147747070158,"sku":"","price":250.42,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/7011\/3486\/products\/4351812-0796654762fb3aafa655c62fb3aafa655d166063172762fb3aafa6560.jpg?v=1694604050"},{"product_id":"lasalle-quartet-schoenberg-berg-webern-zemlinsky-complete-string-quartets","title":"LaSalle Quartet - Schoenberg-Berg-Webern-Zemlinsky-Complete String Quartets","description":"\u003ch3\u003eLaSalle Quartet - Schoenberg-Berg-Webern-Zemlinsky-Complete String Quartets\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Mint (M)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Mint (M)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFormat:      \u003c\/strong\u003e6xCD\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eEurope \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e2013-08-25\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eClassical\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003eModern\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eCD1.  Schoenberg-String Quartets 7 \u0026amp; 10 72:41\u003cbr\u003eCD2 .  Schoenberg-String Quartets opp. 30 \u0026amp; 37 62:41\u003cbr\u003eCD3.  Shoenberg-String Quartet in D Minor 57:00\u003cbr\u003eCD4.  Berg-Lyric Suite, Webern-Five Movements op. 5, 6 Bagatelles op. 9 45:48\u003cbr\u003eCD5.  Zemlinsky-String Quartets opp. 4 \u0026amp; 15 65:43\u003cbr\u003eCD6.  Zemlinsky-String Quartets opp. 19 \u0026amp; 25, Apostel-String Quartet op. 7 71:54\u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComments: \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003e\u003cstrong\u003eGoldmine Grading Guide \u003c\/strong\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor\/Fair (damaged).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMint (M)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAbsolutely perfect in every way. Certainly never been played, possibly even still sealed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNear Mint (NM or M-)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good Plus (VG+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good (VG)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGood (G), Good Plus( G+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePoor (P), Fair (F)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/2098303025\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"The Listening Room","offers":[{"title":"Default Title","offer_id":42147747102926,"sku":"","price":284.96,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/7011\/3486\/products\/20585155-0500455862f7a955a39ec62f7a955a39ed166039790962f7a955a39ef.jpg?v=1694604054"},{"product_id":"the-kings-singers-the-complete-rca-recordings","title":"The King's Singers - The Complete RCA Recordings","description":"\u003ch3\u003eThe King's Singers - The Complete RCA Recordings\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Mint (M)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Mint (M)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFormat:      \u003c\/strong\u003e11xCD, RE + Box, Comp\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eUSA, Canada \u0026amp; Europe \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e2018-02-09\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003ePop, Classical\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003eChoral\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eCDs 1-11.  Reissue Of Below 11 Original Albums \u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003eCD 1: 1005937\nCD 2: [r=7360499\nCD 3: [r=4832814\nCD 4: [r=6493113\nCD 5: 792443\nCD 6: 1124376\nCD 7: [r=2203278\nCD 8: [r=12459016\nCD 9: [r=9606626\nCD 10: 674926\nCD 11:  1157441\n\nCD 1:\nAll sounds by The King’s Singers, except [8: Sample of Stephen Connolly played on a Roland D50 Keyboard by Daryl Runswick\nRecordings: London, SARM East \u0026amp; West Studios, June 15–19, 23–30 \u0026amp; September 24–26, 1991 [1–12; Dorset, Forde Abbey, Great Hall, September 20–25, 1992 [13\nProducers: Simon Woods [1–12 \u0026amp; Gregg Jackman [13\nRecording Engineer: Gregg Jackman\nP 1992 Sony Music Entertainment\n\nCD 2:\nRecordings: Dorset, Forde Abbey, Great Hall, September 20–25, 1992\nA production of Westdeutscher Rundfunk Köln WDR\nProduced by Klaus L. Neumann · Recording Engineers: Andreas Beutner, Martin Andrae \u0026amp; Götz Bürki\nP 1993 Sony Music Entertainment\n\nCD 3:\nRecordings: London, SARM East Studios, June 12–15, 24–25 \u0026amp; July 19, 1992\nProduced by Daryl Runswick\nRecording Engineer: David Jacob\nP 1993 Sony Music Entertainment\n\nCD 4:\nRecordings: London, Angel Recording Studios, June 1993\nProduced by Daryl Runswick\nRecording Engineer: David Jacob\nP 1993 Sony Music Entertainment\n\nCD 5:\nRecordings: London, CTS Studio 2, March 21–22 \u0026amp; 24 and July 11, 14, 23 \u0026amp; 26, 1994\nProduced by Donald Fraser\nRecording Engineer: James Collins\nP 1995 Sony Music Entertainment\n\nCD 6:\nRecordings: England, Salisbury Cathedral, February 21–23, 1995\nProduced by Daryl Runswick\nRecording Engineering: Floating Earth\nP 1996 Sony Music Entertainment\n\nCD 7:\nRecordings: Netherlands, Hilversum, MCO\/NOB Audio Studio 3, June 1996\nProduced \u0026amp; Mixed by Hugh den Ouden\nRecording Engineer: Geert de Bruijn\nRecorded \u0026amp; Mixed by Troy Halderson at Clinton\nRecording Studios, New York, November 1996\nP 1996 Sony Music Entertainment\n\nCD 8:\nRecordings: London, Whitfield Street Studios, July 9\/11, October 23 \u0026amp; November 12\/13, 1996\nProduced by Ulrich Schneider\nRecording Engineer: Mike Ross-Trevor\nP 1997 Sony Music Entertainment\n\nCD 9:\nProduced by Bruce Johnston [1\/3\/6\/7\/14\nProduced by Jeremy Wall · Additional Production\n\u0026amp; Mixing: Steve Levine [2\/4\/5\/11\nProduced by Steve Levine for Man Made Soul Ltd. [8–10\/13\nP 1997 Sony Music Entertainment\n\nCD 10:\nRecordings: London, Whitfield Street Studios, October 1–3 \u0026amp; November 25\/26, 1997\nProduced by Ulrich Schneider\nRecording Engineer: Mike Ross-Trevor\nP 1998 Sony Music Entertainment\n\nCD 11:\nRecordings: Bristol, St. George’s Brandon Hill, May 26–29, 1999\nProduced by Stefan Schmidt\nExecutive Producer: Stefan Mikorey\nP 2000 Sony Music Entertainment\n\nConsists of previously released material\n88985470182 · This compilation P \u0026amp; C 2018 Sony Music Entertainment\nDistributed by Sony Music Entertainment\nSony Classical and [Sony Classical Logo are trademarks of Sony Music Entertainment\nRCA is a registered trademark of RCA Trademark Management S.A.\nAll trademarks and logos are protected · Made in the EU\n\n\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComments: \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003e\u003cstrong\u003eGoldmine Grading Guide \u003c\/strong\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor\/Fair (damaged).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMint (M)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAbsolutely perfect in every way. Certainly never been played, possibly even still sealed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNear Mint (NM or M-)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good Plus (VG+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good (VG)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGood (G), Good Plus( G+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePoor (P), Fair (F)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/2277851422\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"The Listening Room","offers":[{"title":"Default Title","offer_id":42147747233998,"sku":"","price":267.69,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/7011\/3486\/products\/13470683-093140664886ec04b4be64886ec04b4bf168666284864886ec04b4c3.jpg?v=1694604062"},{"product_id":"alicia-de-larrocha-enrique-granados-alicia-de-larrocha-plays-granados","title":"Alicia De Larrocha, Enrique Granados - Alicia de Larrocha Plays Granados","description":"\u003ch3\u003eAlicia De Larrocha, Enrique Granados - Alicia de Larrocha Plays Granados\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Mint (M)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Mint (M)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFormat:      \u003c\/strong\u003e3xCD, Comp, RM + Box\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eEurope \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e2017\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eClassical\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e.  Danzas Españolas, Op. 37 \u003cbr\u003e1-13.  Valses Poéticos \u003cbr\u003e2-1.  Allegro De Concierto \u003cbr\u003e2-2.  Danza Lanta \u003cbr\u003e.  Goyescas O Los Majos Enamorados \u003cbr\u003e2-9.  El Pelele \u003cbr\u003e.  Escenas Románticas \u003cbr\u003e.  Bocetos \u003cbr\u003e.  Cuentos de la Juventud, Op. 1 \u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComments: \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003e\u003cstrong\u003eGoldmine Grading Guide \u003c\/strong\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor\/Fair (damaged).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMint (M)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAbsolutely perfect in every way. Certainly never been played, possibly even still sealed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNear Mint (NM or M-)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good Plus (VG+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good (VG)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGood (G), Good Plus( G+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePoor (P), Fair (F)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/2277851605\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"The Listening Room","offers":[{"title":"Default Title","offer_id":42147747299534,"sku":"","price":215.88,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/7011\/3486\/products\/10232668-0326661364886ebde1c3764886ebde1c38168666284564886ebde1c3a.jpg?v=1694604065"},{"product_id":"oliver-schnyder-luzerner-sinfonieorchester-james-gaffigan-the-beethoven-project-complete-piano-concertos-overtures","title":"Oliver Schnyder, Luzerner Sinfonieorchester, James Gaffigan - The Beethoven Project – Complete Piano Concertos ∙ Overtures","description":"\u003ch3\u003eOliver Schnyder, Luzerner Sinfonieorchester, James Gaffigan - The Beethoven Project – Complete Piano Concertos ∙ Overtures\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Mint (M)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Mint (M)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFormat:      \u003c\/strong\u003e3xCD\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eEurope \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e2017\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eClassical\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003eClassical\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e.  Concerto No. 1 In C Major For Piano And Orchestra, Op. 15 \u003cbr\u003e.  Concerto No. 3 In C Minor For Piano And Orchestra, Op. 37 \u003cbr\u003e.  Overture “Coriolan”, Op. 62 In C Minor 8:07\u003cbr\u003e.  Concerto No. 4 In G Major For Piano And Orchestra, Op. 58 \u003cbr\u003e.  Overture “Leonore No. 1”, Op. 138 In C Major 8:07\u003cbr\u003e.  Overture “Fidelio”, Op. 72 In E Major 6:31\u003cbr\u003e.  Overture “Egmont”, Op. 83 In F Minor 8:34\u003cbr\u003e.  Concerto No. 2 In B-flat Major For Piano And Orchestra, Op. 19 \u003cbr\u003e.  Concerto No. 5 In Eflat Major For Piano And Orchestra, Op. 73 ∙ “Emperor” \u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003eComes in a 4-panel digipack with glued 39-page booklet\nLiner notes and talk (excerpts) between Oliver Schnyder and Alain Claude Sulzer in German, English and French\nRecorded: june 13–20 at KKL Luzer, Switzerland\n℗ \u0026amp; © 2017 Sony Music Entertainment Switzerland GmbH\nTotal time: CD1: 73.33 ∙ CD2: 58.29 ∙ CD3: 75.05\nSome may come with a sticker on shrink foil\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComments: \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003e\u003cstrong\u003eGoldmine Grading Guide \u003c\/strong\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor\/Fair (damaged).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMint (M)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAbsolutely perfect in every way. Certainly never been played, possibly even still sealed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNear Mint (NM or M-)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good Plus (VG+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good (VG)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGood (G), Good Plus( G+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePoor (P), Fair (F)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/2098331651\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"The Listening Room","offers":[{"title":"Default Title","offer_id":42147754803406,"sku":"","price":172.7,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/7011\/3486\/products\/11783407-0887149762f7c497c0dab62f7c497c0dae166040488762f7c497c0dc0.jpg?v=1694604411"},{"product_id":"giuseppe-verdi-piero-cappuccilli-ileana-cotrubas-placido-domingo-elena-obraztsova-nicolai-ghiaurov-kurt-moll-hanna-schwarz-wiener-staatsopernchor-wiener-philharmoniker-carlo-maria-giulini-rigoletto","title":"Giuseppe Verdi \/ Piero Cappuccilli, Ileana Cotrubas, Placido Domingo, Elena Obraztsova, Nicolai Ghiaurov, Kurt Moll, Hanna Schwarz, Wiener Staatsopernchor, Wiener Philharmoniker, Carlo Maria Giulini - Rigoletto","description":"\u003ch3\u003eGiuseppe Verdi \/ Piero Cappuccilli, Ileana Cotrubas, Placido Domingo, Elena Obraztsova, Nicolai Ghiaurov, Kurt Moll, Hanna Schwarz, Wiener Staatsopernchor, Wiener Philharmoniker, Carlo Maria Giulini - Rigoletto\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Mint (M)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Mint (M)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFormat:      \u003c\/strong\u003eBlu-ray, Blu-ray-A, RM + 2xCD, Album, RM\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eEurope \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e2018\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eClassical\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003eOpera, Romantic\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e.  Rigoletto (Melodramma In Tre Atti) \u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComments: \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003e\u003cstrong\u003eGoldmine Grading Guide \u003c\/strong\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor\/Fair (damaged).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMint (M)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAbsolutely perfect in every way. Certainly never been played, possibly even still sealed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNear Mint (NM or M-)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good Plus (VG+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good (VG)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGood (G), Good Plus( G+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePoor (P), Fair (F)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/2100373478\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"The Listening Room","offers":[{"title":"Default Title","offer_id":42147755065550,"sku":"","price":302.23,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/7011\/3486\/products\/15149776-093430861b930d7e542c61b930d7e542d163952661561b930d7e5430.jpg?v=1694604423"},{"product_id":"bela-bartok-fritz-reiner-the-chicago-symphony-orchestra-concerto-for-orchestra-music-for-strings-percussion-and-celesta-hungarian-sketches","title":"Béla Bartók - Fritz Reiner, The Chicago Symphony Orchestra - Concerto For Orchestra • Music For Strings, Percussion And Celesta • Hungarian Sketches","description":"\u003ch3\u003eBéla Bartók - Fritz Reiner, The Chicago Symphony Orchestra - Concerto For Orchestra • Music For Strings, Percussion And Celesta • Hungarian Sketches\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Mint (M)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Mint (M)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFormat:      \u003c\/strong\u003eCD, Comp, RE, RM\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eUS \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eClassical\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003eModern\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e.  Concerto For Orchestra 37:15\u003cbr\u003e.  Music For Strings, Percussion And Celesta 27:56\u003cbr\u003e.  Hungarian Sketches 10:50\u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003eRecorded in Orchestra Hall, Chicago: Tracks 1-5: recorded October 22, 1955; Tracks 6-14: recorded December 28 and 29, 1958\n\nPrinted on disc:\nTMK(S) ® G.E. Co., USA \u0026amp; BMG Music\nMade in U.S.A.\n\nPrinted on booklet rear:\nTmk(s) ® Registered. Marca(s) Registrada(s) General Electric Company, USA, except BMG logo ® BMG Music\n© 1993, 1956, BMG Music\nManufactured and distributed by BMG Music, New York, NY\nPrinted in USA\n\nTrack 13 (Slightly Tipsy) is misspelled on the insert track listing as \"Slighty\".\n\nIncludes a 12-page booklet with notes in English and fold-out catalog of releases in the Living Stereo series and offer card.\n\nNOTE: This is an undated later issue, similar to [r1429794, with SID codes indicates a release year of 1994 or later.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComments: \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003e\u003cstrong\u003eGoldmine Grading Guide \u003c\/strong\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor\/Fair (damaged).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMint (M)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAbsolutely perfect in every way. Certainly never been played, possibly even still sealed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNear Mint (NM or M-)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good Plus (VG+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good (VG)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGood (G), Good Plus( G+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePoor (P), Fair (F)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/2277856405\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"The Listening Room","offers":[{"title":"Default Title","offer_id":42147755425998,"sku":"","price":86.35,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/7011\/3486\/products\/16123436-0790884264886eb7789c964886eb7789cb168666283964886eb7789cd.jpg?v=1694604432"},{"product_id":"jules-massenet-rolando-villazon-sophie-koch-audun-iversen-eri-nakamura-orchestra-of-the-royal-opera-house-covent-garden-antonio-pappano-werther","title":"Jules Massenet - Rolando Villazón • Sophie Koch • Audun Iversen • Eri Nakamura • Orchestra Of The Royal Opera House, Covent Garden • Antonio Pappano - Werther","description":"\u003ch3\u003eJules Massenet - Rolando Villazón • Sophie Koch • Audun Iversen • Eri Nakamura • Orchestra Of The Royal Opera House, Covent Garden • Antonio Pappano - Werther\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Mint (M)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Mint (M)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFormat:      \u003c\/strong\u003e2xCD, Album\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eEurope \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e2012\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eClassical\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003eRomantic, Opera\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e.  Werther, Lyric Drama In 4 Acts \u003cbr\u003e.  Premier Acte \u003cbr\u003e1-1.  Prélude...  \u003cbr\u003e1-2.  Assez! Assez! \u003cbr\u003e1-3.  Bravo Pour Les Enfants! \u003cbr\u003e1-4.  Alors, C'Est Bien Ici...Je Ne Sais Si Je Veille \u003cbr\u003e1-5.  Jésus Vient de Naître! \u003cbr\u003e1-6.  Arrivez Donc, Brühlmann!... Ô Spectacle Idéal D'amour Et D'innocence \u003cbr\u003e1-7.  Sophie! - Albert! Toi de Retour! \u003cbr\u003e1-8.  Elle M'Aime!... Quelle Prière de Reconnaissance \u003cbr\u003e1-9.  Interlude Orchestral. Clair de Lune \u003cbr\u003e1-10.  Il Faut Nous Séparer \u003cbr\u003e1-11.  Mais Vous Ne Savez Rien de Moi \u003cbr\u003e1-12.  Rêve! Extase! \u003cbr\u003e1-13.  Charlotte! Charlotte! Albert Est de Retour! \u003cbr\u003e.  Deuxième Acte \u003cbr\u003e1-14.  Vivat Bacchus \u003cbr\u003e1-15.  Trois Mois! Voici Trois Mois... \u003cbr\u003e1-16.  Un Autre Est Son Époux \u003cbr\u003e1-17.  J'aurais Sur Ma Poitrine Pressé la Plus Divine \u003cbr\u003e1-18.  Si, Käthchen Reviendra, Je Vous Dis! \u003cbr\u003e1-19.  Au Bonheur Dont Mon âme Est Pleine... Vous L'avez Dit: Mon âme Est Loyale Et Sincère \u003cbr\u003e1-20.  Frère, Voyez Le Beau Bouquet!... Du Gai Soleil, Plein de Fiamme Jules Massenet \u003cbr\u003e1 21.  Ai-je Dit Vrai?... Ah! Qu'il Est Loin Ce Jour Plein D'intime Douceur \u003cbr\u003e1-22.  N'est-il Donc Pas D'autre Femme Ici-bas \u003cbr\u003e1 -23.  Oui, Ce Qu'elle M'ordonne... Lorsque L'enfant Revient D'un Voyage \u003cbr\u003e1-24.  Mais venez donc! Le cortège s'approche \u003cbr\u003e.  Troisième Acte \u003cbr\u003e2-1.  Prélude \u003cbr\u003e2-2.  Werther! Werther!... Qui M'Aurait Dit \u003cbr\u003e2-3.  Ces Lettres!... Ces Lettres! \u003cbr\u003e2-4.  Bonjour, Grande Soeur!... Mais Souffres-tu? \u003cbr\u003e2-5.  Ah! Le Rire Est Béni \u003cbr\u003e2-6.  Les Larmes Qu'On Ne Pleure Pas \u003cbr\u003e2-7.  Ah! Mon Courage M'Abandonne! \u003cbr\u003e2-8.  Oui, C'Est Moi! \u003cbr\u003e2-9.  Toute Mon Âme Est Là!... Pourqoui Me Réveiller \u003cbr\u003e2-10.  Ah! Ah! Moi, Dans Ces Bras! \u003cbr\u003e2-11.  Soit! Adieu Donc! \u003cbr\u003e2-12.  Werther Est De Retour \u003cbr\u003e.  Quatrième Acte \u003cbr\u003e2-13.  Interlude Orchestral. La Nuit de Noël \u003cbr\u003e2-14.  Symphonie \u003cbr\u003e2-15.  Werther!... Werther!... Rien! \u003cbr\u003e2-16.  Et Moi, Werther, Et Moi, Je T'Aime! \u003cbr\u003e2-17.  Écoute Bien! Là-Bas, Au Fond Du Cimetière \u003cbr\u003e2-18.  Jésus Vient de Naître \u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003e℗ 2012 Deutsche Grammophon GmbH\nMade in the E.U. \nTotal time CD1 74:47 - CD2 57:29\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComments: \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003e\u003cstrong\u003eGoldmine Grading Guide \u003c\/strong\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor\/Fair (damaged).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMint (M)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAbsolutely perfect in every way. Certainly never been played, possibly even still sealed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNear Mint (NM or M-)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good Plus (VG+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good (VG)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGood (G), Good Plus( G+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePoor (P), Fair (F)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/2098309754\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"The Listening Room","offers":[{"title":"Default Title","offer_id":42147755458766,"sku":"","price":120.89,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/7011\/3486\/products\/14183093-0785148262f7c5964a80c62f7c5964a80f166040514262f7c5964a813.jpg?v=1694604436"},{"product_id":"joseph-haydn-andreas-staier-hidemi-suzuki-collegium-aureum-la-petite-bande-thomas-hengelbrock-sigiswald-kuijken-j-haydn-edition-piano-sonatas-cello-concertos-symphonies-masses-the-creation-lanima-del-filosofo","title":"Joseph Haydn \/ Andreas Staier \/ Hidemi Suzuki \/ Collegium Aureum \/ La Petite Bande \/ Thomas Hengelbrock \/ Sigiswald Kuijken - J. Haydn Edition (Piano Sonatas \/ Cello Concertos \/ Symphonies \/ Masses \/ The Creation \/ L'Anima Del Filosofo)","description":"\u003ch3\u003eJoseph Haydn \/ Andreas Staier \/ Hidemi Suzuki \/ Collegium Aureum \/ La Petite Bande \/ Thomas Hengelbrock \/ Sigiswald Kuijken - J. Haydn Edition (Piano Sonatas \/ Cello Concertos \/ Symphonies \/ Masses \/ The Creation \/ L'Anima Del Filosofo)\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Mint (M)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Mint (M)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFormat:      \u003c\/strong\u003eCD, Album, RE + CD, Album, RE + CD, Album, RE + CD\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eUK \u0026amp; Europe \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e2014\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eClassical\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003eClassical, Opera, Baroque\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e.  Joseph Haydn \/ Variationen Und Sonaten = Variations And Sonatas \u003cbr\u003e.  Arietta Con 12 Variazioni No. 1 In E Flat Major Hob. XVII:3 \u003cbr\u003e.  Sonata In E Minor Hob. XVI:34 \u003cbr\u003e1-18.  Andante Con (2) Variazioni In F Minor Hob. XVII:6 15:34\u003cbr\u003e.  Sonata In D Major, Hob. XVI:33 \u003cbr\u003e.  Variations About The Hymn \"Gott Erhalte\", Hob. III:77\" \u003cbr\u003e.  Joseph Haydn \/ Drei Pariser Sinfonien: Nr. 82 »L'Ours« - Nr. 83 »La Poule« - Nr. 85 »La Reine« \u003cbr\u003e.  Symphony No. 85 In B Flat Major Hob. I:85 \"La Reine\" \u003cbr\u003e.  Symphony No. 83 In G Minor Hob. I:83 \"La Poule\" \u003cbr\u003e.  Symphony No. 82 In C Major Hob. I:82 \"L'Ours\" \u003cbr\u003e.  Joseph Haydn \/ London Symphonies: Nos. 96 \"The Miracle\", 97 \u0026amp; 98 \u003cbr\u003e.  Symphony In D Major Hob. I:96 \"The Miracle\" \u003cbr\u003e.  Symphony In C Major Hob. I:97 \u003cbr\u003e.  Symphony In B Flat Major Hob. I:98 \u003cbr\u003e.  Joseph Haydn \/ Cello Concertos D Major \u0026amp; C Major - Sinfonia Concertante \u003cbr\u003e.  Cello Concerto In C Major \u003cbr\u003e.  Cello Concerto In D Major \u003cbr\u003e.  Sinfonia Concertante \u003cbr\u003e.  Joseph Haydn \/ Die Schopfung = The Creation \u003cbr\u003e.  Die Schöpfung = The Creation Hob. XXI:2 (Oratorio = Oratorium)  99:15\u003cbr\u003e.  Joseph Haydn \/ 3 Masses \u003cbr\u003e.  Missa In G Major, Sancti Nicolai Hob. XXII:6 \u003cbr\u003e.  Missa Brevis In B Flat Major, Sti Joannis De Deo Hob. XXII:7 \"Kleine Orgelsolomesse\" \u003cbr\u003e.  Missa Brevis In F Major, \"Judendmesse\" Hob. XXII:1 \u003cbr\u003e.  J. Haydn \/ Harmoniemesse = Harmony Mass, Te Deum \u003cbr\u003e.  Harmoniemesse = Harmony Mass Hob. XXII Nr. 14 \u003cbr\u003e8-12.  Te Deum Hob. XXIIIc Nr. 2 7:44\u003cbr\u003e.  Joseph Haydn \/ L'Anima Del Filosofo Ossia Orfeo Ed Euridice (Dramma Per Musica, 1791) \u003cbr\u003e.  L'Anima Del Filosofo Ossia Orfeo Ed Euridice (Dramma Per Musica) 119:55\u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003eCD1: \n(P) 1993 BMG Music.\nRecorded: June 8-11, 1992, Lindlar, Kulturzentrum.\nTechnical equipment: WDR Köln; A co-production with WDR.\nTotal Time: 72:14\n\nCD2: \n(P) 1985 Deutsche Harmonia Mundi \/ BMG Ariola Classics GmbH.\nRecorded: September 22-25, 1984, Doopsgezinde Gemeente, Harlem.\nTechnical Equipment: Sonart, Milano; Total Time: 75:39\n\nCD3: \n(P) 1994 BMG Music.\nRecorded: January 29-February 2, 1993, Doopsgezindekerk, Haarlem (NL).\nTotal Time: 77:50\n\nCD4: \n(P) 1998 BMG Entertainment.\nRecorded: February 1998, Doopsgezindekerk, Haarlem (NL).\nTotal Time: 66:02\n\nCD5 \u0026amp; CD6: \n(P) 2002 BMG Music.\nRecorded: 9-12 July 2001, Montforthaus, Feldkirch (Austria).\nTotal Time: CD5: 71:51 \/ CD6: 27:16\n\nCD7: \n(P) 1986 BMG Music.\nRecorded: September 22-25, 1984, Doopsgezinde Gemeente, Harlem.\nTechinical equipment: Sonart, Milano; Total Time: 54:18\nEditor's note: Choir credited as \"Augsburger Domsingknaben\" on CD wallet and \"Soloists And Chamber Chorus Of \/ Solisten Und Kammerchor Der Augsburger Domsingknaben\" on booklet.\n\nCD8:\n(P) 1996 BMG Music.\nRecorded: September 26-30, 1994 Begijnhotkerk, Gent.\nTotal Time: 51:43\nEditor's note: Choir credited as \"Choeur De Chambre De Namur\" on CD wallet and \"Chœur De Chambre De Namur\" on booklet.\n\nCD9 \u0026amp; CD10:\n(P) 1991 Harmonia Mundi, Freiburg \u0026amp; BMG Music.\nThis performance was recorded live on 29th August 1990 in the Grosser Saal of the Alte Oper, Frankfurt.\nTotal Time: CD9: 69:36 \/ CD10: 50:19\nEditor's note: Orchestra is credited as \"La Stagione\" on CD Wallet and \"La Stagione Frankfurt\" on booklet.\n\nOn Box:\n(P) \u0026amp; (C) 2014 Sony Music Entertainment Germany GmbH.\nMade in the EU.\n\nOn Booklet:\n(P) \u0026amp; (C) 2014 Sony Music Entertainment (Germany) GmbH.\n\nPackage: Clamshell cardboard box contain the CDs in separate, original front cover artwork, cardboard wallets and a 24-page booklet.\n\nEditor's notes:\nTracklist taken from the booklet.\nHeadings reflect original album title as appear on original jacket front covers. \nAll CDs are in DDD while on box is erroneously printed ADD\/DDD.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComments: \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003e\u003cstrong\u003eGoldmine Grading Guide \u003c\/strong\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor\/Fair (damaged).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMint (M)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAbsolutely perfect in every way. Certainly never been played, possibly even still sealed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNear Mint (NM or M-)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good Plus (VG+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good (VG)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGood (G), Good Plus( G+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePoor (P), Fair (F)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/2101266899\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"The Listening Room","offers":[{"title":"Default Title","offer_id":42147756015822,"sku":"","price":241.78,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/7011\/3486\/products\/11291552-0670994262fb83b6c3ff962fb83b6c3ffb166065042262fb83b6c3ffe.jpg?v=1694604451"},{"product_id":"marie-claude-chappuis-luca-pianca-sous-lempire-damour","title":"Marie-Claude Chappuis, Luca Pianca - Sous L'Empire D'Amour","description":"\u003ch3\u003eMarie-Claude Chappuis, Luca Pianca - Sous L'Empire D'Amour\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Mint (M)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Mint (M)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFormat:      \u003c\/strong\u003eCD, Album\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eEurope \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e2017\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eClassical\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003eRenaissance, Baroque\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e1.  Goûtons Un Doux Repos 2:09\u003cbr\u003e2.  Ma Bergère Non Légère 2:21\u003cbr\u003e3.  Repans Charmante Nuit 5:18\u003cbr\u003e4.  Récit De La Beauté 4:21\u003cbr\u003e5.  Entrée (Lute) 1:48\u003cbr\u003e6.  Ballet (Lute) 1:55\u003cbr\u003e7.  Courante (Lute) 1:15\u003cbr\u003e8.  Rochers, Vous Êtes Sourds 4:44\u003cbr\u003e9.  Un Satyre Cornu 2:35\u003cbr\u003e10.  Ma Bergère Est Tendre Et Fidèle 1:54\u003cbr\u003e11.  Charmante Nuit 4:02\u003cbr\u003e12.  Prélude (Lute) 0:54\u003cbr\u003e13.  Courante (Lute) 1:17\u003cbr\u003e14.  (Gavotte) (Lute) 1:16\u003cbr\u003e15.  Chaconne 4:20\u003cbr\u003e16.  Plainte Italienne 5:32\u003cbr\u003e17.  Amis Enivrons-Nous 1:18\u003cbr\u003e18.  Ombre De Mon Amant 5:30\u003cbr\u003e19.  Qui Veut Chasser Une Migraine 1:50\u003cbr\u003e20.  Ruisseau Qui Cours Apres Toy-Mesme 5:43\u003cbr\u003e21.  Ils S'En Vont Ces Roys De Ma Vie 3:27\u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003eStandard jewel case with clear tray \u0026amp; 28-page booklet with liner notes in German, English \u0026amp; French, lyrics in French.\n\nRecording location: 25\/28 April 2016, Villa San Fermo, Lonigo, Italy\n\nCover painting: The Stolen Kiss\nArtwork: www.schweitzer-design.de\n\n℗ \u0026amp; © 2017 Sony Music Entertainment Switzerland GmbH.\nDistributed by Sony Music Entertainment Switzerland GmbH.\nMade in the EU.\nSony Music Entertainment International Services GmbH, PO Box 510, 33311 Gütersloh, Germany\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComments: \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003e\u003cstrong\u003eGoldmine Grading Guide \u003c\/strong\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor\/Fair (damaged).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMint (M)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAbsolutely perfect in every way. Certainly never been played, possibly even still sealed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNear Mint (NM or M-)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good Plus (VG+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good (VG)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGood (G), Good Plus( G+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePoor (P), Fair (F)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/2100958907\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"The Listening Room","offers":[{"title":"Default Title","offer_id":42147756409038,"sku":"","price":129.53,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/7011\/3486\/products\/13557232-0977840862fb3ab8af8b262fb3ab8af8b4166063173662fb3ab8af8b5.jpg?v=1694604463"},{"product_id":"max-bruch-pyotr-ilyich-tchaikovsky-ning-feng-yang-yang-deutsches-symphonie-orchester-berlin-scottish-fantasy-violin-concerto-in-d","title":"Max Bruch, Pyotr Ilyich Tchaikovsky, Ning Feng, Yang Yang, Deutsches Symphonie-Orchester Berlin - Scottish Fantasy \/ Violin Concerto in D","description":"\u003ch3\u003eMax Bruch, Pyotr Ilyich Tchaikovsky, Ning Feng, Yang Yang, Deutsches Symphonie-Orchester Berlin - Scottish Fantasy \/ Violin Concerto in D\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Mint (M)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Mint (M)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFormat:      \u003c\/strong\u003eSACD, Multichannel\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eEurope \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e2013\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eClassical\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003eRomantic\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e1.  Scottish Fantasy for Violin and Orchestra Opus 46 Introduction: Grave 4:08\u003cbr\u003e2.  Adagio cantabile 5:13\u003cbr\u003e3.  Scherzo: 6:23\u003cbr\u003e4.  Andante Sostenuto 7:14\u003cbr\u003e5.  Finale: Allegro Guerriero 10:03\u003cbr\u003e6.  Violin Concerto In D Opus 35 Allegro Moderato 19:34\u003cbr\u003e7.  Canzonetta: Andante 7:12\u003cbr\u003e8.  Finale: Allegro Vivacissimo 10:52\u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComments: \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003e\u003cstrong\u003eGoldmine Grading Guide \u003c\/strong\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor\/Fair (damaged).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMint (M)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAbsolutely perfect in every way. Certainly never been played, possibly even still sealed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNear Mint (NM or M-)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good Plus (VG+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good (VG)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGood (G), Good Plus( G+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePoor (P), Fair (F)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/2277868966\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"The Listening Room","offers":[{"title":"Default Title","offer_id":42147756638414,"sku":"","price":302.23,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/7011\/3486\/products\/25387783-041814006410cb2ca3e346410cb2ca3e3616788221886410cb2ca3e39.jpg?v=1694604468"},{"product_id":"sergei-prokofiev-lorchestre-de-la-suisse-romande-ernest-ansermet-romeo-and-juliet-the-prodigal-son-cinderella-scythian-suite","title":"Sergei Prokofiev, L'Orchestre De La Suisse Romande, Ernest Ansermet - Romeo And Juliet · The Prodigal Son · Cinderella · Scythian Suite","description":"\u003ch3\u003eSergei Prokofiev, L'Orchestre De La Suisse Romande, Ernest Ansermet - Romeo And Juliet · The Prodigal Son · Cinderella · Scythian Suite\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Mint (M)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Mint (M)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFormat:      \u003c\/strong\u003e2xCD, Comp\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eAustralia \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e2009\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eClassical\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e.  Romeo And Juliet: Ballet Suite \u003cbr\u003e.  The Prodigal Son: Symphonic Suite, Op. 46b \u003cbr\u003e.  Cinderella: Ballet Suite \u003cbr\u003e.  Scythian Suite \u003cbr\u003e.  The Love Of Three Oranges: Symphonic Suite (Excerpts) \u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComments: \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003e\u003cstrong\u003eGoldmine Grading Guide \u003c\/strong\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor\/Fair (damaged).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMint (M)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAbsolutely perfect in every way. Certainly never been played, possibly even still sealed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNear Mint (NM or M-)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good Plus (VG+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good (VG)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGood (G), Good Plus( G+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePoor (P), Fair (F)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/2098307003\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"The Listening Room","offers":[{"title":"Default Title","offer_id":42147756835022,"sku":"","price":215.88,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/7011\/3486\/products\/15874529-07073593618b1f5b62ce6618b1f5b62ce81636507483618b1f5b62cec.jpg?v=1694604472"},{"product_id":"igor-stravinsky-silvestre-revueltas-simon-bolivar-youth-orchestra-of-venezuela-gustavo-dudamel-rite-1","title":"Igor Stravinsky | Silvestre Revueltas | Simón Bolívar Youth Orchestra Of Venezuela | Gustavo Dudamel - Rite","description":"\u003ch3\u003eIgor Stravinsky | Silvestre Revueltas | Simón Bolívar Youth Orchestra Of Venezuela | Gustavo Dudamel - Rite\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Mint (M)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Mint (M)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFormat:      \u003c\/strong\u003eCD, Album\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eEurope \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e2010\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eClassical\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003eModern\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e.  Le Sacre Du Printemps 34:00\u003cbr\u003e.  I L'Adoration De La Terre \u003cbr\u003e1.  Introduction 3:20\u003cbr\u003e2.  Les Augures Printaniers (Danses Des Adolescentes) 3:13\u003cbr\u003e3.  Jeu Du Rapt 1:16\u003cbr\u003e4.  Rondes Printanières 4:06\u003cbr\u003e5.  Jeux Des Cités Rivales 1:52\u003cbr\u003e6.  Cortège Du Sage 0:43\u003cbr\u003e7.  Adoration De La Terre - Le Sage 0:24\u003cbr\u003e8.  Danse De La Terre 1:18\u003cbr\u003e.  Il Le Sacrifice \u003cbr\u003e9.  Introduction 4:36\u003cbr\u003e10.  Cercles Mystérieux Des Adolescentes 3:20\u003cbr\u003e11.  Glorification De L'Élue 1:33\u003cbr\u003e12.  Évocation Des Ancêtres 0:40\u003cbr\u003e13.  Action Rituelle Des Ancêtres 3:19\u003cbr\u003e14.  Danse Sacrale (L'Élue) 4:20\u003cbr\u003e.  La Noche De Los Mayas \u003cbr\u003e15.  I Noche De Los Mayas. Molto Sostenuto 7:38\u003cbr\u003e16.  II Noche De Jaranas. Allegro (Tempo Di Son) 5:04\u003cbr\u003e17.  III Noche De Yucatán. Andante Espressivo - Tempo Giusto 7:17\u003cbr\u003e18.  IV Noche De Encantamiento. Molto Lento - Allegro, Ma Non Troppo - Variation I. Lento - Var. II. Più Mosso - Var. III. Ancora Più Mosso - Var. IV. Allegro Non Troppo - Final. Con Violencia 9:57\u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003e\"Live recordings: Caracas, Centro de Acción Social Por La Música, Sala Bolívar, 2\/2010\"\r\n\r\nPrinted in the E.U.\r\n\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComments: \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003e\u003cstrong\u003eGoldmine Grading Guide \u003c\/strong\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor\/Fair (damaged).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMint (M)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAbsolutely perfect in every way. Certainly never been played, possibly even still sealed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNear Mint (NM or M-)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good Plus (VG+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good (VG)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGood (G), Good Plus( G+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePoor (P), Fair (F)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/2277973228\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"The Listening Room","offers":[{"title":"Default Title","offer_id":42147757129934,"sku":"","price":120.89,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/7011\/3486\/products\/2594459-0644825564886ea979b0e64886ea979b0f168666282564886ea979b11.jpg?v=1694604479"},{"product_id":"daria-van-den-bercken-domenico-scarlatti-domenico-scarlatti-and-daria-van-den-bercken","title":"Daria van den Bercken, Domenico Scarlatti - Domenico Scarlatti And Daria Van Den Bercken","description":"\u003ch3\u003eDaria van den Bercken, Domenico Scarlatti - Domenico Scarlatti And Daria Van Den Bercken\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Mint (M)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Mint (M)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFormat:      \u003c\/strong\u003eCD\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eEurope \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e2017\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eClassical\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003eBaroque\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e1.  Sonata In F Major K183 - Allegro 6:09\u003cbr\u003e2.  Sonata In D Major K119 - Allegro 5:19\u003cbr\u003e3.  Sonata In A Minor K109 - Adagio 3:33\u003cbr\u003e4.  Sonata In A Minor K54 - Allegro 4:21\u003cbr\u003e5.  Sonata In F Minor K519 - Allegro Assai 3:18\u003cbr\u003e6.  Sonata In F Minor K481 - Andante E Cantabile 3:15\u003cbr\u003e7.  Sonata In B Minor K27 - Allegro 3:22\u003cbr\u003e8.  Sonata In A Minor K3 - Presto 2:37\u003cbr\u003e9.  Sonata In A Major K212 - Allegro Molto 1:55\u003cbr\u003e10.  Sonata In D Major K511 - Allegro 2:17\u003cbr\u003e11.  Sonata In B Minor K87 6:00\u003cbr\u003e12.  Sonata In D Minor K32 - Aria 1:58\u003cbr\u003e13.  Sonata In C Sharp Minor K247 - Allegro 6:17\u003cbr\u003e14.  Sonata In E Major K531 - Allegro 3:43\u003cbr\u003e15.  Sonata In C Minor K230 - Allegro 2:09\u003cbr\u003e16.  Sonata In C Major K159 - Allegro 3:05\u003cbr\u003e17.  Sonata In B Flat Major K544 - Cantabile 2:26\u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComments: \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003e\u003cstrong\u003eGoldmine Grading Guide \u003c\/strong\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor\/Fair (damaged).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMint (M)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAbsolutely perfect in every way. Certainly never been played, possibly even still sealed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNear Mint (NM or M-)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good Plus (VG+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good (VG)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGood (G), Good Plus( G+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePoor (P), Fair (F)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/2277973393\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"The Listening Room","offers":[{"title":"Default Title","offer_id":42147757359310,"sku":"","price":129.53,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/7011\/3486\/products\/19135804-0947543764886ea35cada64886ea35cadb168666281964886ea35cade.jpg?v=1694604488"},{"product_id":"yo-yo-ma-yo-yo-ma-plays-cello-masterworks","title":"Yo-Yo Ma - Yo-Yo Ma Plays Cello Masterworks","description":"\u003ch3\u003eYo-Yo Ma - Yo-Yo Ma Plays Cello Masterworks\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Mint (M)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Mint (M)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFormat:      \u003c\/strong\u003e8xCD, Comp\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eEurope \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e2013\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eClassical\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e.  Vivaldi's Cello: Cello Concertos · Aria Arrangements \u003cbr\u003e.  Vivaldi's Cello, Antonio Vivaldi (1678-1741) \u003cbr\u003e.  Concerto for 2 Cellos, Strings, and Basso cintinuo in G minor RV 531 \u003cbr\u003e1-4.  Largo from Violin Concerto RV 297 \"Winter\" (The Four Seasons) 1:44\u003cbr\u003e.  Concerto for Cello, Strings, and Basso continuo in B-flat major RV 423 \u003cbr\u003e1-8.  \"Così sugl' occhi miei\" from La fida ninfa RV 714 2:52\u003cbr\u003e.  Concerto for Viola d'amore, Lute and Orchestra RV 540 \u003cbr\u003e1-12.  \"La gloria del mio sangue\" from Il Giustino RV 717 2:49\u003cbr\u003e.  Concerto for Cello, Strings, and Basso continuo in C minor RV 401 \u003cbr\u003e1-16.  \"Noli, ò cara, te adorantis\" from Juditha triumphans RV 644 4:58\u003cbr\u003e1-17.  \"Laudamus Te\" from Gloria RV 589 2:23\u003cbr\u003e1-18.  \"Quanto magis generosa\" from Juditha triumphans RV 644 10:15\u003cbr\u003e1-19.  \"Dite oihmè\" from La fid ninfa RV 714 2:25\u003cbr\u003e.  Boccherini: Cello Concerto in B-flat major · J. Haydn: Cello Concertos Nos. 1 \u0026amp; 2 \u003cbr\u003e.  Luigi Boccherini (1743-1805) \u003cbr\u003e.  Concerto for Cello and Orchestra No. 9 in B-flat major G 482 \u003cbr\u003e.  Joseph Haydn (1732-1809) \u003cbr\u003e.  Concerto for Cello and Orchestra No. 1 in C major Hob. Vllb: 1 \u003cbr\u003e.  Concerto for Cello and Orchestra No. 1 in D major Hob. Vllb: 2 \u003cbr\u003e.  Schumann: Cello Concerto · Dvořák: Cello Concerto · Silent Woods · Rondo \u003cbr\u003e.  Robert Schumann (1810-1856) \u003cbr\u003e.  Concerto for Cello and Orchestra in A minor op. 129 \u003cbr\u003e.  Antonín Dvořák (1841-1904) \u003cbr\u003e.  Concerto for Cello and Orchestra in B minor op. 104 \u003cbr\u003e3-7.  Silent Woods in D-flat major From the Bohemian Forest op. 68: No. 5 6:39\u003cbr\u003e3-8.  Rondo in G minor op. 94 8:10\u003cbr\u003e.  Saint-Saëns: Cello Concerto No. 1 · Lalo \u0026amp; Walton: Cello Concertos \u003cbr\u003e.  Camille Saint-Saëns (1853-1921) \u003cbr\u003e4-1.  Concerto for Cello and Orchestra No. 1 in A minor op. 33 18:53\u003cbr\u003e.  Édouard Lalo (1823-1892) \u003cbr\u003e.  Concerto for Cello and Orchestra \u003cbr\u003e.  William Walton (1902-1983) \u003cbr\u003e.  Concerto for Cello and Orchestra \u003cbr\u003e.  Elgar \u0026amp; Shostakovich: Cello Concertos · Tchaikovsky: Rococo Variations \u003cbr\u003e.  Edward Elgar (1857-1934) \u003cbr\u003e.  Concerto for Cello and Orchestra in E minor op. 85 \u003cbr\u003e.  Dmitri Shostakovich (1906-1975) \u003cbr\u003e.  Concerto for Cello and Orchestra No. 1 in E-flat major op. 107 \u003cbr\u003e.  Pyotr Ilyich Tchaikovsky (1840-1893) \u003cbr\u003e.  Variations on a Rococo Theme for Cello and Orchestra op. 33 \u003cbr\u003e.  J.S. Bach: Suites for Unaccompanied Cello Nos. 1, 3, \u0026amp; 5 \u003cbr\u003e.  Johann Sebastian Bach (1685-1750) \u003cbr\u003e.  Suite for Unaccompanied Cello No. 1 in G major BWV 1007 \u003cbr\u003e.  Suite for Unaccompanied Cello No. 3 in C major BWV 1009 \u003cbr\u003e.  Suite for Unaccompanied Cello No. 5 in C minor BWV 1011 \u003cbr\u003e.  Beethoven: Cello Sonatas No. 1 \u0026amp; 3 · Variations \u003cbr\u003e.  Ludwig Van Beethoven (1770-1827) \u003cbr\u003e.  Sonata for Piano and Cello No. 1 in F major op. 5\/1 \u003cbr\u003e.  Sonata for Piano and Cello No. 1 in F major op. 5\/1 \u003cbr\u003e7-6.  7 Variations in E-flat major on \"Bei Männern, welche Liebe fühlen\" WoO 46 from Mozart's Opera \"Die Zauberflöte\" \u003cbr\u003e7-7.  7 Variations in E-flat major on \"Ein Mädchen oder Weibchen\" op. 66 from Mozart's Opera \"Die Zauberflöte\" \u003cbr\u003e.  Brahms: Cello Sonatas Nos. 1 \u0026amp; 2 · Schumann: Adagio \u0026amp; Allegro · Fantasiestücke \u003cbr\u003e.  Johannes Brahms (1833-1897) \u003cbr\u003e.  Sonata for Piano and Cello No. 1 in E minor op. 38 \u003cbr\u003e.  Sonata for Piano and Cello No. 2 in F major op. 99 \u003cbr\u003e.  Robert Schumann (1810-1856) \u003cbr\u003e.  Adagio and Allegro in A-flat major op. 70 \u003cbr\u003e.  3 Fantasiestücke op. 73 \u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003eYo-Yo Ma Plays Cello Masterworks is an eight-CD box set of previously released material recorded in the 1980s and 1990s. Ma's popular albums of virtuoso works for cello and orchestra by Vivaldi, Boccherini, Haydn, Schumann, Dvorák, Saint-Saëns, Lalo, Walton, Elgar, Shostakovich, and Tchaikovsky reappear here in different configurations to maximize space, and the set is rounded out with recordings with pianist Emanuel Ax of chamber works by Vivaldi, Beethoven, Brahms, and Schumann. A reasonable sampling of this cellist's classical output is represented. \n\nBack Cover Credits:\n88765438572 This compilation ℗ \u0026amp; © Sony Music Entertainment. Distributed by Sony Music Entertainment. Cover photo © Sony Music Archives. LC 00316. BIEM\/GEMA. Made in the E.U.\n\nRecording\/Copyright Credits:\nCD 1\nRecording De Stadsgehoorzaal, Leiden, The Netherlands, November 17-20, 2003\nPublisher: BMG Ricordi (5-7) ℗ Sony Music Entertainment\nCD 2\nRecording: O'Shaughnessy Hall, Saint Paul, March 29, 1982 (1-3); CBS Studios, London, October 8\/9\/15, 1979 (4-9) \n℗ 1981\/1987 Sony Music Entertainment\nCD 3\nRecording: Herkulessaal, Munich, October 24, 1985 (1-3, live); Philharmonie, Berlin, January 29, 1986 (4-8)\n℗ 1986\/1988 Sony Music Entertainment\nCD 4\nRecording: Radio France Studios, Paris, April 1, 1980 (1-4); Walthamstow Hall, London, January 25, 1984 (5-7)\nPublisher: Oxford University Press (5-7) ℗ 1980\/1985 Sony Music Entertainment\nCD 5\nRecording: Walthamstow Hall, London, January 25, 1984 (104); Scottish Rite Hall, Philadelphia, May 3, 1982 (5\/6); Heinz Hall, Pittsburgh, October 12, 1991 (7-14) \nPublisher: G. Schirmer Inc. (5\/6) ℗ 1984\/1983\/1992 Sony Music Entertainment\nCD 6\nRecording: Vanguard Studios, new York City, February 23, 1982 (1-12); April 20, 1982 (13-18)\n℗ 1983 Sony Music Entertainment\nCD 7\nRecording: CBS Studios, London, August 1, 1981 (1\/2); RCA Studio A, New York City, July 18, 1983 (3-5); Wellesley College Chapel, August 27, 1985 (6\/7) \n℗ 1982\/1984\/1986 Sony Music Entertainment\nCD 8\nRecording: RCA Studio A, New York City, February 4\/5, 1985 (1-7); Jordan Hall, Boston, December 1, 1986 (8-12)\n℗ 1985\/1988 Sony Music Entertainment\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComments: \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003e\u003cstrong\u003eGoldmine Grading Guide \u003c\/strong\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor\/Fair (damaged).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMint (M)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAbsolutely perfect in every way. Certainly never been played, possibly even still sealed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNear Mint (NM or M-)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good Plus (VG+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good (VG)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGood (G), Good Plus( G+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePoor (P), Fair (F)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/2277973528\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"The Listening Room","offers":[{"title":"Default Title","offer_id":42147757392078,"sku":"","price":259.05,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/7011\/3486\/products\/24833918-066231276380f8e525ba06380f8e525ba116693967096380f8e525ba5.jpg?v=1694604492"},{"product_id":"eugene-ormandy-various-eugene-ormandy-conducts-20th-century-classics","title":"Eugene Ormandy – Various - Eugene Ormandy Conducts 20th Century Classics","description":"\u003ch3\u003eEugene Ormandy – Various - Eugene Ormandy Conducts 20th Century Classics\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Mint (M)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Mint (M)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFormat:      \u003c\/strong\u003e12xCD, Comp, Mono, RM + Box\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eUSA \u0026amp; Europe \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e2012\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eClassical\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003eModern\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e.  Claude Debussy - La Mer - Trois Esquisses Symphoniques (Three Symphonic Sketches) \u003cbr\u003e.  Maurice Ravel - Daphnis Et Chloé - Fragments Symphoniques - 2ᵉ Série \u003cbr\u003e.  Modest Mussorgsky - Pictures At An Exhibition \u003cbr\u003e.  Maurice Ravel - Rapsodie Espagnole \u003cbr\u003e2-5.  Maurice Ravel - Boléro 15:44\u003cbr\u003e.  Manuel De Falla - Noches En Los Jardines De España (Nights In The Gardens Of Spain) \u003cbr\u003e.  Joaquín Rodrigo - Concierto De Aranjuez, For Guitar And Orchestra \u003cbr\u003e.  Gustav Holst - The Planets Op. 32 \u003cbr\u003e3-8.  Sir Edward Elgar - Land Of Hope And Glory, From Pomp And Circumstance Op. 39 5:55\u003cbr\u003e.  Benjamin Britten - The Young Person's Guide To The Orchestra: Variations And Fugue On A Theme Of Purcell \u003cbr\u003e.  Sergei Vasilyevich Rachmaninoff - Concerto For Piano And Orchestra No. 3 In D Minor Op. 30 \u003cbr\u003e.  Sergei Vasilyevich Rachmaninoff - Rhapsody On A Theme Of Paganini Op. 43 \u003cbr\u003e4-30.  Aram Khatchaturian - Sabre Dance, From Gayane 2:38\u003cbr\u003e4-31.  Aram Khatchaturian - Dance Of The Young Maidens, From Gayane 2:00\u003cbr\u003e4-32.  Aram Khatchaturian - Galop, From Masquerade 2:38\u003cbr\u003e.  Sergei Prokofiev - Symphony No. 1 In D Major Op. 25 \"Classical\" \u003cbr\u003e.  Sergei Prokofiev - Concerto For Violin And Orchestra No. 2 In G Minor Op. 63 \u003cbr\u003e5-8.  Alexander Scriabine - Poème De L'extase Op. 54 21:28\u003cbr\u003e.  Nikolai Rimsky-Korsakov - Capriccio Espagnol Op. 34 \u003cbr\u003e.  Dmitri Shostakovich - Symphony No. 5 In D Minor Op. 47 \u003cbr\u003e.  Dmitri Shostakovich - Concerto For Cello And Orchestra No. 1 In E-flat Major Op. 107 \u003cbr\u003e6-7.  Dmitry Kabalevsky - Galop, From The Comedians Op. 26 1:41\u003cbr\u003e.  Igor Stravinsky - Le Sacre Du Printemps  \u003cbr\u003e.  Igor Stravinsky - Petrushka - Ballet Suite \u003cbr\u003e7-16.  Richard Strauss - Der Rosenkavalier - Suite 22:52\u003cbr\u003e.  Béla Bartók - Concerto For Orchestra Sz 116 \u003cbr\u003e.  Zoltán Kodály - Hàry Jànos - Suite \u003cbr\u003e8-12.  George Enescu - Roumanian Rhapsody In A Major Op. 11\/1 12:48\u003cbr\u003e.  Alban Berg - Symphonic Pieces From The Opera Lulu (Lulu Suite) \u003cbr\u003e9-6.  Anton Webern - Im Sommerwind - Idyll For Large Orchestra 12:25\u003cbr\u003e.  Paul Hindemith - Symphony \"Mathis Der Maler\" \u003cbr\u003e.  Carl Orff - Carmina Burana \u003cbr\u003e.  Gustav Mahler - Das Lied Von Der Erde \u003cbr\u003e.  Charles Ives - Symphony No. 2 \u003cbr\u003e11-6.  Jean Sibelius - Valse Triste, From Kuolema Op. 44 4:11\u003cbr\u003e11-7.  Jean Sibelius - Finlandia Op. 26, Symphonic Poem 8:24\u003cbr\u003e11-8.  Hugo Alfvén - Swedish Rhapsody No. 1 Op. 19 \"Midsommer Vigil\" 13:07\u003cbr\u003e12-1.  George Gershwin - Rhapsody In Blue 16:13\u003cbr\u003e12-2.  Aaron Copland - Appalachian Spring 24:55\u003cbr\u003e.  Charles Ives - Three Places In New England (Orchestral Suite No. 1) \u003cbr\u003e12-6.  Samuel Barber - Adagio For Strings Op. 11 7:43\u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003eTotal Time 14:50:50\nThis compilation ℗ \u0026amp; © 2012 Sony Music Entertainment.\nDistributed by Sony Music Entertainment.\nMade in the E.U.\n\nCD 1 - Total Time 72:33\nRecording: Scottish Rite Cathedral, Philadelphia, USA, (1-3) March 2, 1971; (4-6) January 13, 1971; (7-21) April 25\/26, 1973\n℗ 1973 Sony Music Entertainment\n\nCD 2 - Total Time 73:41\nRecording: Philadelphia, USA, (1-4) Town Hall, February 24, 1963; (5) Scottish Rite Cathedral, May 16\/17, 1973; (6-8) Academy of Music, January 2, 1969; (9-11) Town Hall, December 14, 1965\n℗ 1965\/1966\/1969 Sony Music Entertainment\n\nCD 3 - Total Time 74:10\nRecording: Scottish Rite Cathedral, Philadelphia, USA, (1-7) December 18, 1975; (9-28) March 27\/28, 1974; (8) March 22, 1972\n℗ 1974\/1975\/1978 Sony Music Entertainment\n\nCD 4 - Total Time 78:30\nRecording: Scottish Rite Cathedral, Philadelphia, USA, (1-3) February 12, 1975, (4-29) May 7, 1970; Town Hall, Philadelphia, USA (30) March 23, 1964; (31-32) April 13, 1966\n℗ 1967\/1973\/1976 Sony Music Entertainment\n\nCD 5 - Total Time 77:09\nRecording: Philadelphia, USA, (1-4) Town Hall, March 26, 1961; (9-13) February 17, 1966; (5-7) January 30, 1963; (8) Scottish Rite Cathedral, March 3,1971℗ 1965\/1966\/1969 Sony ℗ 1964\/1966 Sony Music Entertainment\n\nCD 6 - Total Time 77:21\nRecording: Scottish Rite Cathedral, Philadelphia, USA, (1-4) February 5, 1975; (5-6) May 2, 1982; (7) June 15, 1972\n℗ 1972\/1975\/1983 Sony Music Entertainment\n\nCD 7 - Total Time 81:48\nRecording: Philadelphia, USA, (1\/2) Academy of Music, April 24 \u0026amp; May 14, 1955; (3-15) Town Hall, March 23, 1964;  (16)Town Hall, February 12, 1964\n℗ 1955\/1965 Sony Music Entertainment\n\nCD 8 - Total Time 76:32\nRecording: Scottish Rite Cathedral, Philadelphia, USA, (1-5) April 16, 1979; (6-11) October 29, 1975; (12) January 11, 1972\n℗ 1976\/1979 Sony Music Entertainment\n\nCD 9 - Total Time 73:08\nRecording: Town Hall, Philadelphia, USA, (1-5) March 27 \u0026amp; April 4, 1967; (6) February 17, 1963; (7-9) January 17, 1962\nSony ℗ 1964\/1967 Sony Music Entertainment\n\nCD 10 - Total Time 70:57\nRecording: Philadelphia, USA, (1-26) Broadwood Hotel, April 24, 1960; (27\/28) Town Hall, February 9, 1966\nSony ℗ 1960\/1966 Sony Music Entertainment\n\nCD 11 - Total Time 67:12\nRecording: Philadelphia, USA, (1-5) Scottish Rite Cathedral, February 7, 1973; (6) January 15, 1973; (7) Town Hall, February 24, 1968; (8) Town Hall, March 11, 1968\n℗ 1968\/1974 Sony Music Entertainment\n\nCD 12 - Total Time 67:49\nRecording: Philadelphia, USA, (1) Town Hall, January 4, 1967; (2) Academy of Music, January 8, 1969; (3-5) Scottish Rite Cathedral, December 11, 1974; (6) Broadway Hotel, April 14, 1957\n℗ 1957\/1967\/1969\/1976 Sony Music Entertainment\nNote -- The credited recording venue Broadway Hotel in this listing is likely erroneous and should be Broadwood Hotel \n\nAll tracks Stereo except CD7 tracks 1-2, Stravinsky's \"Le Sacre du printemps\", recorded in Mono.\n\n12 CDs, each with a printed cardboard sleeve, same artwork, all inside a hinged-lid cardboard box.  No booklet included; Track listings and credits for individual discs printed on back of each CDs sleeve\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComments: \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003e\u003cstrong\u003eGoldmine Grading Guide \u003c\/strong\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor\/Fair (damaged).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMint (M)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAbsolutely perfect in every way. Certainly never been played, possibly even still sealed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNear Mint (NM or M-)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good Plus (VG+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good (VG)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGood (G), Good Plus( G+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePoor (P), Fair (F)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/2277974356\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"The Listening Room","offers":[{"title":"Default Title","offer_id":42147758506190,"sku":"","price":423.12,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/7011\/3486\/products\/13244614-08016306442a0c42080b6442a0c42080c16820881326442a0c42080f.jpg?v=1694604526"},{"product_id":"francois-couperin-jacques-champion-de-chambonnieres-jean-baptiste-lully-antoine-forqueray-claudio-monteverdi-henry-purcell-dieterich-buxtehude-johann-sebastian-bach-skip-sempe-capriccio-stravagante-skip-sempe-edition","title":"François Couperin | Jacques Champion de Chambonnières | Jean-Baptiste Lully | Antoine Forqueray | Claudio Monteverdi | Henry Purcell | Dieterich Buxtehude | Johann Sebastian Bach - Skip Sempé | Capriccio Stravagante - Skip Sempé Edition","description":"\u003ch3\u003eFrançois Couperin | Jacques Champion de Chambonnières | Jean-Baptiste Lully | Antoine Forqueray | Claudio Monteverdi | Henry Purcell | Dieterich Buxtehude | Johann Sebastian Bach - Skip Sempé | Capriccio Stravagante - Skip Sempé Edition\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Mint (M)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Mint (M)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFormat:      \u003c\/strong\u003e10xCD, Album + Box, Comp\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eEurope \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e2015\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eClassical\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003eBaroque, Renaissance\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e.  François Couperin \/ Pièces De Clavecin = Harpsichord Works \u003cbr\u003e1-1.  L'Art De Toucher Le Clavecin : Prélude In C Major 1:02\u003cbr\u003e1-2.  L'Art De Toucher Le Clavecin : Prélude In D Minor 1:15\u003cbr\u003e1-3.  L'Art De Toucher Le Clavecin : Prélude In G Minor 0:58\u003cbr\u003e.  Suite In C Minor (Ordre 3) \u003cbr\u003e1-10.  L'Art De Toucher Le Clavecin : Prélude In B-Flat Major 2:38\u003cbr\u003e1-11.  Le Baricades Mistérieuses 2:36\u003cbr\u003e.  Suite In B Minor (Ordre 8) \u003cbr\u003e.  Suite In A Major \u003cbr\u003e1-26.  L'Art De Toucher Le Clavecin: Prélude In F Major  1:31\u003cbr\u003e1-27.  L'Arlequine 1:37\u003cbr\u003e.   Jacques Champion De Chambonnières \/ Pièces De Clavecin = Harpsichord Works \u003cbr\u003e.  Suite In C Major \u003cbr\u003e.  Suite In G Major \u003cbr\u003e.  Suite In A Major \u003cbr\u003e.  Suite In D Major \u003cbr\u003e2-31.  Tombeau De Mr. De Chambonnières 8:21\u003cbr\u003e.  Jean-Baptiste Lully \/ Divertissements \u003cbr\u003e.  Divertissement I \u003cbr\u003e.  Divertissement II \u003cbr\u003e.  Divertissement II \u003cbr\u003e.   Antoine Forqueray \/ Pièces De Viole - Pièces De Clavecin  \u003cbr\u003e4-1.  Allemande La Laborde \t 5:04\u003cbr\u003e4-2.  La Cottin 3:23\u003cbr\u003e4-3.  La Portugaise \t 3:20\u003cbr\u003e4-4.  La Forqueray \t 2:44\u003cbr\u003e4-5.  La Régente 5:44\u003cbr\u003e4-6.  La Marella \t 2:48\u003cbr\u003e4-7.  Sarabande La D'Aubonne \t 4:18\u003cbr\u003e4-8.  La Ferrand \t 4:24\u003cbr\u003e4-9.  La Couperin \t 3:22\u003cbr\u003e4-10.  Chaconne La Buisson 4:36\u003cbr\u003e4-11.  La Leclair \t 1:45\u003cbr\u003e4-12.  La Rameau  3:39\u003cbr\u003e4-13.  Jupiter 4:34\u003cbr\u003e.  François Couperin \/ La Sultanne \u003cbr\u003e5-1.  La Sultanne 9:24\u003cbr\u003e.  Première Suite In E Minor (For Viola Da Gamba \u0026amp; Basso Continuo) \u003cbr\u003e5-9.  Le Dodo Ou L'Amour Au Berceau 5:20\u003cbr\u003e.  Deuxième Suite In A Major (For Viola Da Gamba \u0026amp; Basso Continuo) \u003cbr\u003e5-14.  La Superbe 7:28\u003cbr\u003e.  Claudio Monteverdi \/ Lamento D'Arianna - Combatimento Di Tancredi Et Clorinda \u003cbr\u003e.  Capriccio Stravagnate 16:47\u003cbr\u003e6-17.  Lasciate Mi Morire 2:33\u003cbr\u003e.  Lamento D'Arianna 12:36\u003cbr\u003e6-23.  Intrada Del Marchese Di Caravazzo 2:19\u003cbr\u003e6-24.  L'Amaltea 3:46\u003cbr\u003e.  Combatimento Di Tancredi Et Clorinda 21:41\u003cbr\u003e.  Monteverdi E Il Suo Tempo = Monteverdi And His Time \u003cbr\u003e7-1.  Con Che Sovità 4:23\u003cbr\u003e7-2.  Sonata 15 4:56\u003cbr\u003e7-3.  Ohimè Ch'io Cado 4:28\u003cbr\u003e7-4.  Chiaccona À 2 3:17\u003cbr\u003e7-5.  Toccata Undicesima 5:09\u003cbr\u003e7-6.  Canzon A Doi Soprani In Echo Proposta 3:19\u003cbr\u003e7-7.  Tempro La Cetra 9:54\u003cbr\u003e7-8.  Toccata Nona 4:56\u003cbr\u003e7-9.  Et È Pur Dinque Vero 7:42\u003cbr\u003e7-10.  Passacaglio 7:01\u003cbr\u003e7-11.  Sinfonia 1:25\u003cbr\u003e7-12.  Ecco Di Dolci Raggi 2:35\u003cbr\u003e7-13.  Se Vittorie Si Belle 3:16\u003cbr\u003e7-14.  Zefiro Torna E' Bel Tempo Rimena 4:23\u003cbr\u003e7-15.  Si Dolce È Il Tormento 2:26\u003cbr\u003e.  Henry Purcell \/ Airs And Instrumental Music \u003cbr\u003e8-1.  Prelude \u0026amp; Symphony \t 4:07\u003cbr\u003e8-2.  If Music Be The Food Of Love \t 3:41\u003cbr\u003e8-3.  Hark! The Echoing Air \t 2:27\u003cbr\u003e8-4.  Three Parts Upon A Ground 4:54\u003cbr\u003e8-5.  'Tis Nature's Voice  5:01\u003cbr\u003e8-6.  Round-O 1:55\u003cbr\u003e8-7.  Overture In G Minor \t 3:57\u003cbr\u003e8-8.  A Divine Hymn: Lord, What Is Man 5:58\u003cbr\u003e8-9.  Chacony \t 4:37\u003cbr\u003e8-10.  Music For A While  4:00\u003cbr\u003e8-11.  Lovely Albina's Come Ashore 2:20\u003cbr\u003e8-12.  Fantazia 5 (11 June 1680) 3:26\u003cbr\u003e8-13.  Ground \u0026amp; Two In One Upon A Ground \t 5:03\u003cbr\u003e8-14.  Thrice Happy Lovers \t 2:26\u003cbr\u003e8-15.  Pavan In B-Flat \t 3:48\u003cbr\u003e8-16.  An Evening Hymn 5:54\u003cbr\u003e.  Dietrich Buxtehude \/ Abendmusik \u003cbr\u003e9-1.  Passacaglia (BuxWV 161) For 2 Harpsichords 3:41\u003cbr\u003e9-2.  Sonata In D Minor, Opus 1\/6 (BuxWV 257) For Violin, Viola Da Gamba \u0026amp; B.C. 8:06\u003cbr\u003e9-3.  Sonata In D (BuxWV 267) For Viola Da Gamba, Cello \u0026amp; B.C. 7:17\u003cbr\u003e9-4.  Sonata G Minor, Opus 2\/3 (BuxWV 261) For Violin, Viola Da Gamba \u0026amp; B.C. 11:05\u003cbr\u003e9-5.  Ciaccona (BuxWV 160) For 2 Harpsichords 3:51\u003cbr\u003e9-6.  Sonata In F, Opus 1\/1 (BuxWV 252) For Violin, Viola Da Gamba \u0026amp; B.C. 7:59\u003cbr\u003e9-7.  Sonata In C (BuxWV 266) For 2 Violins, Viola Da Gamba \u0026amp; B.C. 7:25\u003cbr\u003e9-8.  Fried- Und Freudenreiche Hinfart (BuxWV 76) \/ Contrapunctus\/Evolutio I \u0026amp; II Klag-Lied (Instrumental) 6:44\u003cbr\u003e9-9.  Sonata In G, Opus 1\/2 (BuxWV 253) For Violin, Viola Da Gamba \u0026amp; B.C. 7:29\u003cbr\u003e.  Johann Sebastian Back \/ Concerti - Ciaccona - Partita \u003cbr\u003e10-1.  Ciaccona In D, BWV 1004 11:00\u003cbr\u003e.  Harpsichord Concerto In D Major, BWV 1054 \"Cembalo Certato, Due Violini E Cont.\" \u003cbr\u003e.  Partita IV In D Major \"Clavierübung Opus 1\", BWV 828  \u003cbr\u003e.  Harpsichord Concerto In A Major, BWV 1055 \"Cembalo Certato, Due Violini E Cont.\" \u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003eCD1: (P) 1990 Harmonia Mundi, Freiburg.\nRecorded: June 1990, Studio La Clé d'Ut, Paris.\nTotal Time: 72:16\n\nCD2: (P) 1992 Harmonia Mundi, Freiburg.\nRecorded: June 1992, Place des Vosges, Paris.\nEngineering \/ Edition: Sonart, France.\nTotal Time: 71:50\n\nCD3: (P) 1990 Harmonia Mundi, Freiburg.\nRecorded: May 1990, Eglise Allemande, Paris.\nEditing: Harmonia Mundi Acustica.\nTotal Time: 61:18\n\nCD4: (P) 1991 Harmonia Mundi, Freiburg.\nRecorded: May 1991, Temple St. Marcel, Paris.\nEngineering: Sonart, Milano; Editing: Harmonia Mundi Acustica.\nTotal Time: 50:26\n\nCD5: (P) 1996 BMG Entertainment.\nRecorded: July \u0026amp; August 1993, The Metropolitan Museum of Art, Grace Rainey Rogers Auditorium, New York.\nEngineering: Remote Recording Services, Inc.\nTotal Time: 61:17\n\nCD6: (P) 1992 Harmonia Mundi, Freiburg.\nThis programme was presented at the Théâtre de la Ville, Paris, in November 1991.\nRecorded: November 1991, Paris.\nEditing: Harmonia Mundi Acustica; Engineering, Technical Equipment: Sonart, France\nTotal Time: 60:26\n\nCD7: (P) 1991 Harmonia Mundi, Freiburg.\nRecorded: November 1990, Temple St. Marcel, Paris.\nTechnical Equipment: Sonart, Milano; Editing: Harmonia Mundi Acustica.\nTotal Time: 70:32\n\nCD8: (P) 1992 Harmonia Mundi, Freiburg.\nRecorded: May 1991, Temple St. Marcel, Paris.\nTechnical Equipment: Sonart, Milano; Editing: Harmonia Mundi Acustica.\nTotal Time: 64:30\n\nCD9: (P) 1993 BMG Music.\nRecorded: May 1992, Paris.\nEngineering \/ Editing: Sonart, France.\nTotal Time: 64:27\n\nCD10: (P) 1993 BMG Music.\nA co-production with Semaines Musicales Quimper.\nTotal Time: 69:10\n\n(P) \u0026amp; (C) 2015 Sony Music Entertainment Germany GmbH.\nMade in the EU.\n\nPackage: Clamshell cardboard box contain the discs in separate, original front cover artwork, cardboard wallets and a 24-page booklet.\n\nNote: Detailed tracklist taken from booklet.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComments: \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003e\u003cstrong\u003eGoldmine Grading Guide \u003c\/strong\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor\/Fair (damaged).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMint (M)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAbsolutely perfect in every way. Certainly never been played, possibly even still sealed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNear Mint (NM or M-)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good Plus (VG+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good (VG)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGood (G), Good Plus( G+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePoor (P), Fair (F)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/2277974395\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"The Listening Room","offers":[{"title":"Default Title","offer_id":42147758964942,"sku":"","price":561.28,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/7011\/3486\/products\/11057262-025563160de41cad963460de41cad9637162517857060de41cad963d.jpg?v=1694604533"},{"product_id":"shirley-kwan-shirley-kwan-psychoacoustics","title":"Shirley Kwan = Shirley Kwan - Psychoacoustics","description":"\u003ch3\u003eShirley Kwan = Shirley Kwan - Psychoacoustics\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Mint (M)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Mint (M)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFormat:      \u003c\/strong\u003eCD, Album\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eHong Kong \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e2019-08-09\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eElectronic, Jazz, Pop, Classical\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003eCool Jazz, Neo-Classical, Dark Ambient, Downtempo, Breaks, Ballad\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e1.  叛逆漢子 3:35\u003cbr\u003e2.  難得有情人 4:36\u003cbr\u003e3.  梵音 3:40\u003cbr\u003e4.  假的戀愛 3:46\u003cbr\u003e5.  一切也願意 4:06\u003cbr\u003e6.  夜迷宮 4:13\u003cbr\u003e7.  繾綣星光下 3:24\u003cbr\u003e8.  Dela 4:26\u003cbr\u003e9.  戀一世的愛 3:59\u003cbr\u003e10.  人生可有知己 3:42\u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003eSelf-cover album. Manufactured in Germany.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComments: \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003e\u003cstrong\u003eGoldmine Grading Guide \u003c\/strong\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor\/Fair (damaged).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMint (M)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAbsolutely perfect in every way. Certainly never been played, possibly even still sealed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNear Mint (NM or M-)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good Plus (VG+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good (VG)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGood (G), Good Plus( G+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePoor (P), Fair (F)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/2096073254\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"The Listening Room","offers":[{"title":"Default Title","offer_id":42147760111822,"sku":"","price":431.75,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/7011\/3486\/products\/13997964-0606091862f64abb9230f62f64abb92310166030815562f64abb92313.jpg?v=1694604574"},{"product_id":"joe-hisaishi-飛行石の謎-天空の城ラピュタ-サウンドトラック","title":"Joe Hisaishi - 飛行石の謎 天空の城ラピュタ サウンドトラック","description":"\u003ch3\u003eJoe Hisaishi - 飛行石の謎 天空の城ラピュタ サウンドトラック\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia Condition: \u003c\/strong\u003e Mint (M)\u003cbr\u003e\r\n\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Mint (M)\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFormat:      \u003c\/strong\u003eLP, Album, Ltd, RE, Gat\u003cbr\u003e\r\n\u003cstrong\u003eCountry:    \u003c\/strong\u003eJapan \u003cstrong\u003e \u003cbr\u003e\r\nReleased:  \u003c\/strong\u003e2018-11-03\u003cbr\u003e\r\n\u003cstrong\u003eGenre:       \u003c\/strong\u003eClassical, Stage \u0026amp; Screen\u003cbr\u003e\r\n\u003cstrong\u003eStyle:         \u003c\/strong\u003eSoundtrack, Modern Classical, Score, Vocal\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA1.  空から降ってきた少女 2:27\u003cbr\u003eA2.  スラッグ溪谷の朝 3:04\u003cbr\u003eA3.  愉快なケンカ(~追跡) 4:28\u003cbr\u003eA4.  ゴンドアの思い出 2:46\u003cbr\u003eA5.  失意のパズー 1:46\u003cbr\u003eA6.  ロボット兵(復活~救出) 2:34\u003cbr\u003eA7.  合唱 君をのせて 2:02\u003cbr\u003eB1.  シータの決意 2:05\u003cbr\u003eB2.  タイガーモス号にて 2:32\u003cbr\u003eB3.  破滅への予兆 2:18\u003cbr\u003eB4.  月光の雲海 2:33\u003cbr\u003eB5.  天空の城ラピュタ 4:37\u003cbr\u003eB6.  ラピュタの崩壊 2:00\u003cbr\u003eB7.  君をのせて 4:08\u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNotes:\u003c\/strong\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003eSoundtrack to Hayao Miyazaki's animated film Castle in the Sky (1986)\n\nTip-On gatefold style sleeve. Comes with Obi-strip, liner notes, and layered cell picture inside of the gatefold jacket.\nReissued for Japan's Record Store Day.\n\nA1: Sora kara futtekita shōjo = The Girl Who Fell From The Sky\nA2: Suraggu keikoku no asa = Morning In The Slag Ravine\nA3: Yukaina kenka (~ tsuiseki) = A Rowdy Brawl (~ Pursuit)\nA4: Gondoa no omoide = Memories Of Gondoa\nA5: Shitsui no pazū = Discouraged Pazu\nA6: Robottohei (fukkatsu ~ kyūshutsu) = Robot Soldier (Resurrection - Rescue)\nA7: Gasshō kimi wo nosete = Carrying You - Chorus Version\nB1: Shīta no ketsui = Sheeta's Decision\nB2: Taigāmosugō nite = On The Tiger Moth\nB3: Hametsu he no yochō = An Omen To Ruin\nB4: Gekkō no unkai = A Sea Of Clouds In The Moonlight\nB5: Tenkū no shiro rapyuta = Castle In The Sky\nB6: Rapyuta no hōkai = Destruction Of Rapyuta\nB7: Kimi wo nosete = Carrying You\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eComments: \u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003ch3\u003e\u003cstrong\u003eGoldmine Grading Guide \u003c\/strong\u003e\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA universally accepted standard for representing the condition of physical music in the resale market, including vinyl records, CDs, and cassettes. The levels range from Mint (perfect) down to Poor\/Fair (damaged).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMint (M)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAbsolutely perfect in every way. Certainly never been played, possibly even still sealed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNear Mint (NM or M-)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eA nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good Plus (VG+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a Very Good Plus (VG+) item should sound the same as a Near Mint (NM) one. Surfaces may show some signs of wear, such as slight scuffs or very light scratches, and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVery Good (VG)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item’s defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music. Wear will start to be noticeable, such as with light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGood (G), Good Plus( G+)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAn item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. A container, cover, or sleeve will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePoor (P), Fair (F)\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe item is cracked, badly warped, and won’t play through without skipping or repeating. The container or cover could be cracked, water-damaged, and heavily marred by wear or writing. If it is a vinyl record, the album cover and inner sleeves are fully split, crinkled, and written upon.\u003c\/p\u003e\u003ca href=\"https:\/\/www.discogs.com\/sell\/item\/2293939888\" target=\"_blank\"\u003eData provided by Discogs\u003c\/a\u003e","brand":"The Listening Room","offers":[{"title":"Default Title","offer_id":42147768303822,"sku":"","price":664.9,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0552\/7011\/3486\/products\/12767555-07074931616a542c5be49616a542c5be4b1634358316616a542c5be4d.jpg?v=1694604894"}],"url":"https:\/\/wake.store\/zh\/collections\/classical.oembed","provider":"Wake Concept Store ","version":"1.0","type":"link"}